5 Under-Recognized Artists Getting Their Due in New York This Season

The article highlights five under-recognized artists whose exhibitions are on view in New York this season, focusing on Domenico Gnoli at Lévy Gorvy Dayan and Raquel Rabinovich at Hutchinson Modern and Contemporary. Gnoli, an Italian painter who died in 1970, is known for his pallid, claustrophobic depictions of everyday subjects, while Rabinovich, who died at 102 in January 2026, created somber minimalist paintings exploring silence and withholding. The piece notes that New York galleries often use the pre-fair period to showcase less prominent artists of great promise.

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Artist and children's book illustrator Oliver Jeffers held a dip performance two days before the opening of his solo show at Praise Shadows gallery in Boston, where he destroyed a portrait of Japanese artist and cancer survivor Yuri Shimojo by submerging it in enamel paint. The invite-only audience watched in silence as the image disappeared, a ritual Jeffers describes as both a death and a birth, exploring themes of memory, loss, and hidden variables. His exhibition also features his "Disaster Paintings," which treat serious subjects like climate change and violence with absurdist humor.

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The Metropolitan Museum of Art in New York has opened "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. survey of the Finnish modernist painter. The exhibition features approximately 60 works spanning Schjerfbeck's entire career, drawn primarily from the Finnish National Gallery / Ateneum Art Museum, as well as other Finnish and Swedish collections. Curated by Dita Amory of the Met and Anna-Maria von Bonsdorff of the Ateneum, the show takes a thematic rather than chronological approach, highlighting Schjerfbeck's evolution from academic realism to a distinctive, introspective modernism.

An Exhibition of Silenced Artists Sends a Warning in New York City

An exhibition titled "Don’t Look Now: A Defense of Free Expression" has opened at Nathalie Karg Gallery in New York City, organized by the nonprofit Art at a Time Like This and co-founded by curator Barbara Pollack. The show features artworks by artists who have experienced censorship, including Danielle SeeWalker’s painting "G is for Genocide" (2024), which led to the revocation of her artist residency in Vail, Colorado, and Andil Gosine’s altered photograph "Magna Carta" (2025), which was removed from a planned exhibition at the Art Museum of the Americas. The works address suppression linked to President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of censorship, with some institutions self-censoring due to funding cuts from entities like the National Endowment for the Arts.

Gallery Openings This Week in Paris

Les vernissages cette semaine dans les galeries parisiennes

The Paris gallery scene is experiencing a surge of new activity this week with several high-profile openings across the city's major art districts. Highlights include Rosson Crow’s vibrant, chaotic landscapes at Galerie Nathalie Obadia, the inauguration of Galerie Sator’s new Marais space with sculptures by Kokou Ferdinand Makouvia, and a curated dialogue between historical avant-gardes and contemporary abstraction at Galerie Le Minotaure. Additionally, Gagosian is showcasing late works by Francis Bacon, while Esther Schipper presents the first Paris solo exhibition for Sojourner Truth Parsons.

Marina Abramović rolls into Davos with an immersive project that encourages world leaders to take a digital detox

Marina Abramović has unveiled a new immersive work titled THE BUS at the World Economic Forum (WEF) in Davos, Switzerland, running until 23 January. The piece, part mobile sculpture and part meditation capsule, invites world leaders and participants to step away from the forum's intense schedule for a digital detox and inner reflection using the Abramović Method. The project was curated by Mirjam Varadinis, curator-at-large at the Kunsthaus Zürich, and developed through Abramović's institute (MAI). It marks Abramović's debut at the WEF, which this year also features eco-artist Thijs Biersteker, multimedia artist Ronen Tanchum, and street artist JR.

"The Palestine Pavilion Exists, and It's in Turin": Interview on the Exhibition Dedicated to the History of Gaza at the Merz Foundation

“Il Padiglione della Palestina esiste, ed è a Torino”. Intervista sulla mostra dedicata alla storia di Gaza alla Fondazione Merz

The Merz Foundation in Turin is hosting the exhibition 'Gaza, il futuro ha un cuore antico. Materie e memorie del Mediterraneo' (Gaza, the future has an ancient heart. Matters and memories of the Mediterranean). The show, created in collaboration with the Egyptian Museum and the MAH – Musée d’art et d’histoire in Geneva, juxtaposes ancient archaeological artifacts from Gaza with contemporary artworks. It aims to present Gaza's history as a Mediterranean crossroads, moving beyond its current wartime representation. The exhibition features artifacts from a collection of about 500 pieces, temporarily held in Geneva, alongside works by contemporary artists like Samaa Emad, Mirna Bamieh, and Wael Shawky.

