Somerset's Unlikely Contemporary Art Scene Is a Welcome Departure From the UK's London-Centric Thinking

somersets unlikely contemporary art scene is a welcome departure from the uks london centric thinking

Hauser & Wirth's Somerset gallery, established in 2014 in the rural town of Bruton, has transformed the local area into a significant contemporary art destination. The gallery complex, featuring exhibition spaces, a restaurant, meadow, and educational programs, has catalyzed gentrification and attracted other galleries, trendy hotels, and high-end amenities to a formerly unremarkable settlement.

studio museum in harlem reopening review

The Studio Museum in Harlem has reopened after a seven-year closure in a new building designed by David Adjaye, with Thelma Golden continuing as director and chief curator. The museum has expanded its indoor spaces, replacing a garden with a public staircase called the Stoop, and added a rooftop terrace with city views. Adjaye faced sexual misconduct allegations in 2023, leading to Pascale Sablan taking over the project, though Adjaye remains listed as founder and principal of his firm.

The car park that changed British art: Bold Tendencies at 20

Bold Tendencies, the pioneering arts organization that transformed a multi-storey car park in Peckham, London, into a vibrant cultural venue, is celebrating its 20th summer season. Founded by gallerist Hannah Barry in 2007, the project has hosted over 3 million visitors, commissioned dozens of new artworks, and built an auditorium and concert hall within the concrete structure. It began as a low-budget experiment in using derelict urban spaces for art, featuring sculptures, performances, and a rooftop bar that predated the experiential art boom.

Has the world grown weary of art biennials? In search of an antidote, a Portuguese festival turns to anarchism

Anozero, a biennial art festival held in Coimbra's Monastery of Santa Clara-a-Nova, has opened a ghostly edition that uses installations—including Taryn Simon's sound piece of laments in multiple languages—to protest plans by the Portuguese government to redevelop the 17th-century convent into a hotel under its Revive programme. Festival co-founder Carlos Antunes threatens to cancel the biennial if the development proceeds, framing the event as a warning to the developer about the spirits that haunt the building.

Art Rotterdam focuses on photography

The 27th edition of Art Rotterdam took place at the Rotterdam Ahoy, featuring over 150 galleries with a heavy emphasis on the Dutch art scene. This year’s fair was marked by a strategic integration with the photography fair Unseen and coincided with major local developments, including the relocation of the Nederlands Fotomuseum to its new 'Santos' home and the opening of the Fenix Museum of Migration. Notable presentations included Sakir Khader’s poignant photography of Palestinian resistance at No Man's Art Gallery and Shimon Kamada’s atmospheric oil paintings at Diez Gallery.

Omar Lopez-Chahoud’s fresh curatorial project debuts at Miami Produce

Curator Omar Lopez-Chahoud has launched his first independent project since leaving his role as artistic director of Untitled Art Miami Beach. Titled *Fragments of Displacement*, the group exhibition debuted on December 2 at Miami Produce, an open-air fruit and vegetable market in the Allapattah neighborhood. Co-organized with Eduardo Lopez, founder of Mexico’s FF Projects, the show features works by established artists including Jorge Méndez Blake, Helmut Lang, and Andrea Geyer, alongside emerging talents like Chantal Peñalosa Fong. The exhibition runs until March 1, 2026, and is designed to activate unconventional spaces and engage the local community.

Antonia Ruder On the Role of Gallery Weekend Berlin in a Changing Art Market

Gallery Weekend Berlin returns for its 21st edition from May 2-4, 2025, featuring fifty-two galleries showcasing established and emerging artists. Antonia Ruder, who joined the event in 2023 and is now preparing her second full edition as director, discusses the festival's origins as a private initiative by five art dealers in 2005, its growth to become a global art calendar highlight, and its role as a premier platform for contemporary art in Germany in the absence of an international art fair in Berlin.

Who Do Chicago’s Art Fairs Serve?

Expo Chicago and its satellite fairs serve as a complex barometer for the Midwestern arts ecosystem, highlighting both the successes of local representation and the tensions of institutional growth. While galleries like Andrew Rafacz and Corbett vs. Dempsey demonstrate viable career paths for Chicago-based artists like Melissa Leandro and Gabrielle Garland, the fair's shifting structure reveals a narrowing field for smaller nonprofits.

