Two Growing London Galleries Launch Second Spaces—and More Art Industry News

The art world is seeing a wave of institutional shifts and physical expansions, headlined by the appointment of Melissa Chiu as the new director of the Guggenheim Museum in New York. In London, galleries Edel Assanti and Emalin are both expanding their footprints with new locations, while the National Gallery has selected Kengo Kuma for a massive £350 million extension project. Meanwhile, the European Commission has threatened to pull €2 million in funding from the Venice Biennale unless it reverses its stance on Russian participation.

Seurat and the Sea Is Postcard Perfect

Seurat and the Sea Is Postcard Perfect

The Courtauld Gallery in London is hosting 'Seurat and the Sea,' the UK's first exhibition dedicated to Georges Seurat's seascapes. The show features over half of the artist's lifetime output of canvases, painted during summer trips to the Channel coast between 1885 and 1890, which he intended as visual cleansers from studio work. The exhibition highlights his pointillist technique, using contrasting dots of color to capture seaside light.

National Museum of Korea Seoul sees a surge in visitor numbers

The National Museum of Korea in Seoul reported a dramatic increase in annual visitors, rising from 3.8 million in 2024 to 6.5 million in 2025. This surge included a record 230,000 international visitors, marking the first time the museum has surpassed 200,000 foreign attendees in a single year.

US-Israel Strikes Damage 17th-Century Chehel Sotoun Palace In Isfahan, Iran

Airstrikes conducted by the United States and Israel on Isfahan, Iran, have caused significant damage to the 17th-century Chehel Sotoun Palace and several other nearby cultural landmarks. The palace, a UNESCO World Heritage Site, suffered shattered windows, damaged vaulted ceilings, and cracked historic murals, likely due to shock waves from strikes on a nearby government building.

Private Art Schools Enter a Period of Turbulence

Les écoles d’art privées traversent une zone de turbulence

A wave of bankruptcies and judicial reorganizations is hitting the private art education sector in France. Following the closure of the École d’art de Montreuil, the Académie des arts appliqués (AAA) in Dijon and the École supérieure de design in Troyes have both entered receivership. These institutions are struggling with severe financial deficits, unpaid staff, and a sharp decline in student enrollment, with some schools seeing their student bodies shrink by two-thirds in just four years.

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A wave of significant art world events has unfolded globally, led by a high-profile heist at Italy’s Magnani Rocca Foundation where thieves stole masterpieces by Renoir, Matisse, and Cézanne. Simultaneously, the international community is monitoring the secret trial of artist Gao Zhen in China, who faces imprisonment for sculptures created over 15 years ago that allegedly mock Mao Zedong. Other notable developments include the early closure of Amir Fattal’s exhibition in Mexico City due to antisemitic vandalism and the opening of a landmark LGBTQ-themed exhibition at the Art Sonje Centre in Seoul.

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The Golestan Palace, a UNESCO World Heritage site in Tehran, has sustained damage following US-Israeli airstrikes targeting the Iranian capital. According to Iran’s cultural heritage minister, Reza Salehi-Amiri, the Qajar-era complex suffered damage to its historic windows, doors, and mirrors due to blast shockwaves and debris. The escalation of the regional conflict has further impacted cultural hubs across the Middle East, with debris falling near Abu Dhabi’s Saadiyat Island and major institutions in Qatar and the UAE temporarily closing their doors.

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A marble bust of Jesus Christ located in Rome’s Basilica of Sant’Agnese fuori le mura has been reattributed to Michelangelo. Independent researcher Valentina Salerno, a member of the Vatican committee for Michelangelo’s 500th anniversary, used archival records and inventories to trace the sculpture back to the Renaissance master, reversing a 19th-century dismissal of its origins. Simultaneously, a private owner in Belgium is claiming a recently acquired Pietà painting is also a work by Michelangelo, supported by carbon dating and stylistic analysis from art historian Michel Draguet.