Love & Fury: how poster artists responded to the Aids crisis – in pictures

A new exhibition titled 'Love & Fury: New York’s Fight Against AIDS' showcases posters created by grassroots groups and artists in response to the AIDS crisis from the late 1970s to the 2000s. The show features works from collectives like the Silence=Death Project and Gay Men’s Health Crisis, as well as artists including Keith Haring and Howard Cruse, highlighting how graphic design was used to promote safe sex, demand government action, and build community resilience.

Conductor Launches in Brooklyn With Venice Biennale-Bound Artists and Immersive Projects

Conductor, a new art fair hosted by Powerhouse Arts, opened in Brooklyn on Wednesday night, drawing over 800 visitors within hours. The fair features 28 galleries and 20 special projects, with installations spilling out of traditional booths into shared spaces. Highlights include House of Silence, a tent-like structure by Turkish artist Vuslat and architect Sana Frini; Retorno (2022) by Juan José Barboza-Gubo, presented by Praise Shadows Gallery; and works by Beya Gille Gacha, who is set to appear in the Cameroon Pavilion at the Venice Biennale. Fair director Adrianna Farietta noted that some galleries had to withdraw due to the war in Iran, but the result remains an inclusive and immersive event.

PKM gallery to open Lee Jung-jin exhibition 'Unseen/Thing' Wednesday

Photographer Lee Jung-jin has launched a major solo exhibition titled "Unseen/Thing" at PKM Gallery in Seoul, marking her first solo show in six years. The exhibition is divided into two parts: her latest "Unseen" series, captured during a 2024 trip to Iceland, and her "Thing" series from the early 2000s, which features analog still lifes printed on traditional Korean hanji paper. The new works depart from Lee’s previous focus on the static silence of deserts, instead capturing the volatile, forceful energy of the Icelandic landscape.

Shobhaa De Inaugurates Viveek Sharma's New Solo Exhibition 'Sacred Gestures' at Jehangir Art Gallery

Zen Crafart has opened 'Sacred Gestures', a solo exhibition by contemporary Indian artist Viveek Sharma, at Mumbai's Jehangir Art Gallery. The show was inaugurated by novelist and columnist Shobhaa De and runs from December 2 to 8, 2025. The exhibition features works that blend Lavani-inspired movement, divine feminine symbolism, and pop culture motifs, exploring femininity through dramatic lighting and saturated hues. It follows Sharma's earlier Delhi exhibition 'Silence Please', which received strong acclaim from collectors and cultural figures.

The Met Presents First Exhibition of Works by Finnish Painter Helene Schjerfbeck in a Major U.S. Museum

The Metropolitan Museum of Art in New York will present "Seeing Silence: The Paintings of Helene Schjerfbeck," the first major U.S. museum exhibition dedicated to the Finnish painter (1862–1946). Featuring nearly 60 works on canvas, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the exhibition runs from December 5, 2025, to April 5, 2026. It traces Schjerfbeck's artistic evolution from early naturalist works to her spare, experimental style, highlighting her resilience amid civil war, world wars, and Finland's independence.

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

Tobias Pils “Shh” mumok / Vienna by Frank Wasser

Tobias Pils has opened a major exhibition titled "Shh" at mumok in Vienna, presenting a decade-spanning survey of his work. The show, which follows his 2013 presentation at Secession, occupies three spaces and charts his evolution from abstraction to figuration and a more expansive color palette, while focusing on recurring motifs and the structure of pictorial language.

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The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

Zuccaire Gallery Exhibit Explores Power of Indigenous Language in Contemporary Art

The Paul W. Zuccaire Gallery at Stony Brook University presents "Weaving Words, Weaving Worlds: The Power of Indigenous Language in Contemporary Art," a group exhibition featuring 24 artists including Jeffrey Gibson, Jaune Quick-to-See Smith, and Kay WalkingStick. The show, on view from July 17 through November 22, explores how traditional and new media art can serve as a vessel for cultural continuity, storytelling, and the reclamation of Indigenous languages, with a focus on Algonquian languages spoken across Long Island and the Northeast. Archival materials from Stony Brook University’s Special Collections, including the Native Long Island map with over 400 Algonquian words, provide historical context.

