There Has Never Been an Apolitical Venice Biennale

"Es hat niemals eine unpolitische Venedig-Biennale gegeben"

The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.

Berlin Modern Museum Delayed Again as Moisture Damage Pushes Opening to 2030

Berlin's long-awaited Berlin Modern museum has been delayed again, with its opening now pushed to 2030 due to moisture damage in the building's shell and microbial contamination in other parts of the structure. The Prussian Cultural Heritage Foundation announced the delay after the Berlin-Brandenburg Broadcasting Corporation broke the story. The Herzog & de Meuron-designed building, originally scheduled to open this year as the Museum of the 20th Century, has faced multiple setbacks since groundbreaking in December 2019, with completion dates slipping from 2026 to 2028, then 2029, and now 2030. The project's cost has ballooned from €200 million to €507 million.

Dartmouth Students Turn to Moldy Beef Jerky Installation in Renewed Bid to Remove Leon Black’s Name from Arts Center

Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.

AI Suggests El Greco Could Be the Sole Author of 'The Baptism of Christ'

Une IA suggère qu’El Greco pourrait être l’unique auteur du Baptême du Christ

A new scientific study published in the journal Science Advances challenges the long-held belief that El Greco's monumental painting 'The Baptism of Christ' was completed by his workshop. Using a deep-learning tool called PATCH to analyze the painting's surface topography, researchers from Case Western Reserve University found a technical consistency suggesting the work was executed by a single hand, likely El Greco himself, despite visible variations in execution.

Has A.I. Solved the Mystery of This El Greco Painting?

New research using artificial intelligence has challenged the long-held belief that El Greco's altarpiece *The Baptism of Christ* was largely painted by his son and workshop assistants. A machine-learning model called Patch, developed by researchers at Western Reserve University, analyzed the painting's microscopic surface texture and found underlying connections suggesting El Greco himself painted the majority of the work, with only a small region at the bottom attributed to other hands.

The Tabloids Are Fouling Mayor Mamdani Over His Knicks Art. Here’s the Story

Artist Tom Sanford loaned his hand-painted wooden "Knicks Cutout" portraits of legendary New York Knicks players to New York City Hall at the invitation of Mayor Zohran Mamdani, intended to celebrate the team's playoff run. Tabloid media, including the New York Post and New York Times, framed the gesture as a "curse" on the team, suggesting fans blamed the mayor for the Knicks' losses. Sanford defends the artwork as a sincere, community-driven tribute rooted in New York street-corner cutout traditions, not a cheap stunt.

According to an AI, El Greco would actually be the sole author of the 'Baptism of Christ' in Toledo, long considered a workshop work

Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier

A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.

Korea’s art market grows, but working conditions for entry-level workers do not

A 20-something intern at a small Seoul gallery, identified as Park, accepted a job paying 1.35 million won ($910) per month after taxes—below South Korea's minimum wage—because she believed early experience was essential for career advancement in the art world. The article, based on interviews with the Korea JoongAng Daily, reveals that many entry-level workers face low pay and precarious conditions, exacerbated by a severe oversupply of arts graduates (48,000 annually) versus only about 3,523 job postings per year on the industry site Art More, leading to reliance on personal connections and informal hiring.

Centuries-Old Love Letter Deciphered With Help From A.I.

MyHeritage's new Scribe A.I. tool has successfully transcribed and translated the earliest surviving Valentine's letter written in English, a 1477 note from Margery Brews to her fiancé John Paston. The tool provides a full transcript, historical context, and research suggestions, making the dense Middle English script accessible.

Amid Epstein Blowback, Bard President Leon Botstein Talks About Succession Plan But With No Timeline: Report

Leon Botstein, president of Bard College since 1975, has discussed retiring and transitioning to a faculty role as a historian and musician once a successor is found, following backlash over his ties to Jeffrey Epstein. According to a Times Union report, no timeline has been set, and the 79-year-old appears to have no immediate plans to leave. Botstein has held multiple meetings with students and staff since February, when details of his relationship with Epstein—including over 2,800 mentions in Epstein-related files—were revealed. He has characterized his eventual departure as a consequence of age, not the controversy, and stated that a search for a successor will begin after a law firm review of his Epstein interactions concludes by the end of May.

