want one of bob thompsons enigmatic paintings the best time to buy was yesterday

Artnet News reports on the rising market for African American painter Bob Thompson, who died at 28 in 1966 but produced thousands of works in a five-year span. His vibrant, narrative paintings—inspired by Old Masters, Greek mythology, and Modernism—have long influenced artists and curators, yet only recently commanded high auction prices. In 2024, all 16 lots offered sold, totaling $4 million, with a record $1.26 million for *Music Lesson* (1962) at Christie’s. The article traces his career from Louisville to Europe, his estate history with dealer Michael Rosenfeld, and current interest from collectors and institutions like the Whitney Museum and Smithsonian American Art Museum.

the appraisal jack whitten

The article reports on the Museum of Modern Art's retrospective "Jack Whitten: The Messenger," which runs through August 2 and features 175 works including paintings, sculpture, and archival materials. Curator Michelle Kuo describes Whitten's "endless innovation," noting that art handlers were astonished by his pioneering techniques. Whitten, who died in 2018 at age 78, moved from Alabama to New York in 1960, attended Cooper Union, and was influenced by jazz and figures like Willem de Kooning and Romare Bearden. The article also examines Whitten's art market, highlighting his auction record of $2.66 million for "Special Checking" (1974) at Sotheby's in 2019, and noting that while prices are rising, his work remains undervalued compared to peers like Gerhard Richter.

who is marlene dumas highest selling living woman artist

At a Christie’s New York 21st-century art sale, Marlene Dumas’s painting *Miss January* (1997) sold for $13.6 million with premium, setting a new auction record for the most expensive artwork by a living woman artist. The work, estimated at $12–18 million, narrowly surpassed the previous record of $12.4 million held by Jenny Saville since 2018. Dumas, a 71-year-old South African painter based in Amsterdam, has built a steady market over decades, with her galleries carefully managing her work to avoid speculation.

martha diamond estate thaddaeus ropac

Thaddaeus Ropac has announced global representation of the Martha Diamond Trust in collaboration with David Kordansky Gallery. The late New York painter, who passed away in 2023, is known for her expressive, gestural cityscapes of Manhattan that balance abstraction and figuration. The partnership aims to elevate Diamond’s international profile, beginning with her first European museum survey at the Sara Hildén Art Museum in Finland in 2026, followed by a solo exhibition at Ropac’s Paris gallery in 2027.

paint drippings art industry news may 19

This week's art industry roundup covers major personnel changes at Phillips, with Cheyenne Westphal stepping down as global chairwoman and Jean-Paul Engelen departing for Acquavella Galleries, alongside promotions of Robert Manley and Miety Heiden. Auction results show mixed performance: Christie's Riggio collection brought $488.8 million, but Sotheby's and Phillips saw declines, while Marlene Dumas set a record for a living woman artist at Christie's. Other highlights include the launch of Derrick Adams' Scout Art Fair in Baltimore, Art Basel's inaugural awards, and the opening of Destinee Ross-Sutton's gallery in Stockholm.

as costs rise dealers in asia take a pragmatic approach to fair participation

The article reports that two major Asian art fairs, Taipei Dangdai Art and Ideas and Art Busan, are currently running through May 11, but both have seen significant drops in exhibitor numbers. Taipei Dangdai is down 32% to 53 galleries, while Art Busan is off 16% to 109 galleries. Dealers cite rising costs, geopolitical uncertainties, and fair fatigue as reasons for a more selective, pragmatic approach to participation, focusing on regional fairs and transactional value over visibility.

michael werner second new york gallery sanya kantarovsky

Michael Werner Gallery is expanding rather than contracting, opening a second New York space on the Upper East Side at 1018 Madison Avenue, just around the corner from its original location at 4 East 77th Street. The new venue was secured after the building housing the original gallery went up for sale, prompting partner Gordon VeneKlasen to search for alternatives. The inaugural exhibition features Sanya Kantarovsky, who is also joining the gallery's roster, with a two-part show titled "Scarecrow" opening May 7. The expansion was designed by architect Annabelle Selldorf, who previously worked with the gallery in 1989.

This Small Dorothea Tanning Painting Sold for $120,000 per Square Inch—and Set a New Record

Dorothea Tanning's small 1942 Surrealist painting, 'Children's Games,' sold for £3.8 million ($5 million) at Christie's London, nearly quadrupling its low estimate. With fees, the final price reached $6.26 million, setting a new auction record for the artist and achieving a remarkable price of approximately $120,000 per square inch.

Michaelina Wautier Market Appraisal

michaelina wautier market appraisal

The 17th-century Flemish Baroque painter Michaelina Wautier is experiencing a significant rediscovery following centuries of obscurity and misattribution. Long overshadowed by her male contemporaries and her brother Charles, Wautier's diverse oeuvre—ranging from still lifes to monumental allegorical scenes—is being re-evaluated through major exhibitions at the Kunsthistorisches Museum in Vienna and the Royal Academy of Arts in London. This scholarly revival is correcting the historical record, as works previously attributed to artists like Artemisia Gentileschi are being rightfully returned to her catalog.

in london sadie coles expands amid stark drop in profits

Sadie Coles, a prominent London contemporary art gallery, announced plans to open a new 6,000-square-foot location in Mayfair this fall, despite reporting a steep 46 percent drop in revenue for 2024, from £52.3 million to £28.3 million. Pre-tax profits plunged 93 percent to £400,000, down from £5.5 million the prior year. Coles attributed the downturn to a slowdown at the high end of the art market, but noted the gallery carries no debt and has seen a 20 percent increase in total assets over five years, growing from £23.9 million to £28.8 million.