Nilbar Güreş on Representing Turkey at the 61st Venice Biennale

Nilbar Güreş, the artist representing Turkey at the 61st Venice Biennale (2026), responds to a questionnaire from ArtReview about her upcoming exhibition. She expresses exhaustion with having to explain herself to Western audiences and critiques the white, male-dominated art world. Her inspiration for the pavilion comes from this disgust and fatigue, and she states that the Biennale's theme, "In Minor Keys," did not guide her preparation. Güreş also voices disillusionment with the art world's silence on humanitarian crises, particularly the bombing of hospitals and children in Palestine, and notes that artists speaking out on Palestine face censorship and exclusion.

Exhibition Tour— Seeing Silence: The Paintings of Helene Schjerfbeck

The Metropolitan Museum of Art is hosting a virtual exhibition tour of "Seeing Silence: The Paintings of Helene Schjerfbeck," led by Dita Amory, Robert Lehman Curator in Charge, and Max Hollein, Marina Kellen French Director and CEO. The exhibition highlights the Finnish painter Helene Schjerfbeck (1862–1946), who is celebrated in Nordic countries for her highly original style but remains relatively unknown elsewhere. Featuring nearly 60 works, including loans from the Finnish National Gallery / Ateneum Art Museum and private collections, the show traces her evolution from traditional realism to a spare, abstract style developed in isolation.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

JD Malat Gallery brings Paris-based artist Sophie-Yen Bretez to Dubai

JD Malat Gallery Dubai is presenting *The Unsaid Remains Remembered*, the debut solo exhibition in the Middle East by Paris-based artist Sophie-Yen Bretez. The show features large-scale canvases that move beyond the human figure to explore landscapes, domestic objects, and natural motifs, using symbolic thresholds like windows, tables, clocks, and fruit to evoke memory, silence, and transformation. Bretez describes her approach as a 'dramaturgy of passage,' capturing unseen moments when time overlaps and absence carries presence.

Kazakhstan Presents “Qoñyr: Archive of Silence” at Venice Biennale

Kazakhstan has unveiled details for its national pavilion at the 61st Venice Biennale, titled “Qoñyr: Archive of Silence.” Curated by Syrlybek Bekbota, the exhibition features nine artists including Smail Bayaliyev, Asel Kadyrkhanova, and Ardak Mukanova, and will be hosted at the Museo Storico Navale. The presentation utilizes the Kazakh concept of "Qoñyr"—a term encompassing specific colors, sounds, and scents—to explore themes of Soviet domesticity, nuclear trauma, and cultural heritage through sound installations, video, and archival assemblages.

Apre a Venezia una nuova fondazione per l’arte. Il progetto dell’artista curdo Ahmet Güneştekin a Palazzo Gradenigo

Kurdish artist Ahmet Güneştekin has opened a new foundation in Venice at Palazzo Gradenigo, a 16th-century building in the Castello district. The foundation's inaugural exhibition, titled "Sessizlik/Silenzio/Silence," will open on May 6 during the Venice Biennale. The show features 11 new bronze sculptures and 11 oil paintings. The palace, closed to the public for 17 years, was purchased by the artist and is undergoing a conservative restoration led by architects Alberto Torsello and Elisa Santoro, set to complete by late 2026. The foundation, entirely self-funded through sales of Güneştekin's works and royalties, aims to provide exhibition and training opportunities for young artists, especially from Turkey, in an international context.

Unsilenced exhibition explores mental health through art in Moose Jaw

The Moose Jaw Museum and Art Gallery in Saskatchewan is hosting 'Unsilenced,' an interactive art exhibition that explores mental health through the work of five artists. The show features Peter Tucker, Ruth Cuthand, Derek Poe, Amy Snyder, and Richard Boulet, using mediums such as sculpture, ceramics, beadwork, and fibre art to address topics like anxiety, OCD, climate anxiety, and intergenerational trauma. Visitors can engage with installations, including a clay pot piece about eco-stress and a reflection room for deeper contemplation.

