The New York art scene was bustling with events this week. The New York Botanical Garden held its annual Orchid Dinner at the Plaza Hotel, featuring elaborate floral designs and guests like Martha Stewart and Sigourney Weaver. Meanwhile, Sotheby's hosted the Art for Water benefit auction for the Waterkeeper Alliance, with works by Jeff Koons and Ed Ruscha, and the New Museum celebrated the opening of a major Raymond Pettibon exhibition.
Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.
Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.
This week's art industry news includes Art Basel appointing Egyptian artist Wael Shawky as artistic director of its first Middle East fair, Art Basel Qatar, running February 5–7, 2026. A new fair called Loading… debuts in Hudson, N.Y., during Upstate Art Weekend, while Vienna Contemporary names Abaseh Mirvali as artistic director. Bonhams offers material from Roy Lichtenstein's Hamptons home, and a legendary Le Birkin handbag sells for €8.5 million at Sotheby's Paris. Galleries see Hollis Taggart adding two artists, Adam Lindemann closing Venus Over Manhattan, and Berlin's Meyer Riegger and Paris's Galerie Jocelyn Wolff opening a joint Seoul gallery. Museums include the Zayed National Museum opening in Abu Dhabi, Shamim M. Momin named director of the Bronx Museum, and the Baltimore Museum of Art acquiring 150 new works. The Art Bridges Foundation and Crystal Bridges acquire 90 Indigenous artworks, and the Schirn Kunsthalle Frankfurt opens a temporary location. In legal news, DHS officials visited the National Museum of Puerto Rican Arts and Culture in Chicago.
"Eine Startrampe für die Zukunft"
The article is a media roundup covering several stories from the art world. It includes an interview with Jeff Koons discussing his artistic process and philosophy, a portrait of artist Jorinde Voigt, a report on the robust Art Düsseldorf fair, a news piece about two valuable Gerhard Richter paintings on loan to a museum, and a review of the new LACMA building's non-linear curatorial approach.
A letter signed by environmental activist Greta Thunberg and artists Tracey Emin and Peter Doig is circulating in support of Misan Harriman, chair of London's Southbank Centre. The letter defends Harriman against what it calls a "dishonest smear campaign" by the Telegraph and other right-wing outlets, which accused him of promoting conspiracies and comparing Reform Party voters to Nazis. The controversy stems from Harriman's social media comments about a knife attack on Jewish men and a video referencing Susan Sontag and Kurt Vonnegut on the Holocaust, which critics say minimized antisemitism or drew inappropriate parallels. Harriman denies making such analogies, and 70,000 people have complained to media watchdog Ipso, while 15,000 signed the letter.
A symposium organized by Anonymous Was A Woman, an arts nonprofit, was held at New York University to discuss findings from a new survey on the status of women artists. The survey, commissioned by the nonprofit and compiled by Julia Halperin and Charlotte Burns with SMU Data Arts, revealed that women artists face significant challenges including financial precarity, lack of studio space, and limited time to create art. Over 300 attendees heard panel discussions featuring artists like Coco Fusco, Steffani Jemison, and Judith Bernstein, followed by roundtables where 40 women professionals in the arts anonymously shared insights on community and resource gaps.
The article details the ongoing release of documents related to disgraced sex offender Jeffrey Epstein, revealing his extensive ties to prominent art world figures. Key connections include former MoMA chairman Leon Black, who paid Epstein tens of millions for tax advice and engaged in art transactions involving a Giacometti sculpture and a Cézanne watercolor; retail mogul and art collector Leslie Wexner; and artist Andres Serrano. It also highlights the story of artist Maria Farmer, who was assaulted by Epstein and Maxwell and faced threats against her art career when she tried to report them in the 1990s.
Albright College in Reading, Pennsylvania, is selling over 500 works from its art collection via an online auction at Pook & Pook Inc. scheduled for July 16, in an effort to address a $20 million deficit. The sale, titled "Fine Art from an East Coast Educational Institution," includes works by Bridget Riley, Jasper Johns, Romare Bearden, and Jacob Lawrence, and is expected to raise around $200,000. The college has also laid off staff and sold non-contiguous properties to cut costs. Donors, including the daughters of late collector Doris C. Freeman, have opposed the move, arguing it violates the original intent of the gifts.
