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Harmony Korine’s First U.S. Museum Show Is ‘Perfect Nonsense’

The Institute of Contemporary Art (ICA) Miami is set to host 'Perfect Nonsense,' the first U.S. museum survey dedicated to the multidisciplinary work of director and artist Harmony Korine. Opening April 15, the exhibition features over 50 works spanning Korine’s career, from early collages and notes following his 1995 film 'Kids' to his recent infrared 'post-cinema' project 'Aggro Dr1ft.' The show includes a diverse array of media, including 'Twitchy' paintings, collaborative works with Rita Ackermann, and a dedicated 'Florida Room' exploring his current home in Miami.

Ladji Diaby “Who’s Gonna Save the World?” at Lafayette Anticipations, Paris

Ladji Diaby’s solo exhibition at Lafayette Anticipations, titled “Who’s Gonna Save the World?”, features furniture repurposed as vitrines for discarded objects. By collecting and displaying artifacts that have lost their original utility, Diaby creates a symbolic dialogue between himself and the anonymous former owners of these items, elevating mundane debris into the realm of high art.

Artist Sandra Hansen spotlights plastic pollution with ‘Our Exquisite Pollution Series: Under the Sea’

International environmental artist Sandra Hansen's exhibition 'Our Exquisite Pollution Series: Under the Sea' is on view at the Evanston Art Center from March 28 to April 26. The show features large-scale marine scenes made from handmade paper and repurposed plastics, including a 12-foot paper whale and kelp columns braided from hundreds of plastic bags, all highlighting the impact of plastic pollution on oceans. Hansen began the series in 2014 after learning about agricultural runoff in Lake Erie and has since collected beach trash to incorporate into her conceptual art.

Brandywine Museum of Art’s exhibition features a contemporary eye on still life

The Brandywine Museum of Art has announced a new group exhibition titled "Abundance/Excess: A Contemporary Eye on Still Life," featuring works by 10 contemporary artists. The show is divided into two thematic sections: "Abundance," which examines the history of wealth and commerce in America, and "Excess," which focuses on the environmental and social consequences of overconsumption. Curated by Kerry Bickford, the exhibition includes diverse media ranging from traditional painting to works made from discarded materials like trash-picked toys and grocery flyers.