Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.
The Walker Youngbird Foundation, a Native-led nonprofit, has launched a new residency program in collaboration with Lite Brite Neon Studio in Kingston, New York, aimed at giving Indigenous artists the opportunity to create work in neon for the first time. The inaugural resident is Sarah Rowe (Ponca Tribe of Nebraska), a painter and installation artist selected from over 100 applicants. The residency is valued at around $50,000 per cycle, covering fabrication, travel, lodging, a $10,000 stipend, and full ownership of the artwork and intellectual property. The program was inspired by foundation founder Reid Walker's acquisition of neon works by artists such as Watt and Jeffrey Gibson.
Matthew Day Jackson, a multidisciplinary artist represented by Pace Gallery, has created 10 original artworks for a 23-piece luxury skiwear collection from Aztech Mountain, a ski brand based in Aspen, Colorado. Titled "Planet Aspen," the line includes ski jackets, pants, and innerwear adorned with Jackson's designs, with prices ranging from $101 to $1,850. Jackson, described as a passionate skier and adventurer, collaborated with Aztech Mountain on its first artist partnership, drawing inspiration from the quiet absurdity and fleeting joy of skiing.
A previously unknown scrapbook containing over 150 unseen photographs by Cecil Beaton and Lee Miller has been acquired by the University of Oxford’s Bodleian Library. Compiled between 1943 and 1949 by Roland Haupt, a darkroom assistant who processed film for both photographers during World War II, the album includes rare war reportage, portraits, and personal mementos. Among the highlights is an unpublished alternative shot of Miller in Adolf Hitler’s bathtub and Surrealist-inflected images of the conflict's aftermath.
Kyiv-based illustrator Masha Foya has released a new series of dreamlike works that blend human emotion with the natural world. Her illustrations often feature surreal architectural and organic elements, such as foliage tunnels forming into hands or planes flying through bird-shaped apertures, to represent the boundlessness of the human imagination. The collection includes a mix of personal explorations and high-profile commissions for international publications.
Kyiv-born illustrator Tania Yakunova creates lush digital and graphite illustrations characterized by grainy textures, gestural lines, bold shapes, and vibrant colors. Her work, which often features expressive human figures entwined with plant life, conveys brand narratives and personal emotions, such as homesickness following her 2023 move from Ukraine to London.
Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume
The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.