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The Venice Biennale’s Polite Fiction of Being ‘Above the Market’ Is Wearing Thin

The 61st Venice Biennale is underway, with art world figures flocking to Venice for the opening. While the Biennale is officially a non-selling curatorial platform, commercial interests are increasingly visible: galleries are funding artists' projects to recoup investments, auction houses like Christie's are hosting private selling exhibitions (including a 'Ghost Pavilion' at the Ca' Dario Palazzo), and fashion houses such as Bottega Veneta and Chanel are sponsoring events. Sotheby's has pulled support for the U.S. Pavilion, which is now crowdfunding, while Frieze is bankrolling the British Pavilion for a second time.

Under new ownership, Art Monte Carlo voices 'global ambitions'

The 10th edition of Art Monte Carlo took place from April 29 to May 1 in the Grimaldi Forum, featuring 26 exhibitors ranging from Old Master paintings to contemporary works by Picasso, Warhol, and Richter. The fair was acquired last year by Informa Prestige, a luxury offshoot of Informa, which also owns Miami's Untitled fair. Executive chair John Paton aims to grow the fair, nearly double its size within two years, and expand to another location, leveraging complementary audiences from yachting and supercars.

Valerio Adami | Valerio Adami @Miart 2026 (2026) | Art & Prints

Valerio Adami, a prominent Italian painter born in 1935, is offering a new acrylic-on-canvas work titled "Valerio Adami @Miart 2026" (2026) through Dep Art Gallery. The painting, sized 198 × 147 cm, is a unique piece accompanied by a certificate of authenticity. Adami is known for his graphic, comic-inspired narrative figuration, with works held in major museums including MoMA, Centre Pompidou, and the Art Institute of Chicago.