The article is a table of contents for the February 2026 issue of Contemporary Art Review LA, listing numerous features, interviews, and reviews. It highlights an interview with artist Eddie Kang at Gana Art Los Angeles, alongside other content covering topics like olfactory art, tarot, video art, and reviews of exhibitions across Los Angeles galleries and museums.
German artist and future astronaut Michael Najjar has partnered with the Samsung Art Store to feature his work "europa" (2016) as part of the Art Basel Hong Kong 2026 Collection. Najjar, who is scheduled to become the first contemporary artist in space via a 2027 Virgin Galactic flight, uses his practice to explore the intersection of technology, space exploration, and human ambition. The collaboration allows his large-scale digital constructions to be displayed on Samsung Art TVs, bridging the gap between the physical art fair and domestic environments.
Arte, spazio pubblico e rigenerazione urbana: arriva il nuovo numero della newsletter Render (iscrivetevi!)
Artribune has announced the release of the 55th edition of its bi-weekly newsletter, Render, which focuses on public art, urban regeneration, and contemporary architecture. This latest issue features a deep dive by researcher Fabio Ciaravella into the role of public monuments in shaping societal views on peace versus war, alongside an interview with Mohamed Khalifa Al Mubarak regarding the Zayed National Museum in Abu Dhabi. Additionally, the newsletter highlights Italian urban renewal projects, the trend of repurposing abandoned cinemas, and upcoming events like Milan Design Week.
Tra moda e design torna un nuovo numero di TAILOR, newsletter di Artribune sulla cultura del vestire
Artribune has announced the return of TAILOR, a specialized newsletter exploring the intersections of art, fashion, and design. The upcoming April 19, 2026 edition focuses on the synergy between fashion brands and the Milan Design Week, featuring an interview with Mauro Simionato, founder of the experimental knitwear brand Vitelli, regarding sustainable material processes and community-building.
Hyperallergic's newsletter previews the upcoming 61st Venice Biennale, noting the charged political climate that may overshadow the art. It highlights the main exhibition "In Minor Keys" conceived by the late Koyo Kouoh, and includes a guide to national pavilions, collateral events, and notable exhibitions in Venice. The edition also features a studio visit with 93-year-old artist Joan Semmel, an interview with Lebanese artist Tania El Khoury about her "revenge art," and news about Barbara Chase-Riboud declining to represent the US at the Biennale, a $116M gift to the National Gallery of Art, and the death of Argentine painter Ides Kihlen at 108.
The article surveys recent art-world commentary, focusing on a critical review of the Turner Prize shortlist in The Guardian, where Eddy Frankel calls the selection "timid, anxious, safe" and laments a self-perpetuating, elitist system. It also covers a Hyperallergic essay by Lisa Siraganian questioning whether artworks can possess personhood, sparked by Pierre Huyghe's Venice exhibition. Additionally, it reports on controversy at the Venice Biennale, where the jury preemptively excluded countries whose leaders are sought by the International Criminal Court—namely Russia and Israel—drawing sharp criticism from Die Welt's Marcus Woeller. A podcast interview with US sculptor Alma Allen, selected for the US Pavilion, rounds out the coverage.
The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.
Sculptor Alma Allen has spoken out for the first time about the backlash he faced after accepting the commission to represent the United States at the Venice Biennale. In a rare interview on the podcast *Time Sensitive*, recorded at his home in Tepotzlán, Mexico, Allen described the response as “a little stressful” but said he never hesitated when curator Jeffrey Uslip invited him last fall. His selection sparked controversy because the State Department’s requirement that proposals “reflect and promote American values” while not promoting DEI initiatives led higher-profile artists like William Eggleston and Barbara Chase-Riboud to refuse. Allen’s former galleries, Mendes Wood and Olney Gleason, dropped him after he accepted, though he has since joined Perrotin. He also hinted that his exhibition, “Call Me the Breeze,” will include work about conflict and surveillance.
La MansA lance son magazine
La MansA – Maison des mondes africains has launched MansA Magazine, a bilingual (French/English) semiannual cultural publication. The magazine, available at newsstands, bookstores, and online, features essays, interviews, and portfolios focused on African and Afro-diasporic art scenes, adopting a critical and documentary approach. The cover of the inaugural issue features Guillaume Diop, the first Black male principal dancer at the Paris Opera.
Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.
"Eine Startrampe für die Zukunft"
The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.
Geoffrey Kelly, the FBI’s lead investigator on the Isabella Stewart Gardner Museum heist for over two decades, has released a new book titled 'Thirteen Perfect Fugitives'. Published ahead of the 36th anniversary of the 1990 theft, the book provides an insider’s perspective on the investigation into the world’s largest art heist, where 13 works valued at over $1 billion were stolen. Kelly, who retired in 2024, details the FBI's findings regarding the individuals involved and the ongoing, unsuccessful efforts to recover the missing masterpieces.
