Rare ‘Ocean Dream’ Diamond Sells for Record $17.3 Million at Christie’s

A rare 5.5-carat blue-green diamond known as the 'Ocean Dream' sold for $17.3 million at Christie’s Geneva jewelry sale, setting a record for a fancy vivid blue-green diamond at auction. The sale far exceeded its presale estimate of $9 million to $13 million after a 20-minute bidding battle. In other auction news, Sotheby’s New York sold over $433 million worth of art in its contemporary art sales, including 11 pieces from the Robert Mnuchin collection. Meanwhile, London’s Wellcome Collection agreed to return around 2,000 sacred Jain manuscripts to the Jain religious community under a new restitution framework, acknowledging they were acquired unethically. Several art fairs were announced, including Zero 10 curated by Trevor Paglen at Art Basel in Switzerland, CAN Art Fair Ibiza’s fifth edition, and Art-o-rama’s 20th edition in Marseille. Notable gallery news includes the bankruptcy and closure of French gallery Air de Paris after 36 years, and Carine Karam becoming director of Opera Gallery’s New York outpost. Hong Kong’s M+ and Paris’s Centre Pompidou announced a multi-year strategic alliance, and New York’s Frick Collection entered a three-year partnership with Louis Vuitton.

The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

More than 70 Venice Biennale artists withdraw from awards

More than 70 artists participating in the 2025 Venice Biennale have withdrawn from consideration for the Golden Lion awards, which this year will be decided by public vote. The artists, including Walid Raad, Laurie Anderson, and Yto Barrada, signed a statement published on e-flux on May 9, withdrawing in solidarity with the entire prize jury that resigned last month over a dispute regarding the participation of Israel and Russia. The Biennale management replaced the traditional jury-selected awards with a new "Visitor Lion" system where ticket holders can vote, but the Biennale has acknowledged that if any of the withdrawing artists win, they will not collect the award.

As Her Venice Biennale Opens, Koyo Kouoh Foundation Launches in Memory of Late Curator

The Koyo Kouoh Foundation has launched in Basel, Switzerland, coinciding with the opening of the 2026 Venice Biennale, which features the late curator Koyo Kouoh's main exhibition "In Minor Keys." The foundation aims to continue Kouoh's work supporting contemporary African cultural production globally, including plans for the Koyo Kouoh Prize and a permanent home for the Koyo Kouoh Collection. It is led by her partner, saxophonist Philippe Mall, and includes board members such as artist Alfredo Jaar, curator Adrienne Edwards, and former Kunstmuseum Basel director Josef Helfenstein.

Filippo Lippi painting—once the centrepiece of Florence's Palazzo Medici Chapel—to undergo two-year restoration

The Staatliche Museen zu Berlin has announced a two-year restoration of Filippo Lippi’s 1459 painting *The Adoration in the Forest*, funded by the Ernst von Siemens Kunststiftung and the Schoof’schen Stiftung. The tempera-on-panel work, a centerpiece of the Palazzo Medici chapel in Florence, is now in the Gemäldegalerie’s collection. Conservators discovered that a 19th-century varnish layer is degrading the paint, causing it to lift off the panel, particularly affecting the Virgin’s blue cloak, skin, and gold leaf areas. The treatment aims to remove the varnish while stabilizing the paint layer, and may also reveal Lippi’s use of oil paint alongside egg tempera.

​​​​Art Movements: Curators Named for El Museo's Latine Art Survey

El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.

Is This a JMW Turner Self-Portrait? One Scholar Has Doubts

Art historian James Hamilton has published a paper in the JMW Turner Society’s magazine arguing that a famous portrait long believed to be a self-portrait by JMW Turner was actually painted by John Opie, a British portrait artist 14 years Turner’s senior. Hamilton notes that the work is an anomaly in Turner’s oeuvre, which is dominated by landscapes and seascapes, and that its dramatic lighting closely resembles Opie’s style. He suggests Opie may have given the painting to Turner, and that its authorship became misattributed after Turner’s death when his vast bequest of artworks was transferred to the nation and eventually housed at the Tate.