London Gallery Cancels Antisemitic Art Exhibit After Pro-Israel Lawyers Intervene

A London gallery, Delta House Gallery in Wandsworth, canceled a traveling exhibition titled "Drawings Against Genocide" by British artist Matthew Collings after UK Lawyers for Israel (UKLFI) intervened, citing antisemitic content. The show, scheduled for May 16-24, featured drawings with swastikas, comparisons of Israel to Nazi Germany, and depictions of Jewish figures with horns, among other imagery. Gallery owner Pineapple Corporation Chairman Tom Berglund confirmed the cancellation, stating the exhibition was arranged without owner consultation.

JR Designs the Roland-Garros 2026 Poster

JR signe l’affiche de Roland-Garros 2026

The French artist JR has been commissioned to create the official poster for the 2026 Roland-Garros tennis tournament. His design blends photography with an illusionistic device, transforming the tennis court into an expanded, almost architectural space, aiming to give the sporting event a more contemporary visual dimension.

An Anthology on Time

Une anthologie sur le temps

The publishing house Citadelles & Mazenod has released a new anthology titled "Écrire le temps. De l’Antiquité à nos jours" (Writing Time: From Antiquity to the Present Day). Edited by Pascal Dethurens, the 480-page volume compiles a vast array of literary sources on the concept of time, from ancient thinkers to contemporary writers, and pairs these texts with a wide variety of artistic representations.

Excerpt from the Iliad in a mummy's abdomen and gold tongues: rare discoveries made in Egypt

Extrait de l’Iliade dans l’abdomen d’une momie et langues en or : de rares découvertes effectuées en Égypte

Archaeologists working at the necropolis of Oxyrhynchus in Egypt have made a series of rare discoveries, the most significant being a fragment of papyrus from Homer's Iliad found inside the abdominal cavity of a Roman-era mummy. This marks the first time a Greek literary text has been found incorporated into the ancient Egyptian embalming process, suggesting a unique hybridization of funerary practices.

Seven-Foot-Tall Monument to Ramses II Discovered in Eastern Nile Delta Region

Archaeologists in Egypt have discovered the upper half of a 7-foot-tall statue of Ramses II at the site of Tell El-Faraoun in the eastern Nile Delta. Weighing over 5 tons, the fragment is believed to have originally been carved for a temple in the ancient capital of Per-Ramesses and was later relocated. The find was announced by the Egyptian Ministry of Tourism and Antiquities, with Hisham El-Leithy of the Supreme Council of Antiquities noting its importance for understanding how statues were moved and reused during the New Kingdom.

Italian culture minister will not attend opening of Venice Biennale

Italian culture minister Alessandro Giuli has announced he will not attend the opening of the Venice Biennale next week, protesting Russia's involvement in the exhibition. Russia, which has a permanent pavilion in the Giardini, has been absent from the Biennale since 2022 but is returning this year, sparking widespread criticism. The European Union recently cut its €2 million grant to the Biennale following Russia's return, and Golden and Silver Lion jurors have stated they will not consider pavilions from countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively excluding Russia.

Israel Addresses Venice Biennale Jury’s ‘Boycott’ of Pavilion: ‘A Contamination of the Art World’

Israel’s foreign ministry has condemned a statement by the Venice Biennale jury, in which the five curators declared they would not consider pavilions from countries charged with crimes against humanity by the International Criminal Court. The jury’s decision effectively boycotts Israel and Russia, whose leaders face ICC arrest warrants. Israel called the move a “contamination of the art world,” while the artist representing Israel, Belu-Simion Fainaru, also denounced the jury for creating a hostile environment. The Biennale’s organizers have distanced themselves from the jury, stating they cannot exclude any recognized state from the exhibition.