Sea change: inside LACMA’s new curatorial strategy

The Los Angeles County Museum of Art (LACMA) is debuting a radical curatorial overhaul within its new David Geffen Galleries, moving away from traditional 19th-century departmental silos. Led by Director Michael Govan and a team of 45 curators, the museum is implementing a cross-disciplinary approach that organizes the collection around "oceanic nodes"—the Mediterranean, Atlantic, Indian, and Pacific. This strategy allows for the juxtaposition of disparate media and cultures, such as contemporary photography alongside ancient textiles, to highlight the historical circulation of ideas and people across bodies of water.

Toronto Biennial takes waterways as inspiration for its fourth edition

The Toronto Biennial of Art has announced the details for its fourth edition, titled "Things Fall Apart," scheduled to run from September 26 to December 20. Curated by Allison Glenn, the exhibition will feature 30 artists and collectives, including Kent Monkman, Rebecca Belmore, and Dawoud Bey, with a heavy emphasis on new commissions. For the first time, the biennial is expanding its footprint beyond the Greater Toronto Area to include partnerships with institutions across Canada and international sites like Times Square in New York and the Anchorage Museum in Alaska.

Louis Vuitton Opens Jean-Michel Othoniel Exhibition in Beijing

Art Exhibition Installations

Louis Vuitton has inaugurated 'Dazzling Trilogy,' a solo exhibition by French artist Jean-Michel Othoniel at the Espace Louis Vuitton Beijing. Running from April 15 through September 6, 2026, the show celebrates the 20th anniversary of the Espaces Louis Vuitton program and features four significant works from the Fondation Louis Vuitton collection. Highlights include an early 2002 water-filled glass installation and 'Rivière Rose,' a new site-specific floor piece composed of pink glass bricks.

peter zumthor's david geffen galleries open at LACMA as a sweeping glass-and-concrete arc

The Los Angeles County Museum of Art (LACMA) has officially opened the David Geffen Galleries, a massive glass-and-concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Elevated nine meters above the ground and spanning Wilshire Boulevard, the 275-meter-long building replaces several older structures to house the museum’s permanent collection. The inaugural installation, developed by a team of 45 curators, abandons traditional chronological displays in favor of a geographic framework organized around four major bodies of water: the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea.

Painted Up: This vibrant exhibition challenges colonial perceptions of Aboriginal art

Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.

Toronto Biennial of Art announces 2026 artists and theme

The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.

Olafur Eliasson stages public wake for the Great Salt Lake in Utah

Icelandic-Danish artist Olafur Eliasson presented 'A symphony of disappearing sounds for the Great Salt Lake,' a large-scale multimedia installation in Salt Lake City’s Memory Grove Park. The work featured a three-story luminous sphere projecting visuals of wind currents and geothermal light, accompanied by a soundscape of migratory birds, brine flies, and frogs. Commissioned by the Salt Lake City Arts Council and Bloomberg Philanthropies, the ten-day public event served as a creative wake for the rapidly receding lake.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

New York’s Newest Triennial Lines Up 39 Artists for Star-Studded First Edition Along the Erie Canal

The Medina Triennial has announced the artist lineup for its inaugural edition, set to open on June 6 in the Western New York village of Medina. Curated by co-artistic directors Kari Conte and Karin Laansoo, the exhibition features 39 international and local artists, including Venice Biennale winner Lina Lapelytė, Taysir Batniji, and Tania Candiani. The event is centered around the Erie Canal and explores the theme "All That Sustains Us," focusing on ecology, sustainability, and community exchange.

Exhibit at National Museum of Mexican Art in Chicago is a call to climate action

Artist Ana Teresa Fernández has launched her solo exhibition "Under Pressure" at the National Museum of Mexican Art in Chicago, presenting a multi-disciplinary call to climate action. The exhibit features oil paintings, sculptures such as a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the planet's breaking point. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to flash an S.O.S. signal in Morse code toward the horizon.

Sands and Rituals from the Antipodes: To Be Discovered in a Former Church in Venice

Sabbie e riti dagli antipodi. Da scoprire in una ex chiesa di Venezia

The Church of San Lorenzo in Venice, home to Ocean Space, is hosting "Tide of Returns," an exhibition by the Repatriates Collective. The installation transforms the historic nave with sand dunes populated by thousands of decorated shells known as Dadikwakwa-kwa, or shell dolls, from the Anindilyakwa people of Australia. The show also features a tripartite installation of video, textiles, and braids by German-Bolivian artist Verena Melgarejo Weinandt, exploring themes of ancestral connection and the universal significance of water.

