Jenna Burlingham Gallery, founded in 2010, moved in 2021 to a historic compound called Rope Yard in Hampshire, England. Instead of a traditional white cube, the gallery's interiors are designed to feel like a beloved home, with furnished rooms displaying modern British and contemporary art alongside antiques. The gallery recently celebrated its 15th anniversary, attracting collectors from London and worldwide to its village location.
San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.
Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.
The Hyperallergic Spring 2026 New York Art Guide outlines a massive seasonal program featuring nearly 70 exhibitions across the city's major institutions and alternative spaces. High-profile highlights include a Marcel Duchamp retrospective at MoMA, the first major U.S. exhibition of Raphael at the Metropolitan Museum of Art, the return of the Whitney Biennial, and the reopening of the New Museum. The guide also previews diverse showcases ranging from Molly Crabapple’s activist posters at Poster House to a rare Caravaggio loan at the Morgan Library.
Finnish artist Iiu Susiraja, known for her deadpan self-portraits that blend vulnerability and absurdity, is opening her first New York solo exhibition since her 2023 MoMA PS1 show, titled “A style called a dead fish,” at the gallery Gratin on December 11. The article, an interview by a critic, explores Susiraja’s practice of embracing her “inner clown” through photographs that feature nudity, balloons, and domestic props, often staged in her own home or her parents’ home in Turku. New works include images like “Lift up, Breasts” (2025), where helium balloons are taped to her nipples, and a sculpture involving photocopying machines that will distribute keepsakes during the show.
Artsy Editorial highlights six exhibitions across the U.S. celebrating Asian American and Pacific Islander artists during AAPI Heritage Month 2025. Featured shows include "Painting As Method" at Alisan Fine Arts, presenting works by Mimi Chen Ting, Yifan Jiang, and Kelly Wang; Ellie Kayu Ng's "Bloom!" at LATITUDE Gallery New York; and Yunfei Ren's "Latitude Unknown" at Jonathan Carver Moore in San Francisco. The article also notes Art for Change's monthlong print spotlight and describes the diverse media and themes—from hyperreal fashion-inspired paintings to ceramic sculptures and abstract landscapes—that reveal the breadth of contemporary AAPI art.
20 superbes expos à visiter pendant le week-end de l’Ascension à Paris
Beaux Arts Magazine has curated a list of 20 must-see exhibitions in Paris for the Ascension long weekend (May 14–17, 2026). Highlights include Hilma af Klint's first major French retrospective at the Grand Palais, a Lee Miller survey at the Musée d'Art moderne de Paris, an Alexander Calder show at the Fondation Louis Vuitton, a Matisse exhibition focusing on his late works at the Grand Palais, and a Giovanni Segantini display at the Musée Marmottan Monet. The article also offers recommendations for family-friendly outings, free exhibitions, and evening openings.
British artist Rose Wylie is currently the subject of a major career survey at the Royal Academy of Arts in London, titled "The Picture Comes First." At 91 years old, Wylie is the first woman painter to occupy the institution's main galleries, showcasing over 90 works that span her idiosyncratic career. The exhibition highlights her signature style of large-scale, exuberant figurative paintings that draw from a vast range of influences, including cinema, celebrity culture, and art history.
Sundaram Tagore Gallery is expanding its international footprint with the opening of a new 310-square-meter flagship space in London’s St James’s district this May. Located in a renovated Edwardian building on Pall Mall, the multi-level gallery will feature exhibition areas, a private viewing room, and dedicated spaces for live performances and screenings. The inaugural exhibition, titled "Hybridity and Belonging in Contemporary Art," will showcase a diverse roster of artists including Hiroshi Senju, Tayeba Lipi, and Sohan Qadri, focusing on themes of displacement and cross-cultural identity.
The Centre Pompidou in Paris presents "Paris Noir: Artistic circulations and anti-colonial resistance, 1950-2000," an exhibition running from March 13 to June 30, 2025. Curated by Alicia Knock, the show features over 350 works by 150 Black artists from Africa, the Americas, and the Caribbean, tracing their presence and influence in France from the post-war era through the 1990s. The exhibition is organized into 15 thematic chapters, including Pan African Paris, Afro Atlantic Surrealism, and Paris Dakar Lagos, and includes public programming such as talks, film screenings, and performances.
Au musée du Louvre, ORLAN donnera ce vendredi un cours d’histoire de l’art (gratuit)
French artist ORLAN will deliver a free art history lecture at the Musée du Louvre on Friday, May 22, 2026, as part of the fourth edition of the museum's "Leçons d'artiste" lecture series. Titled "Le musée et l'histoire de l'art cellules souches de nos nouvelles images," the talk will examine how museums like the Louvre shape art history—with its omissions, censures, and rewritings—and how new technologies, including artificial intelligence, feed on existing imagery. Two additional lectures will follow on June 12 (on body representation) and September 25 (on artists' responsibility in times of war and oppression).
