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The Can’t-Miss Moments at TEFAF New York 2026

TEFAF New York 2026 opened to packed crowds at the Park Avenue Armory, showcasing a mix of historic and contemporary works. Highlights include Gagosian’s solo booth of Kathleen Ryan’s bejeweled “Bad Fruit” sculptures, Thaddaeus Ropac’s presentation of monumental canvases by Danish painter Eva Helene Pade, and Axel Vervoordt Gallery’s spotlight on overlooked Italian painter Ida Barbarigo. The fair also features collectible design and perennial favorites like Alexander Calder mobiles and Alighiero Boetti tapestries.

The largest U.S. showcase of ancient Italy's fascinating Etruscan culture debuts at Legion of Honor.

The Fine Arts Museums of San Francisco have opened "The Etruscans: From the Heart of Ancient Italy" at the Legion of Honor, the largest U.S. exhibition dedicated to the ancient Etruscan civilization. Curated by Renée Dreyfus, the show brings together approximately 150 objects borrowed from 28 institutions, including the Vatican, the British Museum, and the Metropolitan Museum of Art. It explores Etruscan engineering, architecture, art, and social customs, including the elevated status of women, and features highlights such as a granulated gold drinking bowl and the bronze Liver of Piacenza.

'Set In Stone' at David Zwirner, New York: 69th Street, United States on 12 May–26 Jun 2026

David Zwirner presents 'Set In Stone,' a group exhibition organized with Galerie Kugel, running from May 12 to June 26, 2026, at its East 69th Street location in New York. Curated by Emma Kronman, the show pairs modern and contemporary paintings and sculpture from Zwirner's program with antique hardstone objects from Galerie Kugel's collection, spanning classical antiquity to the nineteenth century.

The paintings Jannis Psychopedis never let go

Seventy works kept for decades in the studio of painter Jannis Psychopedis form the core of a new retrospective at the Basil and Elise Goulandris Foundation Museum in Athens, tracing the artist’s journey from 1962 to the present. Titled 'Jannis Psychopedis: Landscapes of Memory. The Ones I Kept,' the exhibition gathers paintings and mixed-media works that rarely appeared in public and were never intended as an archive. Psychopedis said he always saved 'two or three works from every period,' preserving them as 'support for the next movement' and as a record of life, art and experience. Emerging during the liberal climate of the 1960s, the artist belonged to the pioneering New Greek Realists and painted the tensions of a society shaped by advertising, consumerism and political upheaval.