zohran mamdani names arts culture transition committee

Anna Zemánková Estate Joins Gladstone Gallery, Sándra Vasquez de la Horra Joins Tanya Bonakdar Gallery, and More: Industry Moves for April 29, 2026

The article reports a series of industry moves in the art world as of April 29, 2026. Key developments include Gladstone Gallery taking on the estate of Anna Zemánková, Sándra Vasquez de la Horra joining Tanya Bonakdar Gallery, Elijah Wheat Showroom opening a new location in Beacon, New York, and Mariane Ibrahim now representing Leasho Johnson. Additionally, Denniston Hill launches its 2026 residency season with 30 artists, the Minneapolis Institute of Art receives restoration funding from TEFAF, Charlie White is appointed dean of the Sam Fox School, and Jesús Hilario-Reyes and Tichacoco are named inaugural recipients of the Clemente Center’s Van Lier Fellowship. The article also notes a whistleblower claim of $3 million missing from the Palm Springs Art Museum’s investment account, and a New York Times essay by Robin Givhan on Derrick Adams.

anonymous was a woman symposium report

A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.

Art Movements: Dozens Laid Off at Artnet and Artsy

Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.

fall of freedom 2025

Across the U.S., artists and organizations have organized over 600 pop-up events, performances, readings, and other creative protests as part of Fall of Freedom, a new artist-led movement launching November 21–22. Initiated by artist, curator, and writer Accra Shepp and Puerto Rican artist Miguel Luciano, the program aims to activate the culture community against growing authoritarian threats. Events range from a participatory art action by ABC No Rio in Madison Square Park to a video installation by Los Herederos in a New York subway station, a roving digital billboard by NYC Resistance Salon, and a benefit concert at Pioneer Works headlined by Sheryl Crow. Participating venues include 601ArtSpace, Jack Shainman Gallery, Cristin Tierney Gallery, Ronald Feldman Fine Arts, El Museo del Barrio, and the Bronx Museum, though major institutions are notably absent.

video data bank downsizing school art institute chicago

The School of the Art Institute of Chicago (SAIC) laid off three of five staff members at the Video Data Bank (VDB), a renowned video art distribution organization, on November 12. Former director Tom Colley announced the dismissals of digital collection manager Elise Schierbeek and distribution assistant Nicky Ni, and stated that acquisitions and programming would cease. SAIC cited financial pressures from federal policy changes and enrollment declines, insisting the VDB is not closing but needs adjusted staffing to protect its teaching mission. The VDB, founded in 1976 and approaching its 50th anniversary, holds works by major artists including Nam June Paik, Pipilotti Rist, and Bruce Nauman, and has historically received NEA funding.

british museum fundraising gala interrupted by protestor

The British Museum's inaugural fundraising gala on October 18 was interrupted by a protester from the group Energy Embargo for Palestine. The woman, who gained access to the Great Court by working as a waitress, took the stage next to board chair George Osborne holding a sign reading 'DROP BP NOW.' She criticized the museum for accepting a £50 million sponsorship from BP, an oil and gas company she accused of causing climate collapse and enabling genocide in Gaza. The gala, co-chaired by Isha Ambani of Reliance Industries, raised over $2 million from ticket sales and featured a silent auction, including a pet portrait by Tracey Emin and a private tour of Coco Chanel's Paris apartment.

chanel fund high tech arts center calarts

California Institute of the Arts (CalArts) will establish the Chanel Center for Artists and Technology, funded by the Chanel Culture Fund. The initiative focuses on artificial intelligence, machine learning, and digital imaging, creating dozens of new roles, fellowships for artists and technologists-in-residence, and graduate student support, along with cutting-edge equipment. CalArts president Ravi S. Rajan described it as among the largest corporate partnerships the school has had, potentially the largest for any art school.

Russia's 2026 Venice Biennale Will Not Open to the Public, and Other News.

Russia's pavilion at the 2026 Venice Biennale will be closed to the public for nearly the entire run of the exhibition (May 9–November 22), with access limited to a brief preview period for press and invited guests. Instead of physical access, visitors will experience the pavilion's project—titled 'The Tree Is Rooted in the Sky'—via video documentation displayed on exterior screens. The arrangement is widely seen as a compromise shaped by international sanctions and political backlash over Russia's return following its absence after the 2022 invasion of Ukraine. In other news, Matthieu Blazy unveiled his first Chanel cruise collection in Biarritz; San Francisco appointed Matthew Goudeau as its first-ever executive director of arts and culture; the Saudi Arabia Museum of Contemporary Art received a $490 million construction grant from Diriyah Company; and online auction sales grew 8 percent in 2025, generating $423.9 million.

May You Live in Less Interesting Times

The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.

