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Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

Art Movements: Larry Gagosian Heads to the Big Screen

This week's Art Movements roundup covers several major art world developments. Larry Gagosian is the subject of a new unauthorized documentary by Canadian director Barry Avrich, completing his trilogy on the art industry. Pace Gallery has taken on representation of the Constantin Brancusi Estate. The Maxwell/Hanrahan Foundation announced five winners of its 2026 Awards in Craft, each receiving $100,000. Selldorf Architects and Studios Architecture Paris have been selected to lead a $1 billion renovation of the Louvre Museum, including a new room for the Mona Lisa. Other news includes the Sharpe-Walentas Studio Program's 2026–2027 cohort, A Blade of Grass's 2026 In Fellowship cohort, and several appointments.

Art Movements: New Museum Names Its First Artist Studio Residents

The New Museum has named Yun Choi, Alison Kuo, and Korakrit Arunanondchai as the first artists-in-residence for its new Artist Studio, a 730-square-foot space created by the museum's OMA-designed expansion. The residencies will run from spring 2025 through winter 2027, with each artist developing new work, onsite exhibitions, and public programs. Separately, Forge Project announced its 2026 fellows—six Indigenous artists including Jay Bellis, Heidi Brandow, and Tiare Ribeaux—who will each receive $25,000 and a three-week residency. In other news, the Robert Therrien Estate has left Gagosian for David Zwirner Gallery, Laurel Nakadate won the Maud Morgan Prize, and Frieze New York revealed a staff uniform designed by artist Reika Takebayashi.

Thousands Decry Right-Wing “Smear Campaign” Against Misan Harriman

Over 97,000 people have filed complaints with the UK's Independent Press Standards Organisation against right-wing news outlets, including the Telegraph, for articles characterizing Misan Harriman's social media posts as antisemitic. Harriman, a photographer, human rights activist, and chair of London's Southbank Centre, has rejected the accusations, stating he has long championed marginalized communities and that the backlash stems from his criticism of Israel's actions in Gaza. An open letter supporting Harriman has been signed by 245 figures, including Tracey Emin, Greta Thunberg, and Mark Ruffalo, while the Telegraph published two articles scrutinizing his Instagram activity, prompting calls from Labour MP David Taylor for his removal from the board.

Art Workers Plan Venice Biennale Strike

Cultural workers, labor unions, and grassroots groups are planning a strike at the Venice Biennale on Friday, May 8, organized by the Art Not Genocide Alliance and others. The action, described as the first organized strike within the Biennale, aims to protest Israel's inclusion in the event, with participants withholding their labor and calling to "shut down the genocide pavilion." The article also covers other art news, including exhibitions in Los Angeles, a profile of nonagenarian artist Mohammad Omer Khalil, and memes about the Met Gala.

More than 70 Venice Biennale artists withdraw from awards

More than 70 artists participating in the 2025 Venice Biennale have withdrawn from consideration for the Golden Lion awards, which this year will be decided by public vote. The artists, including Walid Raad, Laurie Anderson, and Yto Barrada, signed a statement published on e-flux on May 9, withdrawing in solidarity with the entire prize jury that resigned last month over a dispute regarding the participation of Israel and Russia. The Biennale management replaced the traditional jury-selected awards with a new "Visitor Lion" system where ticket holders can vote, but the Biennale has acknowledged that if any of the withdrawing artists win, they will not collect the award.

Whistleblower Complaint Alleges Misconduct at Palm Springs Art Museum, Where an Ex-Trustee Describes a ‘Shattered Moral Compass’

An anonymous whistleblower has filed a complaint alleging misconduct by leadership at the Palm Springs Art Museum, including improper movement of funds between accounts to address cash shortages, the forced resignation of a former director based on fabricated staff complaints, and a failure to properly interview external candidates for the director position. The complaint, forwarded to ARTnews, also references a $3 million discrepancy in the reported endowment value and the departure of several trustees, leaving the board below its required size. The museum has formed a special committee to investigate the allegations, which were first reported by the Los Angeles Times in November 2025.

Billie Holiday Comes to Queens

A shortlist of artists including Thomas J Price and Tavares Strachan is competing to design a new public monument honoring jazz legend Billie Holiday in Queens, New York. The New York City Department of Cultural Affairs has revealed six commission proposals for the project, which aims to celebrate Holiday's groundbreaking legacy as a vocalist and cultural icon. Separately, the Museum of the City of New York is opening the Puffin Foundation Center for Social Activism, dedicated to civic engagement and social justice.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

American Folk Art Museum Workers Picket Gala, Calling for Higher Wages

Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.

Pussy Riot and FEMEN Join Forces in Punk Protest in Venice: ‘Russia Kills! Biennale Exhibits!’

On Wednesday morning, Pussy Riot and FEMEN led a protest outside the Russian Pavilion at the 2026 Venice Biennale, chanting slogans like “Russia kills! Biennale exhibits!” and “Blood is Russia’s art!” Dozens of protesters, some in pink balaclavas and others bare-chested with floral crowns, gathered in the Giardini under light rain, carrying guitars and blasting punk rock and hip-hop. The action was organized by Nadya Tolokonnikova and other Pussy Riot members alongside FEMEN, a Ukrainian-founded women’s movement. They released pink, yellow, and blue smoke, and Tolokonnikova criticized the Biennale for allowing Russian participation while artists who oppose the war in Ukraine are imprisoned. She proposed an alternative exhibition, “Resistance Imprisoned,” currently on view in Strasbourg, featuring incarcerated artists.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

Kiev bombardé

The Journal des Arts issue of May 15, 2026, covers multiple art-world stories: the Venice Biennale opening amid controversy, France's final adoption of a law on restitution of colonial-era looted cultural property, the new V&A East museum targeting younger audiences, tensions in Giverny where Monet's legacy does not benefit all, and the structuring of the Nabis art market.

