Guest columnist John Chiaverina reports from the opening of the 2026 Whitney Biennial, capturing the shifting moods of the New York art scene. Through interviews with participating artists like Maddie Biven of the collective kekahi wahi and veteran performer Pat Oleszko, the piece explores a tension between the desire for exuberant, risk-taking aesthetics and a perceived lack of political urgency among younger generations.
At Design Miami 2025, artist Nicole Cherubini presented monumental ceramic sculptures at Friedman Benda's booth, alongside Molly Hatch's installation of 288 ceramic plates at Todd Merrill's booth. The fair, curated under the theme "Make.Believe" by Glenn Adamson, saw 15 previous exhibitors drop out due to President Trump's tariffs—including a 50 percent tariff on steel and aluminum—while eight more booths appeared overall, dominated by younger, emerging talent and organic, pastel-hued designs. Established galleries like Donzello, Patrick Seguin, and Sarah Myerscough did not return, while first-time exhibitors included Arte y Ritual and Mass Modern Design.
Spring 2025 in New York City brings a dense calendar of art fairs, headlined by Frieze New York at The Shed (May 7–11) with over 65 galleries from 25 countries, and Independent at Spring Studios (May 8–11) which this year surpasses Frieze in size with 85 exhibitors. Other notable fairs include the 1-54 Contemporary African Art Fair celebrating its 10th year with a focus on the Caribbean diaspora, the experimental SPRING/BREAK Art Show, and NADA New York featuring 120 galleries and a spotlight on Texas and Mexico. The guide also mentions newer showcases like Esther II and Conductor, offering a comprehensive overview for collectors and art enthusiasts navigating the city's art week.
Eyecatcher und Entdeckungen
The 42nd edition of Art Brussels has scaled down to 138 exhibitors from 165 in 2025, responding to a sluggish contemporary art market and economic uncertainty. The fair introduces a new section called 'Horizonte,' curated by Devrim Bayar of Kanal Centre Pompidou, featuring six large-scale installations including Pao Hui Kao's delicate paper-and-lacquer refuge and Oswald Oberhuber's €380,000 panoramic painting 'Paradiesgarten.' Galleries are now consolidated into one hall, with fewer blue-chip participants but a continued focus on living artists (95% of the 500 shown). Notable presentations include Xavier Hufkens' solo show of Cassi Namoda, Krinziger's works by Marina Abramović and Monica Bonvicini, and Richard Saltoun's historical mix of Fernand Khnopff, Everlyn Nicodemus, and Suzanne Van Damme.
Earlier this spring, artist Julia Isídrez led a guided tour at São Paulo's Gomide & Co. gallery for a joint exhibition with Maria Lira. The show highlights two artists from different generations and mediums—Lira from Brazil (painting) and Isídrez from Paraguay (sculpture, featured in the 2024 Venice Biennale)—who both engage Indigenous and Afro-Indigenous traditions from a contemporary perspective. Gallerist Thiago Gomide rejects labels like 'folk' or 'popular,' insisting it is simply an art exhibition. The article profiles a network of Brazilian dealers, including Vilma Eid of Galeria Estação and Antonio Almeida of Almeida & Dale, who have worked to revive interest in arte popular, a category historically applied to self-taught, Indigenous, and Black artists.
Cultured's spring gallery guide for New York highlights a curated selection of exhibitions across the city, with standout shows including Carol Bove's sculptural installation at the Solomon R. Guggenheim Museum, Joan Semmel's retrospective at the Jewish Museum, Jessi Reaves's furniture-based works at the American Academy of Arts and Letters, and the group show "Afterlives: Contemporary Art in the Byzantine Crypt" at the Metropolitan Museum. The guide also notes exhibitions by Paul Chan, Nicola Tyson, Doron Langberg, and Yuval Pudik that are closing soon, and extends coverage to shows in Philadelphia and Warsaw.
The 2026 Turner Prize nominees have been announced, featuring artists Marguerite Humeau, Tanoa Sasraku, Kira Freije, and Simeon Barclay. The shortlist is notably lacking in painting, video art, and overtly political work, instead offering sci-fi utopianism, jazz performance poetry, ephemeral sculpture, and anti-corporate satire. Critics describe the selection as timid and safe compared to previous years, missing the anger, radicalism, and transformative joy of past editions.
A major retrospective of Alexander Calder’s work has opened in Paris, offering a comprehensive look at the sculptor’s career-long obsession with movement and balance. The exhibition invites visitors to engage directly with his iconic mobiles and wire sculptures, emphasizing the physical and temporal experience of art that shifts with the surrounding air and light.
Bucharest-based gallery Arsmonitor is presenting the second installment of a four-part curatorial program dedicated to Romanian artist Florin Mitroi (1938–2002). Titled "Florin Mitroi: Ch.II: Autumn," the exhibition is curated by Erwin Kessler and is anchored by the recent rediscovery of over 600 previously unseen works—files, notebooks, drawings, and pieces on wood and metal—that had been forgotten in storage for nearly two decades. The show frames these recovered materials as foundational, expanding the known oeuvre of an artist who exhibited only a small fraction of his production and later regretted even those works. The program, structured around the four seasons, includes chapters titled "Winter," "Autumn," "Summer" (planned for 2027), and "Spring," aligning with the season of Mitroi's death.
