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Art Movements: Larry Gagosian Heads to the Big Screen

This week's Art Movements roundup covers several major art world developments. Larry Gagosian is the subject of a new unauthorized documentary by Canadian director Barry Avrich, completing his trilogy on the art industry. Pace Gallery has taken on representation of the Constantin Brancusi Estate. The Maxwell/Hanrahan Foundation announced five winners of its 2026 Awards in Craft, each receiving $100,000. Selldorf Architects and Studios Architecture Paris have been selected to lead a $1 billion renovation of the Louvre Museum, including a new room for the Mona Lisa. Other news includes the Sharpe-Walentas Studio Program's 2026–2027 cohort, A Blade of Grass's 2026 In Fellowship cohort, and several appointments.

Chanel Expands Support for Centre Pompidou Amid $535 Million Renovation

Chanel has announced a new five-year partnership with the Centre Pompidou in Paris, expanding its support for the museum during its landmark €460 million ($535 million) renovation. The fashion house, which has backed the Pompidou since 2019, will help preserve access to modern and contemporary art while the museum is closed to the public until its scheduled reopening in 2030. This follows a separate three-year deal in 2025 to grow the museum's collection of contemporary Chinese art by 30 percent, with a focus on women artists, and a 2024 acquisition of 21 works by 15 Chinese artists tied to an exhibition co-organized with Shanghai's West Bund Museum.

Six Artists Vie to Design Billie Holiday Monument in New York

Six artists have been selected as finalists to design a public monument honoring jazz singer Billie Holiday in Queens, New York, outside the Jamaica Performing Arts Center. The finalists—La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, Tanda Francis, Thomas J. Price, and Tavares Strachan—submitted proposals after an open call in late 2025, site visits, and discussions with Holiday scholars and family. The New York City Department of Cultural Affairs released the designs on May 19 for public feedback through the end of May, with a final selection expected later this year. Proposals range from abstract silhouettes and bronze beans to more representational figures, reflecting Holiday's legacy and her connection to Queens.

1,1 milliard de dollars

The Journal des Arts' issue No. 677, dated May 15, 2026, leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, a report on how Monet's legacy in Giverny does not benefit everyone locally, and an analysis of the structuring market for the Nabis artists.

Le coup d’envoi des ventes de New York

Le Journal des Arts' issue n°677 (May 15, 2026) leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, a report on how Monet's legacy in Giverny does not benefit everyone locally, and an analysis of the structuring market for works by the Nabis artists.

Thomas J. Price and Tavares Strachan Make Shortlist for Billie Holiday Monument Designs

The New York City Department of Cultural Affairs has announced a shortlist of six finalists for a public monument honoring jazz singer Billie Holiday, to be installed outside the Jamaica Performing Arts Center in Queens. Among the top contenders are British sculptor Thomas J. Price and Bahamian conceptual artist Tavares Strachan, whose proposals include abstract bronze forms and a mirrored column, respectively. Other finalists are La Vaughn Belle, Nikesha Breeze, Nekisha Durrett, and Tanda Francis, all of whom consulted with Holiday scholars and family members to develop their designs.

Artist Outraged After His Conservationist Mural in Dallas Is Painted Over to Allow for FIFA Promo

A giant mural by conservationist artist Robert Wyland, titled *Ocean Life* (1999), was painted over in Dallas to make way for a FIFA promotional mural. The piece was number 82 of Wyland's 100 "whaling wall" murals worldwide, covering two sides of the Texas Utilities Building. Crews began painting over the larger 164-by-82-foot section last week, while a smaller panel remains visible. Wyland and the Wyland Foundation have denied giving permission, calling the city's claim a lie. The building's owner, Slate Asset Management, allowed the North Texas FIFA World Cup Organizing Committee to cover the mural. FIFA plans to unveil a new work by a local artist ahead of the 2026 World Cup, for which Dallas will host nine matches.