IA et musées

This issue of Le Journal des Arts covers several major art news stories: the opening of the Venice Biennale amid a tense climate, the final adoption of a French law on the restitution of cultural property looted during colonization, the new V&A East museum targeting younger audiences, the uneven economic benefits of Monet's legacy in Giverny, and the structuring of the Nabis art market.

Relaxe pour le coupeur de tête

The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.

Artist Outraged After His Conservationist Mural in Dallas Is Painted Over to Allow for FIFA Promo

A giant mural by conservationist artist Robert Wyland, titled *Ocean Life* (1999), was painted over in Dallas to make way for a FIFA promotional mural. The piece was number 82 of Wyland's 100 "whaling wall" murals worldwide, covering two sides of the Texas Utilities Building. Crews began painting over the larger 164-by-82-foot section last week, while a smaller panel remains visible. Wyland and the Wyland Foundation have denied giving permission, calling the city's claim a lie. The building's owner, Slate Asset Management, allowed the North Texas FIFA World Cup Organizing Committee to cover the mural. FIFA plans to unveil a new work by a local artist ahead of the 2026 World Cup, for which Dallas will host nine matches.

A Blade of Grass Names 2026 “In Fellowship” Cohort

New York-based arts nonprofit A Blade of Grass (ABoG) has announced the three members of its 2026 In Fellowship cohort: Emily Johnson / Catalyst, The Projects/Space, and UNDOC+Collective. Each fellow receives $25,000 in support and a $25,000 honorarium for their socially engaged practices. The fellowship, established in 2025, focuses this year on gathering as a form of movement building and resource distribution.

More Than 100 Seattle Art Museum Workers Plan to Unionize

More than 100 Seattle Art Museum employees announced plans to unionize under the banner Seattle Art Museum Workers United (SAMWU), representing workers across over 20 front- and back-end departments including curatorial, education, and visitor experience. The union informed SAM director and CEO Scott Stulen of its formation in a letter citing unsustainable wages, subpar health benefits, and top-down decision-making. Organizers say they have a supermajority support among eligible workers. SAMWU has filed for an election with the National Labor Relations Board but is willing to withdraw if leadership voluntarily recognizes the union before May 27. The union has affiliated with the Washington Federation of State Employees/AFSCME Council 28. Security staff, who previously unionized as SAM VSO in 2022 and secured a contract after a 12-day strike in late 2024, will remain separate.

Miami Politician Admits to Hiring ‘Jew Hater’ Billboard Trucks Targeting Pro-Palestinian Protesters at Art Basel Miami Beach

Miami City Commissioner David Suarez admitted to paying $4,000 for billboard trucks that targeted pro-Palestinian protesters outside Art Basel Miami Beach in December 2024. The trucks called Jewish Voice for Peace (JVP) an “extremist group” and labeled members Alan Levine and Donna Nevel as “Jew haters.” The protest, organized by JVP and three other groups, called for a boycott of UBS, Art Basel’s sponsor, over its ties to Israeli weapons manufacturer Elbit Systems. A lawsuit filed in Southern Florida District Court seeks documents from Suarez, Mayor Steven Meiner, and other officials related to the incident and a city ordinance that protesters claim was designed to discourage demonstrations.

Cannes 2026 Dispatch, Part 1: Breaking False Unities

On May 8, during the pre-opening of the Venice Biennale, the independent collective ANGA (Art Not Genocide Alliance) organized a strike protesting genocide and precarity in the art world. Pro-Palestinian activists entered the Arsenale, where part of the exhibition "In Minor Keys" curated by the late Koyo Kouoh was installed, and hung posters on artworks calling for the liberation of Palestine and denouncing what they described as the Biennale's "art-washing" of Israel's reputation. The disruption blurred the line between activist intervention and the exhibition itself, as many works already addressed Palestine directly, including a poem by Refaat Alareer placed at the entrance.

Accusé de viol, le directeur du Frac Bretagne est révoqué

The director of the Frac Bretagne (Regional Contemporary Art Fund of Brittany), Étienne Bernard, has been dismissed following an internal investigation into allegations of sexual violence. The case began in October 2025 when an anonymous testimony on the Instagram account #MeTooArtContemporain accused a former art professor of sexual assault; the post noted the accused had since become a Frac director. After graffiti appeared on the Frac Bretagne building, the institution hired the external consultancy Égaé to conduct an internal inquiry. Two reports submitted in February and April 2026 documented multiple serious allegations against Bernard, including harassment and assault. The board voted unanimously to revoke his position on May 4, 2026, and the public prosecutor's office in Rennes has opened a criminal investigation for moral harassment, sexual harassment, sexual assault, and aggravated rape. Bernard denies the allegations and has filed an appeal with the administrative court.