Art Basel Paris is underway, and this article highlights 17 must-see museum shows across the city. Key exhibitions include a joint tribute to Niki de Saint Phalle, Jean Tinguely, and Pontus Hultén at the Grand Palais; a Rick Owens fashion retrospective at Palais Galliera; the first French monographic show of John Singer Sargent at the Musée d'Orsay, featuring his scandalous 'Portrait of Madame X'; a Bridget Riley exhibition exploring her debt to Georges Seurat; a Minimalism survey at the Bourse de Commerce; and a major Jacques-Louis David retrospective at the Louvre marking the bicentenary of his death.
The City Art Centre in Edinburgh is hosting a free exhibition titled "Jean F. Watson: An Artistic Legacy" from May 16 to October 4, 2026. It features over 40 historical and contemporary Scottish artworks acquired through the Jean F. Watson Bequest Fund, including pieces by artists such as JD Fergusson, Elizabeth Blackadder, and Alison Watt. The exhibition highlights the impact of Jean Fletcher Watson (1877-1974), an Edinburgh resident whose financial donations in the 1960s and 1970s helped build a nationally recognized collection of Scottish art, now comprising over 1,000 works.
The Institute of Contemporary Art's Watershed in East Boston has reopened for its 2026 season with the exhibition "Lucy Raven: Rounds," featuring two large-scale installations by New York-based artist Lucy Raven. The show includes "Hardpan," a kinetic light sculpture co-commissioned by the ICA and Barbican Centre, and "Murderers Bar," a 44-minute film documenting the demolition of a concrete dam on the Klamath River in Northern California. Both works explore themes of industrial history, extraction, and environmental transformation, with the Watershed's former factory setting amplifying the industrial resonance.
The Sovereign Asian Art Prize, now in its 22nd year, has announced its 2026 shortlist of 30 artists from 12 Asia-Pacific countries and territories. Among the finalists are three Filipino artists: Joey Cobcobo, Josephine Turalba, and Alvin Zafra. Cobcobo's nominated work, "Ika-8 Utos: Wag Kang Kukurap (Thou Shall Not Steal)," addresses corruption in the Philippines using a recycled canvas walked on by the public. Turalba, a transdisciplinary artist, has exhibited at Art Basel Hong Kong 2025 and serves as director of the Artistic Research Center at Philippine Women's University. The prize is run by the Sovereign Art Foundation, with proceeds from shortlisted works supporting its Make It Better charity program for children in Hong Kong.
This exhibition listing highlights a collaborative presentation of works by Elizabeth Murray and Betty Woodman. The selection features Murray’s signature shaped canvases and multi-dimensional oil paintings, such as "Smile and Say" (1995) and "Moonbeam" (1995-1996), alongside Woodman’s innovative ceramic assemblages including "Santa Barbara" (2005) and "Reaching" (2012).
Lucy Raven's video installation "Murderers Bar" (2025) has its European premiere at the Barbican's Curve gallery in London. The work documents the 2023-2024 demolition of four dams on the Klamath River in Oregon and California, focusing on the destruction of the Copco No. 1 dam built in 1918. The film is the final part of Raven's trilogy "The Drumfire," exploring themes of pressure, release, and material transformation. It uses aerial photography, drones, lidar, and sonar animations to capture the river's reclamation of its course after the dam's removal, following decades of activism by Indigenous communities including the Yurok, Karuk, Klamath, Hoopa, and Shasta Indian Nation. The exhibition also includes a new kinetic sculpture, "Hardpan" (2025), that physically manifests ideas of force and pressure.
The Museum of Modern Art (MoMA) in New York is organizing a major retrospective of Marcel Duchamp, the first in the U.S. since 1973. Curated by Michelle Kuo, Ann Temkin, and Matthew Affron, the exhibition titled "Marcel Duchamp" will run from April 12 through August 22 and feature over 300 artworks, including iconic pieces like *Nude Descending a Staircase, No. 2* and *Fountain*. The curators describe the challenge as extreme, given Duchamp's deliberate confounding of traditional art systems, and they aim for a "deadpan accuracy" in presenting his work, including studies and replications as independent artworks.
A guide highlights several art exhibitions currently on view in Bangkok for February 2026. Key shows include 'Minsterwood' by Belgian artist Director Jacq (Wayn Traub) at River City Bangkok, featuring hand-embroidered textile works; 'Roots & Rituals', the inaugural exhibition at the newly relaunched AGNI gallery, featuring artists Swatchrokorn Wannasorn and Dishon Yuldash; and 'Undo Planet: Part 2', a large-scale group exhibition addressing climate change at the Bangkok Art and Culture Centre (BACC).
An all-women exhibition titled 'Making Her Mark: A Celebration of Women in Art' has opened at Penlee House Gallery & Museum in Penzance, Cornwall, as the first stop on a three-part UK tour. The show features over 60 works by female artists from the 19th century to the present day, including Tracey Emin, Barbara Hepworth, Elizabeth Forbes, and Laura Knight. It is a collaboration between Penlee House, Worcester City Art Gallery & Museum, and Kirkcaldy Galleries, curated jointly by the three venues with local leadership from Penlee House deputy director Katie Herbert. The exhibition is part of Art Fund's £5.36 million Going Places programme and will travel to Worcester and Kirkcaldy in 2026 and 2027.
