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Miniature Model and Giant Buddha

This Hyperallergic newsletter covers multiple New York art stories: Joe Macken's 50-foot hand-built wood replica of New York City now on long-term view at the Museum of the City of New York, Tuan Andrew Nguyen's towering Buddha sculpture on the High Line referencing the destroyed Bamiyan Buddhas, and the MoMA PS1 survey "Greater New York." It also reports on CONDUCTOR, New York's first art fair committed to the global majority, a new experimental artist-run space called The Gallery in Brooklyn, and reviews of Mark Milroy at JJ Murphy and Kim Gordon at Amant.

‘He sent someone to intimidate me’: Christopher Anderson, the photographer who shot Jeffrey Epstein

Photographer Christopher Anderson has revealed the details behind his 2015 encounter with Jeffrey Epstein, whom he photographed for a cancelled New York magazine profile. Anderson describes a series of unsettling interactions, including Epstein's attempts to buy the image rights for $20,000 and the eventual dispatch of a "mafia-esque" intimidator to Anderson's studio to seize a hard drive. The photographer's email exchanges with Epstein’s staff were recently made public as part of the Department of Justice's release of the Epstein files.

haiti winter olympics

Olympic officials blocked Haiti's plan to feature a painting of revolutionary leader Toussaint Louverture on its team uniforms for the 2026 Winter Olympics in Milan, citing a rule against political propaganda. Designer Stella Jean, with a team of artisans in Rome, hand-painted a redesigned version that removed Louverture and the snake but kept the horse and landscape, delivering the uniforms just two days before the opening ceremony.

haitian museum police rescue artworks from gangs

Haitian police conducted a two-day armed operation to evacuate thousands of artworks and documents from the Centre d’Art in Port-au-Prince, as gangs tightened control over the capital. The museum, founded in 1944 and housing works by artists such as Hector Hyppolite, Georges Liautaud, and Philomé Obin, had been forced to suspend operations in February after gang members stole solar panels and a generator. Under gunfire, authorities used armored vehicles to clear barricaded streets and removed an estimated 6,000 artworks and 3,600 documents to safety.

hurricane melissa hits jamaica cultural institutions

Hurricane Melissa has devastated Jamaica and Haiti, causing deadly floods and landslides before moving on to Cuba. The storm forced the closure of major cultural institutions in Kingston, including the National Gallery of Jamaica (closed since October 24) and the Bob Marley Museum, which announced it would remain shut until further notice. The National Gallery offered artists advice on protecting their work, such as removing art from walls, storing it above ground, and anchoring outdoor sculptures. At least 30 deaths have been reported across the region, with Jamaica declared a disaster area.

Lack of accountability after crush of crowds at Haiti’s Citadelle Laferrière kills 25

A crowd crush at Haiti's historic Citadelle Laferrière fortress on April 11 resulted in at least 25 deaths, including a pregnant woman and children. The tragedy occurred during an unauthorized event promoted by TikTok influencers, which drew over 3,000 people to the site. Heavy rain and a stampede at the narrow entrance exacerbated the overcrowding.

Comment | Inside the preservation of the largest fortress in the Americas

A major 25-year conservation project at Haiti's Citadelle Laferrière, the largest fortress in the Americas and a UNESCO World Heritage Site, is nearing completion. The project, involving the World Monuments Fund, UNESCO, and the Haitian Institute for the Protection of National Heritage, has focused on earthquake reinforcement, waterproofing, and improving visitor access, using traditional 19th-century techniques and local labor.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.