The UAE’s art market is on the up

The UAE's art market is experiencing a resurgence nearly two decades after the 2008 financial crash, driven by a booming economy and strategic investments. Key developments include an Abu Dhabi sovereign wealth fund, ADQ, acquiring a $1 billion stake in Sotheby's, and Art Basel announcing a new fair in Doha, Qatar, set to launch in February 2026. Meanwhile, Christie's is expanding its Dubai office, and Saudi Arabia hosted its inaugural Art Week Riyadh in April, featuring 32 commercial galleries. Despite these regional moves, Dubai remains the Gulf's commercial art hub, with Sotheby's chairman Edward Gibbs noting a 70% increase in regional bidders over five years and Christie's president Anthea Peers reporting that sales of modern Middle Eastern art trebled between 2020 and 2024.

The extraordinary boom in modern Indian art

Despite a general art market downturn, modern Indian art auctions have seen extraordinary demand. Over the past two weeks, sales at Christie’s in New York, Saffron Art in New Delhi, Pundole’s in Mumbai, and Sotheby’s in London all sold out. Sotheby’s London sale raised £19 million, more than five times its estimate, led by record-breaking works from Francis Newton Souza, including *Houses in Hampstead* (1962) sold for £5.6 million and *Emperor* (1957) sold for £5.2 million. The article traces Souza’s rebellious career, from his expulsion from school in Mumbai for pornographic graffiti, to his founding role in the Progressive Artists’ Group, his struggles in England and the US, and his eventual death in 2002 with little recognition.

Pursuing ‘a different economy’, London gallery Herald St will open new space in Bologna

London gallery Herald St, known for nurturing artists like Nicole Wermers, Cary Kwok, and Pablo Bronstein over the past 20 years, will open a new space in Bologna, Italy, in early 2025. Co-founder Nicky Verber cites the city's strong local collector base, excellent institutions such as Mambo (Museo d'Arte Moderna di Bologna), and its connectivity to Venice, Milan, and Florence as key draws. The gallery has deepened ties with Bologna through a 2020 group exhibition, signing local artist Francis Offman in 2021, and participating in Arte Fiera. The new space, located in the medieval center, will feature three exhibition rooms and open with a show by abstract painter Matt Connors, hosting three to four exhibitions annually compared to five or six in London.

Henry Moore's King and Queen leads Christie's 20th/21st Century London sales

Christie’s London evening sales achieved a combined total of £197.5 million ($263.8 million) on March 5, 2026, representing a 52 percent increase year-on-year. The night was headlined by Henry Moore’s monumental bronze sculpture 'King and Queen', which sold for a record-breaking £26.3 million after an eight-minute bidding war. The event also debuted a new auction rostrum designed by Sir Jony Ive’s creative collective, LoveFrom, marking the house's 260th anniversary.

Chickens, train surfers and Marilyn Monroe: Magnum’s print sale – in pictures

Magnum Photos, in partnership with The Photographers' Gallery, is holding a print sale titled 'Odyssey' featuring works from over 100 of its photographers. The sale includes iconic images from artists like Eve Arnold, Alec Soth, and Chris Killip, with themes ranging from personal journeys and American life to global migrations and cultural rituals. The event runs until March 29, 2026.

Muhammad 2., 2025 by Julian Opie, Direct to media print on painted wooden board, 129.8 x 83.9 x 3.6 cm (1)

Julian Opie's 2025 artwork "Muhammad 2." is featured, a direct-to-media print on painted wooden board measuring 129.8 x 83.9 x 3.6 cm. The article promotes a platform that partners with leading galleries to showcase artists, artworks, and exhibitions, with gallery membership by application and invitation only, vetted by industry peers.

Untitled (Second Night), 2021 by Louise Lawler, Dye sublimation print on museum box, 121.9 x 182.2 cm (2)

This article is a promotional description for an art platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a membership model vetted by industry peers, offering visibility and access to influential galleries, collectors, and auction houses. The piece also mentions a specific artwork by Louise Lawler, "Untitled (Second Night), 2021," a dye sublimation print on a museum box.

Vertiginous 2658, 2007 by Lucas Samaras

The article highlights a partnership with leading global galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers and available by application and invitation only. It also emphasizes the role of art advisors who provide visibility and access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.

A Bird Flying Through a Tunnel, 2019 by Matt Connors, Acrylic on canvas, 304.8 x 244.5 x 3.2 cm (3)

The article is a promotional piece for an art advisory platform that partners with leading galleries to showcase artists, artworks, and exhibitions. It highlights a curated membership model vetted by industry peers, offering access to influential galleries, collectors, and auction houses. The featured image is Matt Connors' painting "A Bird Flying Through a Tunnel" (2019), an acrylic on canvas work measuring 304.8 x 244.5 x 3.2 cm.

PixCell-Elk#3, 2026 by Kohei Nawa

This article appears to be a promotional or editorial piece about the artwork "PixCell-Elk#3, 2026" by artist Kohei Nawa. It describes a partnership with leading galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers. The text also highlights the role of art advisors providing access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.