An exhibition by Israeli artist Amir Fattal at König gallery in Mexico City was forced to close a week early after a campaign of antisemitic harassment escalated from online abuse to physical protests and vandalism. Vandals spray-painted swastikas, Stars of David, and the phrase "here there are terrorists" on the gallery's facade, and protesters gathered outside calling the artist a murderer and Mossad agent.
L’intelligenza artificiale come macchina perturbante è in mostra in un rifugio antiaereo di Firenze
Artist and philosopher Francesco D’Isa presents "Latent Rooms" at Rifugio Digitale, a gallery located within a former air-raid shelter in Florence. The exhibition features video works created using generative AI models like Midjourney and Seedance 2.0, which D’Isa manipulates to create dreamlike, glitch-heavy sequences. Rather than aiming for cinematic realism, the artist embraces the technical errors and "hallucinations" of the AI, resulting in an aesthetic that blends Renaissance beauty with haunting, domestic melancholy.
Emily Kraus’s solo exhibition at Frieze presents a series of glitchy, digitally inspired paintings that disrupt traditional notions of aesthetic authority. The works employ pixelated distortions and vibrant color fields to question the boundaries between digital error and artistic intention, drawing attention to the role of technology in contemporary art-making.