The Art Newspaper is promoting its digital newsletter, which offers a daily digest of essential news, views, and analysis from the international art world, delivered directly to subscribers' inboxes. The article serves as a call to action for readers to subscribe to stay informed about the latest developments in the art sector.
gaudi xalet catllaras attribution
A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.
In 2025, a series of major art restorations unveiled transformative discoveries in masterpieces by Caravaggio, Raphael, and Artemisia Gentileschi, among others. Caravaggio's final work, *The Martyrdom of St. Ursula* (1610), owned by Intesa Sanpaolo, was cleaned ahead of Rome's "Caravaggio 2025" exhibition, revealing hidden faces and a soldier's helmet previously only visible by x-ray. At the Vatican Museums, a decade-long restoration of the Raphael Rooms concluded with the revelation that two allegorical figures in the Hall of Constantine were painted by Raphael himself, not just his assistants, rewriting art history. Meanwhile, Artemisia Gentileschi's *Hercules and Omphale* (ca. 1635–37), damaged in the Beirut explosion, underwent emergency conservation by the Getty.
Casa Batlló, Antoni Gaudí’s iconic Barcelona landmark, has completed a €3.5 million ($4 million) restoration of its long-neglected back façade and courtyard. The project involved stratigraphic paint analysis to uncover original colors—revealing that the now-cream stucco was once deep gray and the windows originally green—along with restoration of trencadís mosaics, ironwork, wooden elements, and an 85,000-piece Nolla mosaic. The courtyard’s custom planters and parabola-shaped pergola were also rebuilt, returning the rear of the house to Gaudí’s original vision for the first time in over a century.
Construction on Barcelona’s Sagrada Família reached a historic milestone with the completion of the central Tower of Jesus Christ. The installation of a 56-foot cross atop the structure officially makes the basilica the tallest church in the world, fulfilling a key component of Antoni Gaudí’s original vision nearly a century after his death.