Abbiamo visto tutte le mostre del Roma Gallery Weekend: ecco le 10 migliori

The third edition of the Roma Gallery Weekend has concluded, with around thirty galleries forming an official association with legal status and a dedicated budget. The event featured a VIP program of breakfasts, guided tours, and performances, aiming to attract collectors, curators, and local audiences. While the quality of exhibitions was high—28 out of 33 shows were reviewed—logistical challenges remain, including Rome's sprawling layout, limited public transport, and taxi availability. The article highlights 10 standout shows, such as Petra Feriancová's archaeological-inspired installation at Gilda Lavia and Elisa Montessori's exhibition at Monitor.

Free Summer Exhibitions in 2026 Across Paris and Île-de-France: This Season’s Must-See Events

A curated guide lists free summer exhibitions across Paris and Île-de-France for 2026, including shows at Fluctuart, Perrotin Gallery, Petit Palais, Bourse de Commerce, Rachel Hardouin Gallery, and Domaine de Chamarande. Highlights include "Everybody's Searching for Their Cat" at Fluctuart (May 7–August 23), JR's "Les Esquisses de la Caverne" at Perrotin (June 5–July 25), the return of "We are (still) here" street-art exhibition at Petit Palais (June 20–September 20), and free late hours at Bourse de Commerce on the first Saturday of each month.

Martha Invitational 2026

The Martha Invitational returns for its second edition on May 29–30, 2026, at RULE Gallery in Marfa, Texas. Originally conceived in 2023 by Marfa-based artists Martha Hughes, Diana Simard, and Leslie Wilkes as a small, self-organized, low-budget exhibition in Hughes' studio, the event expands this year to include a fourth artist, Bettina Landgrebe. The show features works by all four artists, with Hughes presenting selections from her Garden series, Landgrebe showing her Strange Bloom assemblages, Simard offering landscape-inspired paintings and prints, and Wilkes exhibiting geometric paintings. The opening reception takes place Friday evening from 5–7 PM, with artists present both days.

US SCULPTURES AMID CONTROVERSY AT THE VENICE BIENNALE

The United States Pavilion at the 61st Venice Biennale features sculptor Alma Allen's exhibition "Call Me the Breeze," which opened with no clear funding just ten days prior. Unlike previous pavilions supported by major foundations like Ford and Mellon, Allen's show relies on a $375,000 US government contribution and public donations via the American Arts Conservancy. The selection process was unconventional: the State Department, which took over after Trump's NEA budget cuts, imposed restrictions on DEI policies and required proposals promoting "American exceptionalism." Curator Jeffrey Uslip directly approached Allen without a formal proposal, leading the artist's two galleries—Olney Gleason and Mendes Wood DM—to drop him when he accepted the commission.

JR transforms the Pont-Neuf into an immense immersive cave

JR métamorphose le Pont-Neuf en immense caverne immersive

French artist JR has transformed the Pont-Neuf in Paris into a massive immersive cave installation titled "La Caverne du Pont-Neuf," unveiled in May 2026. The work pays homage to Christo and Jeanne-Claude's 1985 wrapping of the same bridge, using an inflatable double-wall structure covered with printed fabric to simulate rock formations and a prehistoric cave. The 120-meter-long installation is free and open to the public day and night, featuring augmented reality experiences via mobile devices and VR glasses, with a soundscape by a former Daft Punk member. The project, budgeted at €10.9 million funded by private sources, marks the first time JR has invited the public inside one of his works.

How Immersive Digital Exhibitions Reshape Art Viewing

The article examines how immersive digital exhibitions have transformed art viewing by the late 2020s, focusing on the Smithsonian Hirshhorn Museum's late-2025 survey "Big Things for Big Rooms" and the touring show "Picasso: Art in Motion" at the Museum of Art and Light. It notes that immersive exhibitions now encompass 360-degree projection mapping, AR overlays, and generative AI installations, and that they consistently outperform traditional exhibitions in attendance, especially among visitors under 35.