A free immersive digital exhibition titled 'Meet Mona Lisa & Portraying the Renaissance' opens on May 1 at the Hong Kong Heritage Museum, running through July 27. Created in collaboration with the Musée du Louvre and the Grand Palais Immersif, the show is split into two sections: a multimedia journey guided by a narrated Mona Lisa across six chapters, including an interactive photo booth, and a second section featuring over 100 Renaissance treasures from European institutions. Highlights include four original manuscripts of the human body and faces by Leonardo da Vinci, shown for the first time in Hong Kong, alongside loans from the Pinacoteca Ambrosiana, the Musée national de la Renaissance, works by mainland artist Xu Lei, and items from the museum's own collection.
Art Fund has launched a UK-wide touring programme called Going Places, backed by £5.36 million from the National Lottery Heritage Fund and the Julia Rausing Trust. The first exhibition, *Making Her Mark: A Celebration of Women in Art*, opened at Penlee House Gallery & Museum in Penzance, featuring over 60 works from three museum collections alongside community responses. It will travel to Worcester City Art Gallery & Museum and Kirkcaldy Gallery through 2027. The programme plans 12 major touring shows over five years, with six already scheduled, including exhibitions on green spaces, journeys, radical living, art and nature, and community making.
Nick Cave's immersive solo exhibition "Mammoth" is on view at the Smithsonian American Art Museum through January 3, 2027. The show features a vast, illuminated table covered with hundreds of everyday objects—faux fruits, bejeweled vegetables, wooden canes, glass fish, toy trucks, and leather slippers—arranged with deliberate purpose. Alongside these collected items, Cave has constructed mammoth hides and bones, and a video projection brings the ancient creatures to life. The exhibition draws deeply on Cave's personal history growing up in Missouri, with memories of his grandparents' farm and his family's traditions of making, quilting, and craftsmanship informing the assemblage.
Edinburgh's City Art Centre has announced its 2026 exhibition programme, featuring five distinct shows. Highlights include a multimedia installation by Edinburgh-based Mona Yoo exploring the building's history as a former newspaper production site; a retrospective of Jean F. Watson's bequest showcasing over 1,000 acquired Scottish artworks; a photography exhibition by Sandra George, a black female photographer and community worker; a new moving-image commission by Rachel McBrinn and Jonathan Webb responding to the North Bridge restoration; and a display of recent acquisitions to the city's fine art collection.
The New Mexico Museum of Art's Vladem Contemporary has opened "Lucy Lippard: Notes from the Radical Whirlwind," an exhibition curated by Alexandra Terry that showcases artworks gifted to the influential art critic and activist Lucy R. Lippard by artists she championed. The show features pieces by Melanie Yazzie, Ana Mendieta, and others, tracing Lippard's journey from a young art history graduate working at MoMA to a writer for Artforum and Art International, and ultimately to a vocal advocate for social justice who merged art with activism.
The National Gallery of Ireland, in partnership with the Musée national Picasso-Paris, has opened a major exhibition titled "Picasso: From the Studio," featuring 60 works by Pablo Picasso. The show spans five decades of the artist's career, including Cubist portraits, sculptures, still lifes, and rarely seen pieces, with immersive photographic and audio-visual elements that evoke his creative environments in Avignon and the Côte d'Azur. The exhibition runs until February 22, 2026.
The Weisman Art Museum in Minneapolis is hosting "RugLife," a touring exhibition that transforms rugs into platforms for storytelling, history, and social commentary. Curated by Ginger Gregg Duggan and Judith Hoos Fox, the show features works by artists including Sonya Clark, Andrea Zittel, Nevin Aladağ, Ai Weiwei, and Ali Cha'aban, who use rug-making to address themes such as Black barber culture, climate change, political tensions, and the war in Ukraine. The exhibition originated at San Francisco's Museum of Craft and Design in 2023.
The Art Institute of Chicago announces "Gustave Caillebotte: Painting His World," a major exhibition running from June 29 to October 5, 2025. Featuring over 120 works—including paintings, drawings, photographs, and documents—the show offers a fresh perspective on the Impressionist artist, highlighting his intimate focus on family, friends, sportsmen, and neighborhood life, in contrast to his peers. Key loans include the Musée d'Orsay's recent acquisition "Boating Party" and the Louvre Abu Dhabi's "The Bezique Game," alongside the Art Institute's own "Paris Street; Rainy Day." The exhibition is organized collaboratively by the Art Institute of Chicago, the Musée d'Orsay, and the J. Paul Getty Museum.
Virginia Commonwealth University's School of the Arts (VCUarts) is presenting its 2026 Master of Fine Arts Thesis Exhibition in two parts at the Institute for Contemporary Art in Richmond. The exhibition showcases the culminating work of 28 MFA candidates across disciplines including Craft/Material Studies, Graphic Design, Painting + Printmaking, and Sculpture + Extended Media, curated by Egbert Vongmalaithong of the ICA and guest curator Taylor Jasper from the Walker Art Center.
David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.