New Bienal de Yucatán to spotlight Mexican region’s growing art scene

The city of Mérida is set to host the inaugural Bienal de Yucatán from November 2026 to February 2027, marking a significant milestone for the region's burgeoning contemporary art scene. Spearheaded by patron and curator Catherine Petitgas with artist Abraham Cruzvillegas serving as artistic director, the biennial aims to provide a formal platform for the city's dense ecosystem of over 40 galleries, international artist studios, and the Universidad de las Artes de Yucatán (UNAY). The announcement follows the successful debut of the Week of Art Yucatán (WAY), a multi-venue festival that showcased the city's unique blend of repurposed industrial spaces and traditional haciendas.

coney art walls deitch

Jeffrey Deitch, the New York dealer and former director of the Los Angeles Museum of Contemporary Art, is co-curating a new street art project called "Coney Art Walls" in Brooklyn with real-estate developer Joseph Sitt of Thor Equities. The project features murals by prominent graffiti and street artists including Crash, Daze, Lady Pink, How & Nosm, Lee Quinones, Futura, Kenny Scharf, Miss Van, Swoon, and Icy Signs, and will accompany a Smorgasburg Coney Island pop-up with 12 food vendors. Photos show the artists hard at work as the project rapidly takes shape.

Want a taste of the 'old' New York? Pay a visit to Club Rhubarb

Club Rhubarb, a nomadic art project founded by artist-turned-curator Tony Cox, has opened its third location in a two-floor house across from the New Museum in New York. The current exhibition, 'I am so pretty,' features the mixed-media works of artist Brock Enright, including paintings built with wood, acrylic, foam, and found objects, as well as video works and an installation of altered electronic guitars. The show also includes a bathroom installation called 'BBC Brocks Bijou Cinema,' screening Enright's short films from the 2000s that document his former business of staging fake kidnappings for clients.

Tracey Emin: 'Racist behaviour is dividing our country'

Tracey Emin has unveiled her major new exhibition, "Second Life," at Tate Modern, marking a significant departure from the tradition of living British artists showing at Tate Britain. The exhibition, curated by Harry Weller alongside Tate’s Maria Balshaw, Alvin Li, and Jessica Baxter, eschews a traditional retrospective format in favor of a thematic exploration of Emin's personal history. During the press preview, Emin addressed her multicultural heritage—including Turkish Cypriot, Sudanese, and Romanichal roots—and criticized the rise of jingoism and divisive politics in the UK.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

CSUN Art Exhibits to Focus on Los Angeles, Place and People

California State University, Northridge's Art Galleries presents two new exhibitions exploring Los Angeles, place, and people. The Main Gallery hosts "The Journey is the Destination: Recording Los Angeles," featuring photography, mixed-media, site-specific installations, and sculptures by artists including Marisela Norte, Debra Scacco, Fía Benitez, Aaron Douglas Estrada, Vincent Enrique Hernandez, Erick Medel, and Pamela Smith Hudson. Curated by Holly Jerger, the show challenges colonial mapping conventions and highlights gentrification, environmental depletion, and stereotypes affecting historically neglected parts of the city. In the West Gallery, "The Warmth of the Sun: A Recent Survey of Tierra Del Sol Artists" runs through October 15, the first of a three-part series spotlighting local San Fernando Valley art organizations, with subsequent exhibitions featuring Tia Chucha’s Centro Cultural and 11:11 Projects.

Bad Bunny’s residency gives local artists the chance to tell Puerto Rico’s real history

Bad Bunny's months-long concert residency in Puerto Rico, titled "No me quiero ir de aquí," has inspired a free art exhibition called "De Aquí Nadie Nos Saca" in the Santurce barrio of San Juan. Organized by the Latinx advocacy group Mijente and the art collective AgitArte, the exhibition features local Puerto Rican artists and organizations and serves as a spiritual companion to Bad Bunny's album "Debí Tirar Más Fotos." It highlights the island's everyday societal struggles, resistance movements, and cultural preservation amid colonialism and gentrification, with contributions from the theater collective Papel Machete, which created a giant puppet featured in Bad Bunny's music video for "La Mudanza."

St. John’s Hosts Opening of “Debugging the Earth” Art Exhibition

St. John's University opened the group exhibition "Debugging the Earth" at its Yeh Art Gallery on February 5. The show, organized by Queens-based artist Michael Assiff, features works by seven artists including André Magaña, Carly Mandel, Catherine Telford Keogh, Jan Mun, Kahlil Robert Irving, and Serena Chang, who explore themes of environment and production through repurposed everyday objects.

A New Art Exhibition Ponders the Perpetual Cycle of Urban Transition

The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.