sam gilliam foundation sued over disputed drape painting and more art industry news

The Sam Gilliam Foundation has been sued over a disputed Drape painting, while the Art Dealers Association of America announced it will not hold its annual New York fair, The Art Show, in 2025, citing a strategic pause. Christie's reported $2.1 billion in auction sales for the first half of 2025, matching last year's figure but down 22% from 2023, and a juvenile Ceratosaurus fossil sold for $30.5 million at Sotheby's. Galleries are seeing movement: Nicole Wittenberg joins Acquavella Galleries, Harper Levine plans a Bangkok space, and Felix Rödder will open Rodder on Manhattan's Upper East Side. Yale University Art Gallery withdrew federal grant applications over anti-DEI language, and the Smithsonian American Art Museum named Mary Savig curator-in-charge of the Renwick Gallery.

The Artists Who Ruled the Biennial Circuit Over the Last Four Years

Artnet News critic Ben Davis analyzed 130 recurring global art events—including biennials and triennials—that opened between the 2022 and 2026 Venice Biennales, tallying over 15,000 participating artists. He identified the most frequently featured artists, with Nolan Oswald Dennis topping the list at 14 biennial appearances. Dennis, a South Africa-based artist born in Lusaka, is known for works like "Black Liberation Zodiac" (2017-ongoing) and was included in the 2026 Venice Biennale curated by the late Koyo Kouoh.

david adjaye museums open without starchitect

René Magritte's surrealist masterpiece *La Magie Noire*, unseen on the market for nearly a century, will be auctioned at Sotheby's Paris later this month with an estimate over $8 million. The painting was originally purchased by the family of WWII resistance heroine Suzanne Spaak, who supported Magritte during a financially difficult period. Separately, three major museums designed by star architect David Adjaye—the Princeton University Art Museum, the Museum of West African Art in Benin City, and the Studio Museum in Harlem—are set to open this fall, but institutions are downplaying Adjaye's involvement following sexual misconduct allegations he denied in 2023. Other news includes Pace Gallery closing its Hong Kong space, Colnaghi opening in Riyadh, and the death of ARTnews owner Milton Esterow.

Two Growing London Galleries Launch Second Spaces—and More Art Industry News

The art world is seeing a wave of institutional shifts and physical expansions, headlined by the appointment of Melissa Chiu as the new director of the Guggenheim Museum in New York. In London, galleries Edel Assanti and Emalin are both expanding their footprints with new locations, while the National Gallery has selected Kengo Kuma for a massive £350 million extension project. Meanwhile, the European Commission has threatened to pull €2 million in funding from the Venice Biennale unless it reverses its stance on Russian participation.

yinka shonibare gas foundation fondation h retrospective

Yinka Shonibare, the London-based British-Nigerian artist, established the nonprofit Guest Artists Space (G.A.S.) Foundation in Nigeria in 2019 to address the lack of artistic infrastructure in Lagos. The foundation, which grew out of his earlier Guest Projects initiative in London, operates two facilities: the G.A.S. Lagos Residency and the G.A.S. Farm House in Ijebu, Ogun State. It hosts residencies and programs supporting artists and curators from Africa and beyond, and launched the G.A.S. Fellowship Award in 2022. The article highlights the experience of 2024 fellow Amanda Iheme, an architecture photographer who expanded her practice during her residency. Shonibare funds the foundation partly from his own art sales, and the piece notes his recent major exhibitions, including at the Venice Biennale and Serpentine Galleries, as well as his current show at Fondation H in Madagascar.

picasso les demoiselles davignon african catalan art

New research by French collector and self-proclaimed 'art detective' Alain Moreau challenges the long-held belief that Pablo Picasso's groundbreaking painting *Les Demoiselles d'Avignon* (1907) was primarily inspired by African art. Moreau's paper, published in the *Bulletin of the Reial Acadèmia Catalana de Belles Arts Sant Jordi*, argues that the painting instead drew from Medieval church frescoes in the Spanish and French Pyrenees, such as those in the church of La Vella de Sant Cristòfol in Campdevànol and the Romanesque murals of Sant Martí de Fenollar. He retraced Picasso's travels and notes that the African mask exhibited alongside the painting in a 1939 MoMA retrospective did not arrive in Europe until 1935, decades after the work was completed.

New York art world spared worst of logistics woes

New York's spring art fairs—including Frieze, Tefaf, Independent, and Nada—are proceeding largely on schedule despite ongoing disruptions from the war in Iran. Airspace closures, reduced flights, rising fuel costs, and the closure of the Strait of Hormuz have strained global art logistics, forcing rerouting, last-minute cancellations, and cost increases of up to 2,500%. Logistics firms like Hasenkamp and Gander & White report that while shipments are still arriving, the system has become fragile, with clients prioritizing safety and resilience over speed.

From hard borders to soft power: how did the art world fare in 2025?