Sound Minds: The Artists Decoding the Noise That Dominates Our Contemporary World

The exhibition "état bruit" at Konschthal Esch explores the concept of noise as a form of interference, cultural signal, and political tool. Featuring works by seven contemporary artists, including Nik Nowak’s Indonesian-inspired sound truck and Open Group’s haunting video installation of refugees mimicking artillery, the show investigates how sound reflects both community identity and the trauma of conflict.

In the Curator’s Words: James Hubbell and his brother Bert still united through art

The Oceanside Museum of Art has opened "Brothers in Arts: James Hubbell and Bert Hubbell," a poignant exhibition curated by Brennan Hubbell, the son of James and nephew of Bert. The show explores the parallel creative lives of the two brothers, who lived on opposite sides of the Pacific for sixty years—James in San Diego and Bert in Japan—yet maintained a deep spiritual and artistic connection through letters and shared philosophies. Both artists passed away within weeks of each other in 2024, shortly after a final video call that reconnected them after a period of silence.

Master metalsmith David Secrest featured in new exhibit

The Wanda Hollensteiner Art Gallery in Kalispell is hosting a new exhibition titled "David Secrest: The Unprejudiced Silence of Things that Are," running through May 23. The show features the work of the Somers-based master metalsmith, whose four-decade career spans forged iron, fabricated steel, bronze, and woodworking. Secrest, who was named a "Master Metalsmith" by the Metal Museum in 2017, is recognized for a visual language that blends natural forms with rigorous material manipulation.

This art exhibit has traveled from coast to coast. Now it’s opening in Utah

An art exhibition titled "Instrumentos de silencio" ("Instruments of Silence") created by Argentine Latter-day Saint artists Susana Silva and Gonzalo Silva is opening at the Utah Museum of Contemporary Art in Salt Lake City on January 16. The exhibition, which explores how memory and music were used to capture and codify the changes of colonization in Argentina, was awarded the 2023 Ariel Bybee Endowment prize by the Center for Latter-day Saint Arts. It has previously traveled from Sargent’s Daughters art gallery in New York City to the Graduate Theological Union Library in Berkeley, California, before arriving in Utah.

Zen Crafart showcases Viveek Sharma’s solo exhibition Silence Please in New Delhi

Zen Crafart, an Indian art company, presents Viveek Sharma's solo exhibition 'Silence Please' at Bikaner House in New Delhi from November 20–30, 2025. The show features large-format paintings, intimate compositions, sculptural works, and limited edition art plates, exploring stillness and psychological interiors. Rashmin Majithia, Partner at Zen Crafart, and Chief Guest Jyoti Mayal, Chairperson of THSC, spoke at the opening. A second exhibition, 'Sacred Gestures,' is scheduled for December 2–8, 2025, at Jahangir Art Gallery in Mumbai, focusing on movement and expressive emotion.

The Vatican brings Hildegard of Bingen to the Biennale. "The ear is the eye of the soul", by Brian Eno and Patti Smith

The Holy See Pavilion at the 61st Venice Biennale, titled "The Ear is the Eye of the Soul," centers on the 12th-century Benedictine abbess and visionary Hildegard of Bingen. Curated by Hans Ulrich Obrist and Ben Vickers in collaboration with Soundwalk Collective, the pavilion spans two Venetian venues—the Mystical Garden of the Discalced Carmelites and the Complesso di Santa Maria Ausiliatrice—and features new sound works by 24 artists, musicians, and poets including Brian Eno, Patti Smith, FKA Twigs, Meredith Monk, and Jim Jarmusch. The title is borrowed from the final work of German director Alexander Kluge, who died in March 2026, and his monumental film installation forms a core part of the exhibition.

Seeing Silence: The Paintings of Helene Schjerfbeck

This article introduces the work of Finnish modernist painter Helene Schjerfbeck (1862–1946), whose career spanned eight decades and evolved from naturalism to near abstraction. Born in Helsinki, she studied in Paris under French naturalist painters and initially gained recognition for history paintings celebrating Finnish heritage. Later, retreating to Hyvinkää to care for her mother, she abandoned naturalism, paring down her figure paintings and still lifes to simplified, materially intense compositions. The exhibition features key works such as 'View of St Ives' (1887) and 'Clothes Drying' (1883), highlighting her shift toward ethereal, boundary-testing imagery that early Finnish critics dismissed.