T Venkanna, an Indian painter known for his sexually explicit and mythologically-infused works, is the subject of his first institutional solo show. The exhibition features an altarpiece shaped like a juvenile phallus, populated with scenes of graphic copulation, including figures from Hindu mythology and Adam and Eve. Venkanna draws inspiration from ancient Indian temple sculptures, which he says depict similar acts, and his work challenges the disparity between puritanical religious doctrine and licentious reality. The artist, who grew up as the son of a Hindu priest, has faced death threats and accusations of blasphemy in India for his provocative imagery.
Artist Christina Quarles has launched her first solo exhibition with Hauser & Wirth in Los Angeles, titled "The Ground Glows Black." The new body of work features her signature fluid, elastic depictions of bodies, but introduces a more "untethered" and monochromatic aesthetic influenced by recent personal trauma. The paintings and works on paper were created in the aftermath of the Eaton fire, which destroyed the artist's home and community in Altadena.
Chicago's diverse landscape of pop culture and contemporary art is highlighted through a curated list of seven key destinations in the metropolitan area. The selection ranges from the Volo Museum’s collection of Hollywood vehicles and Titanic artifacts to the Museum of Contemporary Art Chicago’s extensive permanent collection of over 2,000 modern works and high-tech media displays.
Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune
The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.
The Museo dell'Ara Pacis in Rome is hosting an exhibition titled 'Impressionismo e oltre' (Impressionism and Beyond), featuring 52 masterpieces on loan from the Detroit Institute of Arts. Curated by Ilaria Miarelli Mariani and Claudio Zambianchi, the show spans from the 1840s to the early 20th century, tracing the evolution of European painting through Impressionism, Post-Impressionism, and the avant-garde. Works by Degas, Renoir, Cézanne, Van Gogh, Picasso, Matisse, Modigliani, and others are displayed across thematic sections that explore the shift from academic tradition to modern visual language.
Come sarà la decima edizione fiera Art Monte-Carlo nel Principato di Monaco
Art Monte-Carlo, the boutique art fair in the Principality of Monaco, celebrates its tenth edition from April 29 to May 1, 2026 (preview April 28), under the High Patronage of H.S.H. Prince Albert II. The fair will host 26 international galleries of modern and contemporary art at the Grimaldi Forum, moving to new spring dates and coinciding with the Monaco Art Week (April 27–May 1). Newcomers include Italian gallery Secci, Mitterrand from Paris, A&R Fleury, Cecilia Hillström Gallery, Fabienne Levy, Giovanni Martino Projects, Lee & Bae, Ritsch-Fisch Galerie, and Monegasque galleries Hartford Fine Art – Lampronti Gallery and M.F. Toninelli Art Moderne. Returning exhibitors include Almine Rech, Cortesi, Galleria Continua, Suzanne Tarasieve, Semiose, Van de Weghe, Voena, and Wilde. A curated section features a collective exhibition titled "Earthly Delights," curated by Stefano Rabolli Pansera and inspired by Luis Buñuel, centered on a functioning bar as a conceptual and physical space. The fair also includes a public program and talks with figures such as photographer Juergen Teller, auctioneer Simon de Pury, and collector Batia Ofer, and has moved under the influence of Informa Prestige, the luxury division of events company Informa.
The New Art Dealers Alliance opened the 12th edition of NADA New York on May 14, 2026, at Chelsea’s Starrett-Lehigh building, coinciding with Frieze and 1-54 fairs nearby. The fair featured 110 exhibitors, including 51 first-time galleries from New York to Shanghai, with standout presentations by Andrae Green and Cyle Warner at Forgotten Lands, Ruth Owens at Voltz Clarke, and Keiko Narahashi at Tappeto Volante Gallery. This year’s edition emphasized ceramics and fiber art, marking a shift from recent years’ focus on figurative painting.
Hungarian photojournalist János Bődey captures a poignant moment of joy at a retirement home in Páty, near Budapest, featuring two elderly women dressed as a bride and groom for a carnival celebration. The photograph is part of his series "Carnival at the Retirement Home," which documents the resilience and vitality of Hungarian pensioners who maintain a zest for life despite economic hardships and a strained healthcare system.
Art Dubai has unveiled the details for its 2026 "special edition," which features a significantly reduced scale in response to ongoing regional conflict. The fair will host 50 galleries—a sharp decline from the 120 participants in 2025—with a strategic focus on regional representation, as nearly two-thirds of the exhibitors hail from the Middle East. To compensate for the smaller commercial footprint, the event will deepen its ties with local institutions like the Sharjah Art Foundation and Alserkal Avenue through expanded collaborative programming.