The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.

andy warhol foundation arts writers grants 2025

The Andy Warhol Foundation for the Visual Arts has announced its 2025 Arts Writers Grant recipients, awarding a total of $1.04 million to 31 writers. The grants, ranging from $15,000 to $50,000, are distributed across four categories: Articles, Books, Short-Form Writing, and a newly introduced Translation category with a $30,000 purse for translating books on contemporary visual art into English. Recipients include past and current contributors to ARTnews and Art in America, such as Glenn Adamson, Jeremy Lybarger, Zoé Samudzi, and Catherine G. Wagley.

mowaa archeological project findings benin city nigeria

The Museum of West African Art (MOWAA) in Benin City, Nigeria, will open its MOWAA Institute next week, the first completed building of a planned 15-acre campus that will also include the Rainforest gallery and other facilities by 2028. In advance of the opening, Antiquity magazine published an updated report on the MOWAA Archeological Project (2022–2024), a collaboration among MOWAA, the British Museum, and Nigeria’s National Commission for Museums and Monuments, with Cambridge Archaeological Unit and Wessex Archaeology as delivery partners. The excavations, the first at the royal palace complex since the 1960s, used both digs and ground-penetrating radar, with radiocarbon dating revealing artifacts spanning from before the Benin Kingdom through its collapse and colonial and postcolonial eras.

stevenson gallery closing johannesburg branch

Stevenson Gallery is closing its Johannesburg branch after 17 years, with the last day on December 12. The final exhibition, Tofo Bardi's "Underground: Nothing to Hold," will close early. The gallery's Cape Town and Amsterdam locations will remain open. Founded in Cape Town in 2003 by Michael Stevenson, the Johannesburg outpost opened in 2008 and moved several times before settling in Parktown North in 2019.

The eight hotly awaited art-venue openings we are most looking forward to in 2026

The article previews eight major art-venue openings expected in 2026, including the long-awaited Guggenheim Abu Dhabi on Saadiyat Island, Cardiff's first contemporary art museum (AMOCA), the V&A East Museum in London, the revived Palais de Danse studio of Barbara Hepworth in St Ives, and the Lucas Museum of Narrative Art in Los Angeles. It also notes the uncertain status of the Museum of West African Art in Benin City amid political disputes. These projects range from vast new museums and subterranean expansions to restored artist studios, many delayed by funding, planning, or construction challenges.

Despite Putin’s repressive regime, a new private museum opens in Moscow

A new private museum called Zilart is set to open in Moscow on December 2, founded by billionaire couple Andrey and Yelizaveta Molchanov. The museum will showcase their collection of roughly 10,000 works, spanning Russian avant-garde, Soviet nonconformist art, international contemporary art, photography, and African art. Originally conceived in 2015 as a modern art branch of the State Hermitage Museum, the project underwent significant changes: architect Hani Rashid was replaced by Sergei Tchoban in 2021, and the Hermitage withdrew in 2023. The museum is entirely funded by the Molchanovs' LSR Group and receives no state support.

With end of US government shutdown, National Gallery of Art and Smithsonian museums start reopening

Federal museums in Washington, DC, including the National Gallery of Art and multiple Smithsonian Institution branches, began reopening after the longest US government shutdown in history ended on Wednesday night (12 November). The National Gallery of Art reopened its West Building and sculpture garden on 14 November, with the rest of the campus following on 15 November. Its postponed exhibition *The Stars We Do Not See: Australian Indigenous Art* opened on 15 November instead of 18 October. Three Smithsonian museums reopened on 14 November, five more on 15 November, and all remaining venues—including the Cooper Hewitt, Smithsonian Design Museum in New York—by 17 November. The Smithsonian American Art Museum’s exhibition *Grandma Moses: A Good Day’s Work* was postponed from its original 24 October opening.

Gabrielle Goliath Discusses Her Canceled South African Pavilion as She Shows New Work in a Venice Church

South African artist Gabrielle Goliath’s planned pavilion for the South Africa Pavilion at the Venice Biennale was canceled by culture minister Gayton McKenzie, who deemed it “highly divisive.” Despite the cancellation, Goliath has installed her work, a multi-screen iteration of her ongoing performance series *Elegy*, at the Chiesa di Sant’Antonin, half a mile from the Giardini. The new piece mourns victims of atrocities including South African femicide, the Herero and Nama genocide, and the death of Gazan poet Hiba Abu Nada, killed by an Israeli airstrike. Goliath stated that McKenzie explicitly demanded removal of the Palestinian content while deeming the other subjects acceptable.

south africa venice biennale court

South Africa's culture minister Gayton McKenzie canceled artist Gabrielle Goliath's selected presentation for the country's national pavilion at the 2026 Venice Biennale, prompting Goliath and curator Ingrid Masondo to file a constitutional court challenge on January 22. The artist's work, *Elegy*, commemorates victims of injustice including women, queer people, and victims of the Herero and Nama genocide, and was to address deaths of Gazan women and children since October 2023. McKenzie described the work as "highly divisive" and canceled the exhibition on January 2, despite an independent committee's binding selection. The minister now plans to replace it with a project by the collective Beyond the Frames titled "Shameless Rebellions: a South African Chorus."