Albright College in Reading, Pennsylvania, is quietly selling off the Freedman Gallery collection, which includes works by Romare Bearden, Salvador Dalí, Jasper Johns, and Robert Rauschenberg, to address a budget shortfall that recently reached $23 million. Art preparator Rich Houck discovered the storage space emptied without notice and was fired after reporting the move; the college has cut 53 positions, canceled academic majors, and considered selling real estate as part of a broader cost-cutting campaign. Former gallery staff are no longer employed, and major donors were not informed of the sale.
Over 97,000 people have filed complaints with the UK's Independent Press Standards Organisation against right-wing news outlets, including the Telegraph, for articles characterizing Misan Harriman's social media posts as antisemitic. Harriman, a photographer, human rights activist, and chair of London's Southbank Centre, has rejected the accusations, stating he has long championed marginalized communities and that the backlash stems from his criticism of Israel's actions in Gaza. An open letter supporting Harriman has been signed by 245 figures, including Tracey Emin, Greta Thunberg, and Mark Ruffalo, while the Telegraph published two articles scrutinizing his Instagram activity, prompting calls from Labour MP David Taylor for his removal from the board.
The National Gallery of Art in Washington, D.C., has received a gift of 1,261 photographs from artist Mitch Epstein and his wife, Susan Bell. The donation, the largest institutional collection of Epstein's work, spans his five-decade career and includes major series such as 'American Power,' 'Property Rights,' and 'New York Arbor.'
The Center for Creative Photography at the University of Arizona has acquired the archives of nine photographers: Laura Aguilar, Jack Dykinga, Jody Forster, Frank Gohlke, Mark Klett, Nathan Lyons, Stephen Marc, Patrick Nagatani, and Susan Wood. The collections include photographic prints as well as supporting materials like correspondence, notebooks, and working proofs that document the artists' creative processes.
Scholar Lucy Munro of King’s College London has identified the precise location of William Shakespeare’s only owned London home in the Blackfriars neighborhood. By analyzing a 1668 property map created after the Great Fire of London, Munro pinpointed the site—now occupied by Ireland Yard and St. Andrew’s Hill—which was previously known only through vague historical references to the Blackfriars Gatehouse.
A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.
The National Gallery in London has partnered with LG Electronics to make over 4,000 images from its collection available on the LG Gallery+ digital platform. Users can now display high-quality digital reproductions of masterpieces by artists like Monet, Gauguin, and Seurat on their LG OLED screens at home, using a curated, playlist-like interface called LG Gallery+ Shelves.
London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.
Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.
The Aspen Art Museum is undergoing a strategic shift under director Nicola Lees, moving away from its reputation as a collector's clubhouse toward becoming a global institution. The museum's annual ArtCrush gala and fundraiser week, once centered on wealth-displaying collector home visits and glitzy parties, now emphasizes intellectual programming like the inaugural AIR festival, a $20 million artist-led interdisciplinary initiative featuring talks by Werner Herzog and Hans Ulrich Obrist. This change comes amid soaring local real estate prices, including a $108 million home co-purchased by Steve Wynn and Thomas Peterffy, and contrasts the area's deep pockets with the museum's free admission since 2008.
The Studio Museum in Harlem announced it will reopen on November 15, 2025, after being closed since 2018 for construction of its new building on 125th Street. The museum shared details about opening celebrations, community day, suggested admission prices, and hours. In other August 2025 news, Brazilian artist Ana Cláudia Almeida joined Stephen Friedman Gallery (London/New York) alongside Quadra and Fortes D’Aloia & Gabriel; Ekow Eshun was named curator of British Art Show 10, opening in September 2026 across five UK cities; and Vanity Fair previewed the new Studio Museum building in its September issue, featuring interviews with Director Thelma Golden and artists Karon Davis and Tshabalala Self.