Michael Govan, director of the Los Angeles County Museum of Art (LACMA), has broken his silence regarding the museum’s controversial new David Geffen Galleries in an interview with Vanity Fair. The $720 million structure, designed by Pritzker Prize-winning architect Peter Zumthor, is scheduled to open next month following years of heated debate over its unconventional design, the demolition of previous museum buildings, and escalating costs. Govan defended the project’s horizontal, single-floor layout as a necessary evolution for the 21st-century museum, moving away from traditional geographic and chronological hierarchies.
The article is a table of contents for Issue 43 of Contemporary Art Review LA, listing various articles, interviews, and reviews focused on the Los Angeles art scene. Featured pieces include an essay on the evolution of Tarot art, a report on the Made in L.A. 2025 biennial, an interview with artist Kelly Wall, and reviews of exhibitions at venues like the Orange County Museum of Art, Karma, and Château Shatto.
Newly released Department of Justice documents reveal that the New York Academy of Art (NYAA) actively courted Jeffrey Epstein for funding years after he was a known sex offender. In 2013, board chair Eileen Guggenheim invited Epstein to sponsor a scholarship program where he personally selected student recipients in exchange for commissioned portraits. One such commission resulted in a painting of the sons of billionaire Leon Black, further illustrating the interconnected web between Epstein and high-profile art world figures.
University of Alaska Fairbanks student Graham Granger was arrested for tearing up and eating Polaroids from an AI-generated artwork by Nick Dwyer in an MFA exhibition, causing less than $250 in damage. Granger, charged with criminal mischief, described the act as a protest against the school's AI policy and a performance art piece, while Dwyer rejected the explanation and likened it to vandalism.
Daniel H. Weiss, the new director of the Philadelphia Art Museum, gave his first extensive interview to the Philadelphia Inquirer, defending the museum's board after the controversial firing of his predecessor, Sasha Suda. Suda was terminated in November for alleged misappropriation of funds, including a $39,000 salary increase over two years, which she claims was authorized and is now the subject of a lawsuit. Weiss, formerly president and CEO of the Metropolitan Museum of Art, stated the board does not need radical restructuring but acknowledged the museum faces a financial deficit and needs to address its widely ridiculed rebrand from the Philadelphia Museum of Art to the Philadelphia Art Museum (acronym PhAM). He has begun a listening tour with staff to assess problems, and the marketing chief who led the rebrand has since resigned.
The article reports on several moves in the art world: the Frankenthaler Climate Initiative opens its sixth grant cycle with over $17.5 million awarded to date for clean energy in visual arts. Gallery news includes P·P·O·W now representing Phoebe Helander, Séverin Guelpa joining Fabienne Levy Gallery, Catinca Tabacaru taking on Andrei Nițu, and Roland Augustine stepping down from Luhring Augustine. Bonhams saw a 9% revenue decline in 2024, part of broader auction house drops, and was sold to Pemberton Asset Management. The piece also highlights an interview with Met director Max Hollein on the museum's global identity.
Sasha Suda, the former director and CEO of the Philadelphia Art Museum, gave her first extensive interview since her firing last November to Philadelphia Magazine, alleging that the board attempted to strip her of the CEO title. She claims former board chair Leslie Anne Miller initially offered both roles but later tried to separate them, only allowing her to hold both temporarily. Suda says she rejected the revised offer, leading the board to backpedal. The article also reveals that Suda placed chief curator Carlos Basualdo on administrative leave in 2024, a decision that upset some trustees and may have contributed to tensions. Suda was abruptly fired on Election Day via email citing "cause," and she and the board have traded allegations over misuse of funds and unfair investigations.
Daisy Rockwell, granddaughter of Norman Rockwell, stated in an interview with the Bulwark that her grandfather was "antifa," pushing back against recent uses of his paintings by the Department of Homeland Security (DHS). Over the summer, DHS posted cropped and edited versions of Rockwell's works, including "Salute the Flag" (1971) and "Working on the Statue of Liberty" (1946), with captions urging readers to "protect your homeland" and "defend your culture." The Rockwell family had already publicly rebutted these posts in a USA Today op-ed, arguing that Rockwell would have been "devastated" to see his art used to promote persecution of immigrant communities and people of color.