On High Heels into the Museum

Auf High Heels ins Museum

The Los Angeles County Museum of Art (LACMA) closed its newly opened David Geffen Galleries just days after their official debut to host a Dior fashion show. The show, designed by Dior creative director Jonathan Anderson, featured a Cruise collection inspired by Hollywood glamour, with models walking through the museum's outdoor spaces amid vintage cars and historical lamps. The event highlighted the ongoing tension between the museum's architectural ambitions—Peter Zumthor's amoeba-like concrete structure has drawn both criticism and praise—and its use as a venue for luxury brand marketing.

Olivia Rodrigo’s New Music Video Is a Dizzying Romp Through Versailles

Pop star Olivia Rodrigo has released the music video for her new single "Drop Dead," filmed on location at the Palace of Versailles. Directed by Petra Collins, the production marks the first time a music video has been granted permission to film inside the palace's royal apartments, including the Queen's Bedroom and the Grand Couvert Antechamber. The video features Rodrigo performing alongside historic masterpieces, such as Pierre Mignard’s 17th-century tapestry "Apollo and the Muses on Mount Parnassus."

Versailles Restores Royal Bedroom to Its 1789 Splendor

The Palace of Versailles has completed a multi-decade restoration of the King’s Private Bedroom, meticulously recreating the space as it appeared on October 6, 1789, the day the royal family fled the French Revolution. The project involved an intergenerational team of curators and master craftspeople who utilized archival descriptions and surviving fabric scraps to reconstruct the room's ornate Rocaille embellishments, silk tapestries from Lyon, and a central gilded bed carved from linden wood.

The art world in 2025: our review of the biggest stories and shows—podcast

The final episode of The Week in Art podcast for 2025 reviews the year's biggest stories and exhibitions. Host Ben Luke is joined by The Art Newspaper's contemporary art correspondent Louisa Buck, art market editor Kabir Jhala, and Americas editor-in-chief Ben Sutton to discuss topics ranging from the Los Angeles wildfires in January and President Trump's cultural policies to the crisis at the Louvre, the National Gallery in London's expansion plans and their impact on its relationship with Tate, and the art market's shift toward the Middle East for fairs and auctions. The guests also select their top exhibitions and works of the year, featuring artists such as Kerry James Marshall, Helen Chadwick, Coco Fusco, Jack Whitten, Henri Matisse, and Hamad Butt.

parties young artist prize 2025 mz wallace

CULTURED magazine and fashion brand MZ Wallace celebrated the 10-year anniversary of their Young Artists List with an event at (SUB)MERCER in SoHo, where they announced Iraqi-born, Los Angeles-based artist Ali Eyal as the winner of the 2025 Young Artist Prize. Eyal received an unrestricted $30,000 grant, selected by a jury of curators from the Met, the Hammer, and MoMA, for his multidisciplinary practice reflecting on violence endured during his upbringing in Baghdad.

the lume controversial immersive digital art gallery indianapolis museum of art closed

The Indianapolis Museum of Art at Newfields has officially closed The Lume, its controversial immersive digital art gallery, following the conclusion of its final exhibition on Indigenous Australian art. Since its 2021 launch, the high-tech space hosted popular digital spectacles featuring the works of Van Gogh, Monet, and Dalí, but it will now be repurposed for a new contemporary art initiative that the museum claims will expand how audiences experience art.

school of art institute of chicagos video data bank

The School of the Art Institute of Chicago (SAIC) laid off three of five staff members of its Video Data Bank (VDB), including director Tom Colley, as part of 20 total layoffs across the institution. The cuts, announced on November 12, eliminated leadership and key distribution and digital management roles, sparking outcry from the new-media art community. VDB, founded in 1976, is a leading archive of video art with over 6,000 works by artists including Nam June Paik, Bruce Nauman, and Pipilotti Rist, distributed worldwide via subscription streaming.

Dataland, World's First A.I. Arts Museum, Will Open in June, and Other News.

Dataland, billed as the world's first museum dedicated to AI-generated art, will open June 20 at The Grand LA in downtown Los Angeles, founded by Refik Anadol and Efsun Erkılıç. Its inaugural exhibition, 'Machine Dreams: Rainforest,' uses vast environmental datasets to create multi-sensory AI interpretations of nature. In other news, Tuan Andrew Nguyen's 27-foot-tall sandstone Buddha sculpture has been installed on New York's High Line Plinth; Chanel is launching its first-ever Coco Beach pop-up in Shanghai; Kengo Kuma collaborated with Jaipur Rugs on a carpet collection unveiled at Milan Design Week; and Pittsburgh's new $31 million Arts Landing civic space opened in the Cultural District.

Ofelia Esparza: Mexican Traditions in California Since 1945

OFELIA ESPARZA SINCE 1945 MEXICAN TRADITIONS IN CALIFORNIA

The Vincent Price Art Museum at East Los Angeles College is presenting 'Ofelia Esparza: A Retrospective' until May 2026. This first major museum survey for the Chicana artist and altarista features 85 works, including recreations of her iconic altars and examples of her drawing, painting, and printmaking, tracing her artistic evolution from 1945 to the present.