The 2026 Venice Biennale is defined by themes of ruin and decay, with standout national pavilions exploring bodily, infrastructural, and archaeological collapse. The Slovenian Pavilion features the Nonument Group repurposing materials from past Biennales into a ruin of a mosque for Bosnian Muslim soldiers from World War I. Syria presents its first national pavilion since the Civil War, with Sara Shamma invoking Palmyra, destroyed by ISIS. Germany's pavilion, titled "Ruin," features works by Henrike Naumann (who died in February) and Sung Tieu, questioning the pavilion's fascist architecture and nationalist residue. The Austrian Pavilion, curated by Florentina Holzinger, offers a visceral performance titled "Sea World." The Biennale is also marked by the abrupt resignation of its five-member jury, who refused to consider nations charged with crimes against humanity, leading to awards being chosen by public vote. Additionally, the main exhibition "In Minor Keys" was affected by the death of its curator, Koyo Kouoh.
Nayland Blake, a conceptual artist known for blending cerebral ideas with visceral, queer sensibilities, is the subject of a major solo exhibition at Mathew Marks Gallery in New York, running through October 2025. Concurrently, a new book titled *My Studio Is a Dungeon Is the Studio: Writings and Interviews 1983–2024* is set for release next month, compiling decades of the artist's writings and interviews. The article explores Blake's unique approach to art, which combines psychoanalytic theory, queer aesthetics, and a critical stance toward institutional power, as seen in their analysis of figures like Judge Daniel Paul Schreber and artist Jack Smith.
Bode Galerie in Nuremberg has opened a new group exhibition titled “The Woman in Art – Muse and Creator,” running through July 5, 2025. The show traces the representation of women across the 20th and 21st centuries, featuring works by artists such as Henri Matisse, Ida Kerkovius, Alain Clément, and Elvira Bach. It begins with early 1900s works where women were primarily muses for male artists, then moves through decades of reclamation by women artists, culminating in contemporary autonomous depictions of the female form.
The Penn Museum at the University of Pennsylvania in Philadelphia will open its new 2,000-square-foot Native North America Gallery on Saturday, November 22, after two years of planning. The long-term exhibition replaces the 2014 show "Native American Voices: The People—Here and Now," which was curated by Lucy Fowler Williams with around 80 Native consultants but felt fragmented. This time, Williams and co-curator Megan C. Kassabaum worked closely with eight Native American curators—not just advisors—to determine the stories told. The gallery highlights moments of rupture, loss, and betrayal alongside resilience, and includes an empty vitrine to acknowledge repatriation efforts and culturally sensitive objects that tribes prefer not to display.
Melik Ohanian’s solo exhibition, titled "ALTERATION, For a long time in Time," is currently on view at Galerie Chantal Crousel in Paris. The show features a series of new works that continue the artist's career-long investigation into the dimensions of time, space, and the shifting nature of perception. Through a minimalist and conceptual lens, Ohanian utilizes the gallery space to document temporal transitions and the physical manifestation of duration.
The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.
Valerie Mercer, the lead curator of African American art at the Detroit Institute of Arts (DIA), has spent over two decades building a collection that now includes more than 700 works. Last fall, the museum unveiled a major reinstallation titled "Reimagine African American Art," moving African American art from scattered locations to the heart of the institution, near Diego Rivera's Detroit Industry Murals. The rehang traces a lineage from 19th-century painters like Robert S. Duncanson to modern innovators like Sam Gilliam, covering key cultural movements such as the Harlem Renaissance and the Black Arts Movement.
Renowned artist Philippe Parreno joined Hans Ulrich Obrist for an artist talk at the Mori Art Museum in Tokyo, hosted by Fondation Beyeler and UBS. The conversation spanned Parreno's career, from his early projects like the manga-inspired 'Annlee' to his current role as Artistic Director of the 2025 Okayama Art Summit. Parreno detailed his shift into filmmaking, including a new project featuring Jennifer Lawrence, and his use of AI and technology to create 'living' art installations.
The Ali Forney Center (AFC), an LGBTQ+ youth organization facing a funding drop of over $400,000 from lost corporate sponsors, is holding a benefit exhibition titled "Toward the Light: Artists for the Ali Forney Center" at David Zwirner’s West 19th Street gallery in Chelsea from October 28 to November 1. Organized by art adviser Stephen Truax for the second year, the show features 38 works by artists including Doron Langberg, Jenna Gribbon, Jake Grewal, Ilana Savdie, Anthony Cudahy, Wolfgang Tillmans, Julie Mehretu, and Katherine Bradford, with proceeds supporting AFC’s housing and care for over 2,000 queer youth. Previous editions with Sotheby’s raised over $350,000 and $370,000 respectively.
The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.
LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.
Beijing's art week, rebranded as the Beijing Art Season, ran from 22 May to 1 June, featuring three concurrent events: Art021 Beijing (formerly JingArt) at a new venue in the 798 Art District, Gallery Weekend Beijing (GWBJ), and the fair Beijing Dangdai. The 798 gallery complex merged with the adjacent 751 complex, becoming the 798 751 Art District. GWBJ scaled back this year, suspending its curated selling exhibition and international visiting sector, instead hosting only one pop-up gallery. Organizers cited economic struggles and tariffs as challenges, with gallerists reporting slower sales and cancelled US orders due to new tariffs.