Konstantin Akinsha, a prominent curator and art historian of Russian and Ukrainian art, has identified 14 artworks in the collection of the Palazzo de Nordis museum in Cividale del Friuli, Italy, as likely forgeries. In a Substack post and interview with ARTnews, Akinsha scrutinized the De Martiis Collection, donated in 2015 by the late collector Giancarlo De Martiis, which includes works attributed to Russian and Ukrainian modernist painters. He points to suspicious provenances involving Jean Chauvelin, a disgraced French art dealer, and Boris Gribanov, a convicted forger. A specific still life attributed to Olga Rozanova (1915-17) is nearly identical to a 1999 painting by contemporary Russian artist Andrei Saratov, who confirmed he did not paint the museum's version. Elisabetta Gottardo, the municipal head of culture, acknowledged Akinsha's authority and pledged further investigation.
Artnet News published a roundup of five rising artist profiles that defined 2025, highlighting interviews with Alexandra Metcalf and Chase Hall. Metcalf, a British-American artist, blends 1960s psychedelia, 2000s pop music, and Victorian literature in her multimedia works, and debuted at Art Basel with London's Ginny on Frederick. Chase Hall, a painter who uses hot coffee on cotton, explores race and fatherhood, with a solo exhibition "Momma's Baby, Daddy's Maybe" at Galerie Eva Presenhuber in Vienna.
New York City Mayor-elect Zohran Mamdani declared in a New York Times interview that the city's best museum is its subway system, citing the public artworks by artists like Vito Acconci, Nick Cave, Yoko Ono, Faith Ringgold, and Jeffrey Gibson that are accessible to all riders. He praised the MTA for making art available regardless of income, while also expressing interest in visiting the Museum of the Moving Image in Astoria, Queens, and crediting his wife, illustrator Rama Duwaji, for expanding his appreciation of art beyond formal settings.
British Ghanaian artist Larry Achiampong responded to controversy after two of his pan-African flags from the "Relic Traveller: Phase 1" series replaced a portrait of Queen Elizabeth II in the UK Foreign Office. The flags, titled "Pan African Flag For The Relic Travellers’ Alliance (Motion)" and "Pan African Flag For The Relic Travellers’ Alliance (Community)", were hung by Deputy Prime Minister David Lammy. Conservative MP Lee Anderson criticized the move, while Achiampong dismissed the outrage as "deeply problematic" in an interview with the Guardian.
Pérez Art Museum Miami (PAMM) director Franklin Sirmans reflected on his decade-long tenure in an interview with the New York Times during Art Basel Miami Beach. He highlighted the museum's growth, including doubling its endowment (with 10% from the Fund for Black Art), expanding the collection to over 3,500 works, and launching digital initiatives like PAMM TV. Sirmans also criticized Florida Governor Ron DeSantis's 2024 veto of $32 million in arts funding, which left the state with zero arts funding for a period, though some funding was later restored.
David Adjaye has publicly spoken out against the sexual misconduct allegations made against him in 2023, calling a Financial Times article that detailed the claims “deeply unfair” and claiming he was caught in a “#MeToo slam.” In an interview with architecture critic Tim Abrahams for the podcast Superhumanism, reported by Dezeen, Adjaye said the FT story destabilized confidence in him and that there was no interest in hearing his side. He did not explain why he believed the reporting was unfair, despite having declined to comment to multiple outlets at the time. The allegations, which included sexual harassment and assault claims from three women, led several institutions to cut ties with Adjaye, most notably the Studio Museum in Harlem, which had just opened a new building designed by his firm.
Louvre director Laurence des Cars defended the museum's security protocols in a New York Times interview following a recent robbery. She revealed that a comprehensive security review had already been initiated, including a master plan to add 100 cameras to the museum's perimeter, and that several companies had bid on the project before the theft occurred. However, she acknowledged that implementation has been slow due to the museum's scale and public procurement rules, with the full camera system not expected to be operational until the end of next year.
Trustee Patsy Marino resigned from the Palm Springs Art Museum board just one week after Christine Vendredi was appointed director on September 29, 2024. In a resignation letter reported by the Los Angeles Times, Marino alleged that the hiring committee failed to interview any outside candidates, despite two "exceptional" candidates being considered, and cited "inappropriate interference" by the executive committee, individual trustees, and museum staff. Two other board members also left the 22-member body, though the museum claims their departures were unrelated. Vendredi, previously chief curator and interim CEO, has a background in luxury brand management at Louis Vuitton and holds multiple advanced degrees but no prior museum directorship experience.
A cousin of one of the suspected robbers in the Louvre heist has spoken out in an interview with ABC News. The man, identified as Mehdy, told ABC News' James Longman on "Impact x Nightline" that his cousin was a low-income worker who sold fruit and had children. Four suspects have been arrested in connection with the heist, which occurred on October 19 when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Louvre's Apollo Gallery. One suspect remains at large, and a crown belonging to Empress Eugénie was later recovered outside the museum.