El Museo del Barrio has announced the curatorial team for the 2027 edition of La Trienal, its landmark survey of Latine contemporary art. The show will be organized by Susanna V. Temkin, interim chief curator at the museum; Zuna Maza, assistant curator; and guest curator Kaitlin Garcia-Maestas, formerly of Socrates Sculpture Park. In other biennial news, Amanda Carneiro and Raphael Fonseca were named chief curators of the 37th Bienal de São Paulo, the jury of the 61st Venice Biennale resigned after omitting Russia and Israel from awards consideration, and Marcello Dantas was appointed senior curator of the Vancouver Biennale. Hedwig Fijen will step down as director of Manifesta, with Emilia van Lynden and Catherine Nichols taking over in a new co-leadership model. Janne Sirén will resign as director of the Buffalo AKG Art Museum, Kate Kraczon was named chief curator at the Montclair Art Museum, and Charlie White was appointed dean of WashU’s Sam Fox School of Design & Visual Arts. Marina Abramović has designed wine labels for the Ornellaia estate, with limited-edition bottles to be auctioned by Bonhams to benefit the Guggenheim Pop exhibition.
The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.
durer copy real national gallery metzger
Art historian Christof Metzger has challenged the long-held view that a portrait of Albrecht Dürer's father in London's National Gallery is a copy, declaring it an authentic work by the Renaissance master. Metzger, chief curator of the Albertina in Vienna, bases his argument on the painting's outstanding artistic quality and masterful technique, detailed in his new book, despite the museum's previous assessment that its unusual, streaky background suggests it is a copy.
A new catalogue raisonné by scholar Christof Metzger argues that a painting in London's National Gallery, long considered a copy, is an authentic work by Albrecht Dürer. Metzger, a curator at Vienna's Albertina Museum, contends that the 1497 portrait of Dürer's father shows masterful technique that distinguishes it from known copies.
A 17th-century British portrait at Claydon House, a National Trust property, depicts Mary Lawley and Peregrine Tyam, a Black enslaved attendant whose identity is known—one of the earliest such examples. Historian Hannah Lee published research in British Art Studies revealing new details about Tyam, including a rediscovered letter he wrote in 1699 to his enslaver John Verney, offering rare firsthand insight into the lives of enslaved people in aristocratic households. The portrait, attributed to the little-known artist Lenthall, was commissioned by Verney to mark his marriage in 1692 and shows Tyam wearing a silver collar, a symbol of enslavement.
Albright College, a liberal arts institution in Reading, Pennsylvania, is selling its entire art collection of mostly works on paper to address a $20 million budget shortfall. The online-only sale, held on July 16 at Pook & Pook auction house, includes 524 lots featuring works by artists such as Karel Appel, Romare Bearden, Jasper Johns, Jacob Lawrence, and Bridget Riley. College administrators, including vice-president James Gaddy, describe the collection as "not core to our mission" and estimate the consigned pieces are worth $200,000, while the cost of maintaining the gallery and collection exceeds $500,000 annually. The sale is part of broader cost-cutting measures that have already included laying off 53 employees and selling non-contiguous properties.
The National Gallery of Art in Washington, DC, has received a gift of more than 60 Modern and contemporary works on paper from longtime benefactors Lenore and Bernard Greenberg. The donation includes the first Bruce Nauman drawing to enter the collection, along with works by Susan Rothenberg, Philip Guston, Ed Ruscha, Vija Celmins, Alberto Giacometti, Franz Kline, Jasper Johns, Ellsworth Kelly, Willem de Kooning, Shahzia Sikander, Cy Twombly, and others. Photographs by Roni Horn, John Baldessari, Uta Barth, and Hiroshi Sugimoto, as well as a wire sculpture by Alexander Calder, are also included.
A petition signed by Greta Thunberg, Hugh Bonneville, and other prominent figures defends Misan Harriman, the photographer and chair of London's Southbank Centre, against what the letter calls a "dishonest smear campaign." The controversy stems from two incidents: Harriman shared a social media post about a stabbing attack in Golders Green, noting that a Muslim victim received less press coverage than two Jewish victims, and later posted a video reflecting on the rise of the right-wing Reform party, citing a conversation about the Holocaust. Right-wing outlets like The Daily Telegraph accused him of equating Reform's electoral success to the Holocaust, leading to widespread backlash. Harriman denies making such equivalences, and nearly 70,000 people have filed complaints with the press regulator IPSO—the largest campaign in its history.