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Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

Photographer Catherine Opie is everywhere all at once this spring

Photographer Catherine Opie is experiencing an extraordinary year in 2026, with multiple major exhibitions opening simultaneously across Europe and Los Angeles. A career-spanning survey at London’s National Portrait Gallery will travel to Edinburgh’s Royal Scottish Academy, while other shows appear in Kassel, Germany, and Trondheim, Norway. In Los Angeles, her new exhibition “Holding Blue” opens May 28 at Regen Projects, featuring 44 images of Norwegian mountain landscapes shot over 20 days in early 2024, accompanied by nine ceramic sculptures. Her work also appears in group shows at the Autry Museum of the American West, Hauser & Wirth, and David Zwirner. Opie, who retired from UCLA after serving as chair of the art department and teaching photography for more than 20 years, describes this period as the “Catherine Opie World Tour 2026.”

Stanley Donwood on his show with Thom Yorke in Venice: ‘These drawings… they’re not planned’

Stanley Donwood, the artist and longtime collaborator of Radiohead's Thom Yorke, discusses his recent and upcoming projects in an interview. These include the conclusion of 'This Is What You Get', a retrospective at Oxford's Ashmolean Museum; the 'Motion Picture House' installation based on Radiohead's albums Kid A and Amnesiac; and his first exhibition outside the UK with Yorke, titled 'No Go Elevator (not without no keycard)', staged in Venice during the 2026 Biennale. The Venice show, presented with Tin Man Art, features 15 ink-on-paper works combining drawings and text from Yorke's notebooks.

A West Coast First: A Retrospective of SFMOMA’s KAWS Exhibit

The San Francisco Museum of Modern Art (SFMOMA) concluded its six-month exhibition "KAWS: FAMILY," the artist's first major museum retrospective on the West Coast. The show featured 30 years of Brian Donnelly's (KAWS) work, from early advertising recreations to monumental sculptures, with a central theme of kinship. It attracted a record influx of young adults and families, helping SFMOMA recover from a 30% drop in annual foot traffic between 2019 and 2024.

'Fade' review: Studio Museum Harlem's 'F' series returns

The Studio Museum in Harlem has opened 'Fade,' the sixth installment of its influential 'F' series, featuring 17 emerging Black and Afro-Latinx artists. The exhibition includes works such as London Pierre Williams's large-scale oil painting 'The Stage: He that leaves me blue, a dream (2026)' and Antonio Darden's 'Untitled (Reclining Figure) (2025),' among others. Curated to feel like an unfolding conversation rather than a traditional group show, 'Fade' explores themes of ancestry, spirituality, grief, and transformation, with sculptures, paintings, and installations that hover between memory and dream.

L’artista multidisciplinare Francesco Impellizeri protagonista di un nuovo appuntamento de I Martedì Critici. Il video

Francesco Impellizeri, a multidisciplinary artist born in Trapani in 1958, is the subject of the third seasonal appointment of "I Martedì Critici," a series of meetings curated by Alberto Dambruoso and Loredana Rea. The article explores Impellizeri's career, which began in the mid-1980s and blends painting, music, photography, and performance into a distinctive, eccentric language. His work often uses paradox and sarcasm to critique contemporary stereotypes, as seen in performances like "Desfilè: mannequin per nient" and his series of "Pensierini"—childlike notebook pages that address political and social themes. His exhibitions span from the Fondazione Bevilacqua La Masa in Venice to the Museo Reina Sofía in Madrid and the Museo del Barrio in New York.

Annette Barcelo “Bestie, Bellezze e altre Compagne” at Haus für Kunst Uri

Annette Barcelo's exhibition "Bestie, Bellezze e altre Compagne" (Beasts, Beauties, and Other Companions) is on view at Haus für Kunst Uri in Altdorf, Switzerland. The show explores the creaturely as something emerging between bodies, images, and acts of imagination, where human, animal, mask, and ornament merge into hybrid figures that feel both familiar and elusive.

Waddesdon’s Art in Nature returns with a new 70-metre land artwork by James Brunt and Jon Foreman

Waddesdon Manor in the UK has launched the 2026 edition of its Art in Nature program, featuring a monumental 70-meter mandala created by land artists James Brunt and Jon Foreman of Sculpt the World. The collaborative work, made with support from Mark Ford and Eric Ford, draws inspiration from the manor's architecture and surrounding landscape, using natural materials like leaves, stones, and branches. The program runs until May 31 and includes workshops, talks, and participatory making sessions with artists such as Rebecca and Mark Ford of Two Circles Design, Tim Pugh, Ana Castilho, Richard Shilling, Julia Brooklyn, and disability activist Sam Cleasby.

“You already have everything you need”: interview with Thomas Dambo opening his first museum exhibition

Danish recycle artist Thomas Dambo has opened his first museum exhibition at the ARKEN Museum of Contemporary Art in Ishøj, Denmark, on May 24. The exhibition, running until November 29, features his signature giant troll sculptures, which have previously been installed in forests, mountains, and deserts around the world. The show marks a shift from Dambo's typical outdoor, site-specific installations to a formal museum setting.

"Accumulation of Becoming”, a solo exhibition of new works by Angela Weddle

Un Grito Gallery in San Antonio, Texas, will present "Accumulation of Becoming," a solo exhibition of new works by multidisciplinary artist Angela Weddle. The show opens April 30–May 1, 2026, with a closing reception on May 21, 2026. The exhibition features layered self-portraiture combining drawing and photography, exploring themes of selfhood, grief, and transformation through dense mark-making and the accumulation of imagery.