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

Art museum paints a picture of despair

The Nelson Mandela Metropolitan Art Museum in Gqeberha is facing a catastrophic institutional collapse due to years of municipal neglect and a 64% staff vacancy rate. A recent report reveals that the museum’s priceless collection—which includes works by George Pemba, Gladys Mgudlandlu, and LS Lowry—is being threatened by leaking roofs, spreading mold, and failing fire and security systems. While the galleries have been closed to the public for over a year, the facility currently lacks a qualified conservator to address the mounting damage to its historical and contemporary holdings.

Lagos curator establishes private art society with focus on cross-disciplinary exchange

Ugoma Chinelo Ebilah, an economist-turned-curator who founded Bloom Art Lagos in 2010 and the Mbari Kola Arts and Culture Foundation in 2019, is opening Mbari Kola, a private art society and members club in Lagos. Located in the affluent Ikoyi district, the 800 sq. m space will include a public gallery, shop, and garden, along with a private lounge, terrace, library, and multifunctional rooms for members. The venue will host exhibitions, residencies, film screenings, concerts, performances, and readings, focusing on pan-African art and culture. A soft launch for founding members is set for Africa Day (25 May), with further phases after summer and during Lagos Art Week in November. The club is part-funded by Ebilah and crowdfunded through around 50 founding patrons and members.

Storm over closure of South Africa’s much-loved Irma Stern Museum

The Irma Stern Museum (ISM) in Cape Town, South Africa, was abruptly closed in October 2024 after the University of Cape Town (UCT) and the Irma Stern Trust ended their 56-year partnership. The museum, housed in Stern's former home The Firs, displayed her collection of artifacts and her own works. The closure sparked public outrage over lack of transparency, with staff removed without clarity and the announcement made only after pressure. The trust, owned by Nedgroup Private Wealth, plans to relocate artworks to a new storage facility and repurpose The Firs, but no reopening date has been set.

Opening of Museum of West African Art in Nigeria delayed after protests

The official preview weekend of the Museum of West African Art (MOWAA) in Benin City, Nigeria, was disrupted on Sunday when a group of protestors broke into the main building. Over 250 invited guests, including donors and diplomats, had gathered for a cultural program featuring the exhibition "Nigeria Imaginary: Homecoming," which was an expanded presentation of the Nigerian Pavilion at the 2024 Venice Biennale. The protestors, wearing red hats, blocked access, shouted accusations about former governor Godwin Obaseki, and forced their way inside, leading to the indefinite cancellation of remaining events. MOWAA subsequently announced a postponement of public opening events, citing the protests and misconceptions about its role, while welcoming a presidential committee to resolve related matters.

protesters storm campus nigeria museum of west african art

Protesters stormed the campus of the Museum of West African Art (MOWAA) in Benin City, Nigeria, on Sunday, just hours before its first preview events were set to begin. Demonstrators entered through a gate after being denied access, hurling insults at foreign guests and journalists. All preview events have been canceled and the public opening postponed. The museum attributed the unrest to disputes between previous and current state administrations, while local residents claimed anger over the perceived hijacking of a local initiative, with the Oba of Benin reportedly unhappy about the project.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.

South African artist Gabrielle Goliath to approach high court over cancelled Venice Biennale pavilion

South African artist Gabrielle Goliath and curator Ingrid Masondo are taking urgent legal action against South Africa's sport, arts and culture minister Gayton McKenzie after he cancelled their project for the country's Venice Biennale pavilion. The pair were selected in December 2025 to present a new iteration of Goliath's decade-long project *Elegy*, which addresses femicide and the murder of LGBTQI+ people, and was also set to include references to the Ovaherero and Nama genocide in Namibia and the death of Palestinian poet Hiba Abu Nada. McKenzie, leader of the right-wing Patriotic Alliance party, described the Abu Nada-related content as "highly divisive" and cancelled the project on 2 January, just days before the submission deadline. The legal team, led by Adila Hassim, will file an application at the high court in Pretoria by 22 January, arguing that McKenzie's interference is unconstitutional.

La MansA Launches Its Magazine

La MansA lance son magazine

La MansA – Maison des mondes africains has launched MansA Magazine, a bilingual (French/English) semiannual cultural publication. The magazine, available at newsstands, bookstores, and online, features essays, interviews, and portfolios focused on African and Afro-diasporic art scenes, adopting a critical and documentary approach. The cover of the inaugural issue features Guillaume Diop, the first Black male principal dancer at the Paris Opera.