The Hirshhorn Museum and Sculpture Garden has acquired eight new sculptures by major contemporary artists for its renovated outdoor garden. The works by Mark Grotjahn, Raven Halfmoon, Lauren Halsey, Izumi Katō, Liz Larner, Woody De Othello, Chatchai Puipia, and Pedro Reyes will be installed ahead of the garden's reopening in October.
The Sonnabend Collection, a major trove of 20th-century art assembled by pioneering dealer Ileana Sonnabend, opens to the public on 29 November in Mantua, Italy. Housed in the renovated 13th-century Palazzo della Ragione, the new museum—Sonnabend Collection Mantova—will display nearly 100 works by artists such as Robert Rauschenberg, Jasper Johns, Andy Warhol, and Jeff Koons across 11 contemporary galleries. The venue also includes a temporary exhibition space, a bookshop, and an educational department, with the inaugural show featuring Warhol films.
Frieze London and Frieze Masters have announced highlights for their 2025 editions, running concurrently October 15–19 in Regent’s Park. Frieze London will feature ceramics and textiles, including a presentation titled “Three Generations of Female California Ceramics” at The Pit, stoneware sculptures by Sanya Kantarovsky at Modern Art, and textile works by Antonio Pichillá Quiacaín at Portas Vilaseca. Major galleries like Gagosian, Pace, Lehmann Maupin, White Cube, and Lisson will present new works by artists such as Lauren Halsey, William Monk, Do Ho Suh, and Marguerite Humeau. The fair’s curated section “Echoes in the Present” by Jareh Das includes artists like Diambe and Tadáskía, while the Focus section emphasizes installation-based works. Frieze Masters highlights include a booth of 19th- and 20th-century paintings curated by Nicolas Party at Hauser & Wirth, a solo of Peter Hujar’s drag portraits at Pace, and a new Reflections section organized by Abby Bangser focusing on decorative art.
Fraenkel Gallery has partnered with New York's Metrograph theater to present a film series curated by six of its represented artists. The series, titled "Fraenkel Gallery Presents," runs from May 8–17, with each artist selecting a film and several introducing their screenings. The collaboration includes an opening event featuring artist Carrie Mae Weems and director Joel Coen.
The Portland Museum of Art (PMA) is presenting two concurrent exhibitions: "Ming Smith: Jazz Requiem — Notations in Blue" (through June 7) and "Precious: The Value of Ornament" (through July 19). The Ming Smith exhibition showcases the pioneering Black photographer's emotive, manipulated images, including jazz club scenes and portraits, drawn from the museum's collection and loans from The Gund at Kenyon College. The decorative arts exhibition highlights the value of ornament in applied arts.
Singapore Art Museum will present 'Hiroshi Sugimoto: Form Is Emptiness' from 29 May to 4 October 2026, marking the artist’s first major exhibition in Southeast Asia. The show brings together 63 works from 11 series and 14 fossils from Sugimoto’s personal collection, spanning five decades of his practice. The title references the Heart Sutra, reflecting Sugimoto’s long-standing exploration of the tension between appearance and reality.
The Dallas Art Fair returns for its 18th edition from April 16–19, 2026, featuring over 90 international galleries at the Fashion Industry Gallery. Director Kelly Cornell highlights key participants including blue-chip mainstays like Perrotin and OMR alongside newcomers like James Fuentes, who will present works by Dallas Art Prize winner John McAllister. The week also features the Dallas Invitational, a boutique fair at the Rosewood Mansion, and major institutional shows at the Nasher Sculpture Center and The Warehouse.
The article highlights 14 new art and culture spaces that opened across India in the past year, including Muziris Contemporary in Kochi and Mumbai, Latitude 28 in New Delhi, and others repurposed from historic buildings like a royal palace in Jaipur, a former school in Bengaluru, and a family mansion in Kolkata. These spaces defy conventional gallery formats, blending exhibitions, workshops, performances, and reading rooms to create hybrid cultural venues.
Paris Photo 2025, the 28th edition of the international photography fair, returns to the Grand Palais from 13-16 November, hosting 179 galleries from 33 countries. Artistic director Anna Planas emphasizes a program spanning photography's full history, from 19th-century works to contemporary digital and blockchain-based pieces. Highlights include a solo installation by Hasselblad Award winner Sophie Ristelhueber, a darkroom demonstration by photographer Renato D'Agostin, and the 'Emergence' sector featuring Prix Maison Ruinart winner Marine Lanier. The fair also offers conversations, performances, and book signings with artists like Todd Hido and Wolfgang Tillmans, plus an exhibition of Latin American photography from the Estrellita B Brodsky collection.
This article is a guide to 20 fall art excursions outside New York City, highlighting exhibitions in Upstate New York, Connecticut, Massachusetts, and Rhode Island. Featured shows include the 'Trees Never End and Houses Never End Biennial Exhibition' at Sky High Farm in Germantown, Nancy Friedemann-Sánchez's 'Dream Map and Cornucopia' at the Everson Museum of Art in Syracuse, and 'All Manner of Experiments: Legacies of the Baghdad Modern Art Group' at the Hessel Museum of Art at Bard College. Other notable stops include Jeffrey Gibson's exhibition at MASS MoCA, Kiyan Williams's installations at Art Omi, and 'Human Marks: Tattooing in Contemporary Art' at the Joseloff Gallery in Connecticut.
Tokyo's museums have announced their 2026 exhibition schedules, featuring a diverse lineup of international and domestic shows. Highlights include 'YBA & Beyond: British Art in the 90s from the Tate Collection' at the National Art Center, a major retrospective of Hajime Sorayama at the Creative Museum Tokyo, and a solo exhibition of Lithuanian artist M. K. Čiurlionis, alongside shows by Picasso, Ron Mueck, Hiroshi Sugimoto, and Minami Tada.