After Whistleblower Complaint, Palm Springs Art Museum Declines to Release Report on Allegations of Fraud and Theft, Claims They Are ‘Not Substantiated’

The Palm Springs Art Museum in California has released a three-page statement claiming that an investigation into a whistleblower complaint alleging mismanagement, fraud, and theft found no wrongdoing. The complaint included allegations of improper reclassification of endowment funds, a $3 million discrepancy in investment accounts, and the forced departure of a former director. The museum hired law firm Barnes & Thornburg and forensic accounting firm RSM US to conduct a six-month review, but declined to release the resulting report to ARTnews or the public. The museum acknowledged that proceeds from deaccessioned artworks were used for operating expenses, calling it a long-standing board-approved practice with an internal loan being repaid by 2030.

Fraudster trying to sell fake ancient statues to Sotheby’s foiled over bogus invoices

A fraudster named Andrew Crowley, 46, attempted to sell fake ancient statues to Sotheby's, claiming they were inherited from his grandfather. The items—three Cycladic figures and one Anatolian stargazer statuette—were valued at up to £680,000 if genuine. However, the scheme unraveled when forensic analysis revealed that the accompanying invoices, purportedly typed in 1976, were produced using printing methods invented in 2001. Sotheby's experts also spotted spelling errors. Crowley received a two-year suspended sentence after admitting to making a false representation to the auction house.

Suspect Is Taken into Custody in Decade-Long Louvre Ticketing Scam

A Louvre employee has been indicted and detained on charges including organized gang fraud in connection with a decade-long ticketing scam that defrauded the Paris museum of an estimated €10 million ($11.7 million). The scheme involved counterfeit tickets and overbooking of guided tours, primarily targeting Chinese tour groups. Nine people were arrested, including two museum employees, several tour guides, and the alleged mastermind. Authorities seized over €957,000 in cash, €67,000 in foreign currency, €486,000 in bank accounts, three vehicles, and multiple safe deposit boxes, with some proceeds invested in real estate in France and Dubai.

Seattle Art Museum Workers Announce Unionization

More than one hundred employees at the Seattle Art Museum (SAM) announced their intent to unionize on May 13, delivering a letter to museum director and CEO Scott Stulen. Organizing as Seattle Art Museum Workers United (SAMWU) under the Washington Federation of State Employees/AFSCME Council 28, the staff—spanning over twenty departments—cited unsustainable wages, subpar health benefits, and top-down decision-making as key issues. They filed for an election with the National Labor Relations Board but will withdraw the petition if the museum voluntarily recognizes the union by May 27. Stulen acknowledged receipt of the letter and committed to good-faith negotiations.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.

US Border Wall Construction Damages 1,000-Year-Old Indigenous Land Art in Arizona

Construction crews building a barrier between the United States and Mexico have damaged a 200-foot-long etching of a fish embedded in the land in Arizona, known as the Las Playas Intaglio, which is thought to be 1,000 years old. According to a report in the Washington Post, workers destroyed a 60-to-70-foot portion of the ancient Indigenous land art as part of President Donald Trump’s $46.5 billion border-wall project. Satellite imagery confirmed the destruction, showing bulldozer marks running through about a third of the fish formation. U.S. Customs and Border Protection acknowledged the incident, stating that a contractor inadvertently disturbed the cultural site on April 23, 2026, and that the remaining portion has been secured.

Harris County Juried Exhibition

10 Open Calls To Apply for in Summer 2026: International Opportunities Shaping the Season

The article lists ten international open calls for artists and creatives to apply for in summer 2026, including residencies, grants, and exhibition opportunities. Featured programs include the Diriyah Art Futures (DAF) Emerging New Media Artists Program in Saudi Arabia, the International Digital Art Contest at the University of Mostar in Bosnia and Herzegovina, and the Collaborative Prototyping Lab at Medialab Matadero in Spain, among others. Each call provides details on deadlines, eligibility, application links, and support.

Arts Council News – Fine Art Exhibition Awards