1,000-year-old archaeological site bulldozed during construction of Mexico-US border wall

On 24 April, a Department of Homeland Security contractor bulldozed a 1,000-year-old intaglio—a 280ft by 50ft etching in the desert sand—during construction of the US-Mexico border wall in Arizona's Cabeza Prieta National Wildlife Refuge. The site, sacred to local Indigenous communities including the Hia-Ced O’odham, was part of a UNESCO biosphere and contained over 3,000 petroglyphs. Despite warnings from tribal members and refuge staff, the contractor destroyed a 70ft stretch of the fish-shaped intaglio, which elders and archaeologists describe as an irreplaceable cultural and archaeological treasure.

Culture Workers Announce Venice Biennale Strike in Israeli Pavilion Protest

Cultural workers, unions, and grassroots groups are planning a 24-hour strike on Friday, May 8, at the Venice Biennale to protest Israel's participation amid the ongoing genocide in Gaza. Organized by the Art Not Genocide Alliance (ANGA), the action includes a rally on Viale Garibaldi and calls for a boycott of Israel's "genocide pavilion." Participating groups include Biennaleocene, Sale Docks, Mi Riconosci, Vogliamo Tutt’altro, and several Italian trade unions. The strike follows months of activism, including a letter signed by over 200 event participants, and comes after the Biennale jury resigned over award eligibility rules that initially excluded Israel and Russia.

From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

Venice Biennale opens under shadow of protests over Russia and Israel

The 61st Venice Biennale opened under heavy protest as Russia returns to the event for the first time since its 2022 invasion of Ukraine. Ukrainian feminist collective Femen and Russian punk band Pussy Riot demonstrated outside the Russian pavilion, with activists accusing Russia of using art as a weapon in a hybrid war. Meanwhile, pro-Palestinian protesters gathered outside Israel's pavilion, holding banners reading 'No artwashing genocide' and demanding Israel's exclusion over the war in Gaza. The Biennale's international jury resigned last month, refusing to award prizes to countries led by figures subject to ICC arrest warrants, namely Vladimir Putin and Benjamin Netanyahu. EU foreign policy chief Kaja Kallas called Russia's participation 'morally wrong' and threatened to cut €2 million in funding, while culture ministers from 22 European countries urged organizers to reconsider.

L’architecte du Musée Gandur

The article covers several art news items from the May 2, 2026 issue of Le Journal des Arts, including the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about the resized Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artist site in Paris, and a profile of auctioneer Hubert L'Huillier.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

At the 2026 Venice Biennale, pavilions shut down for pro-Palestine strike. The map of protests

Alla Biennale di Venezia 2026 serrata dei padiglioni per sciopero pro Palestina. La mappa delle proteste

On May 8, 2026, the third VIP preview day of the 61st Venice Biennale, a massive strike shut down numerous national pavilions and disrupted the exhibition. Led by the Art Not Genocide Alliance (Anga), the protest demands Israel's exclusion from the Biennale over allegations of genocide in Palestine, and also targets poor labor conditions in the cultural sector. Pavilions closed one after another due to staff shortages, and protest posters appeared around artworks at the Giardini and Arsenale. The strike involved the Biennale Foundation itself, along with about twenty contractors managing services and national pavilions, with unions Adl Cobas, USB Lavoro privato, and Cub supporting the action. Tensions rose when the UK Pavilion reportedly replaced striking staff to remain open, and the Foundation issued a statement falsely denying that its employees were covered by the strike.

Dana Awartani’s art of remembrance in Venice

The article covers multiple art events and opportunities across the Gulf region and beyond. It highlights Saudi artists participating in the exhibition "What’s between, between?" at Doha's Media Majlis Museum, curated by Jack Thomas Taylor and Amal Zeyad Ali, which explores Gulf Futurism. Additionally, it announces a two-part group exhibition "Global Positioning System" opening at Hayy Jameel in Jeddah, featuring over 40 artists from more than 20 countries. The article also reports on an internship opportunity for Saudi architects and designers at Rome's MAXXI Museum, offered by Saudi Arabia’s Misk Art Institute.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

Stilllive Documents 2019–2025 @ The 5th Floor

The 5th Floor in Tokyo is hosting "Stilllive Documents 2019–2025," a retrospective exhibition running from May 14 to June 7, 2026, that reviews the activities of the performance platform Stilllive. The show features unpublished photographs and video materials from 2019 to 2025, presenting them not as mere traces of events but as records of relationships, tensions, and responses that emerged in each moment. Stilllive was founded in 2016 by Yuki Kobayashi and graduates of the Royal College of Art's Performance program, and has held annual events since 2019 at venues including the Goethe-Institut Tokyo. A new performance, "Stilllive 2026," will take place on May 16–17 at BUoY in Senju Nakamachi, Tokyo, connecting past accumulations to future practice.