Dib Bangkok, a new contemporary art museum housed in a former steel warehouse, opened in December with its inaugural exhibition, (In)visible Presence. The show features 80 works by 40 artists from the collection of late founder Petch Osathanugrah, including pieces by James Turrell, Alicja Kwade, and Pinaree Santipak. Curated by director Miwako Tezuka, the exhibition emphasizes immersive, sensory experiences over passive observation, with works like Marco Fusinato's sound installation and Hugh Hayden's threshold piece. However, the museum's pan-global focus and sleek, tranquil setting initially distance visitors from the local Thai art scene.
Patricia Li, writing for Vogue Circle, shares a curated guide to art and design destinations in Venice beyond the main venues of the Venice Biennale. Her recommendations include the Peggy Guggenheim Collection, Gallerie dell’Accademia, Palazzo Grassi and Punta della Dogana (part of the Pinault Collection), the newly opened Fondazione Dries Van Noten, and Fondazione Prada, each hosting special exhibitions timed to the Biennale.
Hiroshi Sugimoto's first major Southeast Asian exhibition, "Hiroshi Sugimoto: Form Is Emptiness," opens at the Singapore Art Museum (SAM) on May 29, 2026, running through October 4, 2026. The show spans five decades and features 63 works from 11 series across photography, sculpture, installation, and architecture, plus 14 fossils from the artist's personal collection. Sugimoto designed the exhibition as a mandala, with a circular layout that encourages visitors to drift through interconnected sections reflecting the Buddhist Five Elements.
The Singapore Art Museum is hosting "Form Is Emptiness," the first major Southeast Asian exhibition dedicated to the acclaimed Japanese artist Hiroshi Sugimoto. The showcase features 63 works spanning five decades of his career, including 11 distinct series and 14 fossils from his personal collection, all arranged within a mandala-inspired layout designed by the artist himself.
Sudarshan Shetty’s seminal 2005 kinetic installation, "Party Is Elsewhere," has been restaged within the decaying remains of an abandoned nightclub in Delhi. The exhibition eschews the traditional "white cube" gallery space, instead utilizing a raw environment of peeling plaster and sagging ceilings to mirror the work's original debut in a fire-damaged Mumbai gallery. The installation features a mechanical system that rhythmically hammers a table of wine glasses beneath a neon sign, creating a sensory experience centered on fragility and deferred presence.
A major exhibition tracing the evolution of the European art market from Greco-Roman antiquity to the 19th century is on view, featuring loans from institutions such as the Rubenshuis and the Princely Collections of Liechtenstein, including works by Titian, Rembrandt, Klimt, and Monet. Additionally, a show by Portuguese artist Joana Vasconcelos at PM23 presents her monumental, participatory fabric sculpture *Valkyrie Venus*, created with over 200 contributors from Lisbon and Rome. A dedicated Cézanne exhibition at Fondation Beyeler in Switzerland highlights the artist's posthumous reputation, with early collectors like Rudolf Staechelin and Oskar Reinhart. Other notable exhibitions across Europe include Brancusi in Berlin, Brassaï in Stockholm, Canaletto and Bellotto in Vienna, and Hammershøi in Madrid.
The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.
The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.
The Hamptons art scene is entering the spring season with a diverse array of gallery openings across Montauk, East Hampton, Sag Harbor, and Bridgehampton. Key highlights include Timothy Tibus’s abstract retrospective at The Lucore Art, a Matisse-centered group show at The Drawing Room featuring rare etchings, and Kristy Gordon’s myth-inspired "Primavera" at Grenning Gallery. Other notable exhibitions include a showcase of artists from the Cold Castle collective at Keyes Art and a curated group show titled "Connections" at Dan Welden Studio/Gallery.
Mendes Wood DM in Brussels presents 'A Serene Look upon the World,' a group exhibition running from 22 April to 30 May 2026. The show features 22 artists including Lucas Arruda, Hiroshi Sugimoto, Lee Ufan, and Daniel Steegmann Mangrané, whose works explore the sublime as a tension between permanence and transformation. The exhibition juxtaposes painting, photography, sculpture, and mixed media to evoke moments of pause before the overwhelming, drawing on philosophical ideas from Longinus and Kant.
À Rodez, les ombres envoûtantes de Sugimoto et de Soulages se rencontrent dans une exposition cosmique
The Musée Soulages in Rodez is hosting a major exhibition titled "Hiroshi Sugimoto. Reprendre la mélodie," which creates a visual dialogue between the Japanese photographer and the late French master of black, Pierre Soulages. Curated and scenographed by Sugimoto himself, the show pairs iconic series such as "Theaters," "Seascapes," and the colorful "Opticks" with Soulages’ "Outrenoir" paintings. The exhibition highlights their shared fascination with the horizon, the origins of humanity, and the architectural presence of art within a space.
The Smithsonian’s National Museum of Asian Art will present “Into the Waters with Senju and Bingyi: Two Contemporary Paintings,” a new exhibition opening April 2 and running through Aug. 23. It features two recent paintings by Hiroshi Senju (born 1958) and Bingyi (born 1975), each offering hypnotic visualizations of water. Senju’s pair of folding screens reimagines waterfalls using traditional Japanese techniques and contemporary methods, while Bingyi’s hanging scrolls, created with cloth and paper wrapped around an uprooted tree, incorporate natural elements like sea breeze and humidity. The exhibition marks the first showing of these works, which were acquired to expand the museum’s contemporary collections.
The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.