Christo's posthumous exhibition "Air" at Gagosian in London finally realizes a 1960s concept to contain air within a room, using a massive polyethylene sack suspended from the ceiling that forces visitors to physically engage with the space. The show also includes early wrapped bubble works and a preserved wrapped Volvo, tracing the artist's lifelong fascination with making the invisible tangible.
The Fondation Beyeler in Basel is opening a major solo exhibition of French artist Pierre Huyghe, running from May 24 to September 13, 2026. The show transforms Renzo Piano's museum spaces into a sensitive ecosystem inhabited by images, organisms, sounds, dust, algorithms, and presences suspended between the biological and artificial. Key works include "Apnea" (2026), an artificial organ submerged in water that breathes at a human rhythm; "Alchimia" (2026), featuring a worm on a threshold that reacts to air; "Liminals" (2026), a film depicting a faceless anthropomorphic figure in a state of radical uncertainty; "Adversary" (2026), a closed gate co-created by human and machine; and "Camata" (2024), a film set in the Atacama Desert that is continuously re-edited in real time based on sensors and audience presence.
The Musée d'Orsay in Paris has opened a new permanent gallery titled "À qui appartiennent ces œuvres ?" ("To whom do these works belong?") dedicated to MNR (Musées Nationaux Récupération) artworks—pieces recovered after World War II that have not yet been returned to their rightful owners. The single-room exhibition displays thirteen works from the 225 "artistic orphans" held by the museum, including paintings by Pierre-Auguste Renoir, Edgar Degas, and Alfred Stevens. Curators have suspended several works between glass panels to expose the backs of the canvases, revealing inventory stamps and gallery labels that trace their journey from Jewish homes into the Nazi art machine.
Uffner & Liu in New York is presenting 'What Remains,' a solo exhibition by Iranian artist Arghavan Khosravi, running through July 2, 2026. The show features multi-paneled sculptural canvases, a freestanding sculpture, and intimate mixed-media works, including the debut of her 'Altar Series,' which reimagines medieval devotional altarpieces through a contemporary political and psychological lens.
Rosy Simas, a Seneca artist, has unveiled a new commission at the Walker Art Center titled 'A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind). The work emerged from a two-year residency and blends performance, installation, sound, and sculpture. It centers on suspended handwoven vessels inspired by Haudenosaunee corn-husk twining traditions, which serve as both sculptural forms and familial presences, creating an immersive meditation on kinship and Indigenous knowledge.
From May 3 to June 28, 2026, Art Studio La Marina gallery in Pietrasanta hosts "Anteprima," a solo exhibition by Italian artist Beppe Madaudo (born Palermo, 1950), curated by Diego Ferrante. The show presents works where animals, human figures, and hybrid forms emerge from layered matter, exploring themes of memory, tension, and transformation. Key pieces include a depiction of the fish St. Peter, whose profile is outlined in red while its interior is built from threads, combustions, and fragments, and two horse paintings on contrasting ash gray and burnt red backgrounds that alter the visual weight of the same silhouette.