Rawya El Chab Tends to the Wounds of Lebanon's Civil War

Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.

Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.

‘Washwasha’ (Whispers Across Water): Sonic Cartographies of the UAE at the Venice Biennale.

The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.

Under Water, We Who Are Deaf Are Freer

"Unter Wasser sind wir Gehörlosen freier"

Artists Bogna Burska and Daniel Kotowski have been selected to represent Poland at the upcoming Venice Biennale with their collaborative project, "Liquid Tongues." The exhibition features elaborate video works that draw parallels between the ancient, complex vocalizations of whales and the visual communication of sign language. By filming underwater, the duo explores an environment where the traditional sensory advantages of hearing people are neutralized, and the gestural fluency of the Deaf community becomes a primary mode of connection.

East Coast painter dives into life, water and legacy in new exhibition

East Coast artist Prudence Davis has unveiled her latest exhibition, "Going with the Flow," at the Matawhero Art Gallery. The collection features a series of paintings deeply inspired by the local landscape and the artist's personal connection to the ocean. Davis, who comes from a significant artistic lineage, uses this body of work to explore her environment through fluid, nature-focused compositions.

Immersive 'Resonant Site' art exhibit brings Baltimore's Curtis Bay to life at the Pikesville Armory

The Pikesville Armory has been transformed into an immersive walk-through installation titled "Resonant Site," featuring the collaborative work of local artists. Utilizing a complex arrangement of video projections, soundscapes, and dozens of screens, the exhibit captures the industrial and natural landscapes of Baltimore’s Curtis Bay, focusing on the delicate intersection of water, industry, and residential life.

Nature in Art invites visitors to 'be still, be quiet' at poignant exhibition from internationally acclaimed artist Darrell Warner

Acclaimed artist and illustrator Darrell Warner is set to debut a poignant solo exhibition titled 'Crucifixion' at the Nature in Art museum near Gloucester. Running from May 12 to June 21, 2026, the show features a series of striking watercolours depicting Britain's native birds—ranging from common blackbirds to elusive water rails—that have been killed by human interventions such as vehicle strikes and window collisions.

Phoebe Boswell’s ‘Art on the Underground’ dives into why the majority of Black British adults don’t swim

Artist Phoebe Boswell has unveiled a major public art commission for Art on the Underground, installed across the escalators of Bethnal Green and Notting Hill Gate stations in London. The immersive photographic series features Black subjects moving underwater, captured in a stop-motion style that responds to the physical movement of commuters. The project was inspired by the statistic that 95 per cent of Black British adults do not swim, a reality Boswell links to generational trauma and structural inequality.

Light on the water

The Victoria Art Gallery in Bath has announced 'The Transience of Light,' the first posthumous exhibition dedicated to the celebrated British printmaker Norman Ackroyd CBE RA. Opening on May 22, the retrospective features over five decades of etchings, ranging from his early 1980s works to his final pieces. Co-curated by the gallery’s senior curator Nathalie Levi alongside Ackroyd’s family and studio manager, the show includes archival material and a diverse range of subjects including his iconic remote coastal landscapes, cityscapes, and interiors.

McLean Project for the Arts to Open Spring Solo Exhibitions April 30

McLean Project for the Arts (MPA) has announced the opening of its 2026 Spring Solo Exhibitions, featuring three distinct solo presentations by Sabine Carlson, Zsudayka Nzinga, and Darlene R. Taylor. The exhibitions include Nzinga’s exploration of American labor and diaspora through mixed media, Taylor’s textile-based portraits honoring Black motherhood, and Carlson’s paintings depicting environmental rescue efforts between humans and water birds. The shows will run from April 30 through June 13, 2026, at the McLean Community Center.

‘Bill Viola. Unspoken’: PSI Foundation presents exhibition of works by video art pioneer

The PSI Foundation in Limassol, Cyprus, has announced a major exhibition titled “Bill Viola. Unspoken,” set to open in April 2026. Organized in collaboration with Bill Viola Studio and curated by Dimitri Ozerkov, the show features seminal video works including "The Greeting," "The Dreamers," and "Martyrs." The exhibition focuses on Viola’s use of slow motion and cyclical time to explore universal themes of birth, death, and human consciousness.

Really, Really Good Events And Things To Do In London In May 2025

London is set to debut the Quentin Blake Centre for Illustration in May 2026, a major new cultural hub located in a restored 18th-century waterworks building in Clerkenwell. The center will feature three galleries, a library, and learning spaces, opening with a solo exhibition titled 'Ever Feel Like…' by the rising illustration star MURUGIAH.