Art Movements: Larry Gagosian Heads to the Big Screen

This week's Art Movements roundup covers several major art world developments. Larry Gagosian is the subject of a new unauthorized documentary by Canadian director Barry Avrich, completing his trilogy on the art industry. Pace Gallery has taken on representation of the Constantin Brancusi Estate. The Maxwell/Hanrahan Foundation announced five winners of its 2026 Awards in Craft, each receiving $100,000. Selldorf Architects and Studios Architecture Paris have been selected to lead a $1 billion renovation of the Louvre Museum, including a new room for the Mona Lisa. Other news includes the Sharpe-Walentas Studio Program's 2026–2027 cohort, A Blade of Grass's 2026 In Fellowship cohort, and several appointments.

Louvre Reveals Architects for $1 Billion Expansion

The Louvre has announced an international team of architects—New York's Selldorf Architects and Studios Architecture Paris—to lead its "Nouvelle Renaissance" expansion, a project estimated to cost over €1 billion ($1.2 billion). The plan, first announced by French President Emmanuel Macron in early 2025, includes a new entrance to accommodate three million additional visitors annually and a dedicated 33,000-square-foot exhibition space for Leonardo da Vinci's *Mona Lisa*. The museum's new director, Christophe Leribault, is moving forward with the project despite significant budget uncertainty, with cost estimates ranging from €270 million to €1.1 billion.

Watching You, Watching Me: On Panteha Abareshi and the Spectacle of Illness

Shared Crafting, Touching, and Lying Down

"Gemeinsames Basteln, Anfassen und Hinlegen"

Christie's in New York achieved record auction results, with Jackson Pollock's "Number 7A, 1948" selling for $181.2 million and Constantin Brâncuși's bronze sculpture "Danaïde" reaching $107.6 million, both from the S. I. Newhouse collection. Meanwhile, critic Gesine Borcherdt published a scathing review of the Marina Abramović exhibition "Balkan Erotic Epic" at Gropius Bau Berlin, arguing that museums increasingly demand audience participation—crafting, touching, lying down—under the guise of democracy, which she likens to group therapy and warns carries authoritarian tendencies. In London, makeup artist and designer Isamaya Ffrench opened a hybrid gallery and concept store called Studio Iron, featuring works by Abramović, Paul McCarthy, Kelly Wearstler, and Anne Imhof, aiming to blur boundaries between art, design, and function.

Everyone Keeps Getting Yoko Ono Wrong

Paul Morley's new biography of Yoko Ono, *Love Magic Power Danger Bliss*, attempts to reframe the artist beyond her reputation as a 'Beatles wife' but ultimately fails, according to this critical review. The book covers Ono's first three decades, from her birth in Japan in 1933 to meeting John Lennon in 1969, but is dominated by lengthy asides on male avant-garde figures like George Maciunas and Pete Townshend, leaving Ono a passive presence in her own story. Morley promises not to mention Lennon but breaks that promise, and the review argues the book is aimed more at 'rock dads' still upset about the Beatles breakup than at understanding Ono's artistic contributions.

Billie Holiday Comes to Queens

A shortlist of artists including Thomas J Price and Tavares Strachan is competing to design a new public monument honoring jazz legend Billie Holiday in Queens, New York. The New York City Department of Cultural Affairs has revealed six commission proposals for the project, which aims to celebrate Holiday's groundbreaking legacy as a vocalist and cultural icon. Separately, the Museum of the City of New York is opening the Puffin Foundation Center for Social Activism, dedicated to civic engagement and social justice.

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

Relaxe pour le coupeur de tête

The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.

Russian art today is blood. A tough interview with Pussy Riot

“L’arte russa oggi è il sangue”. Una dura intervista alle Pussy Riot

During the preview of the 2026 Venice Biennale, the Russian Pavilion became the site of a protest by Pussy Riot and FEMEN, who staged an action called "STORM OF VENICE." Wearing pink balaclavas and carrying radical slogans, they denounced Russia's presence at the Biennale, accusing the Kremlin and the European cultural system of complicity. The protest centered on the phrase "Blood is Russia's art." In an interview, Pussy Riot member Nadya Tolokonnikova argues that artists who represent the official Russian Pavilion become instruments of the aggressive imperial state, and that the Biennale confuses cultural dialogue with political normalization.

After Whistleblower Complaint, Palm Springs Art Museum Declines to Release Report on Allegations of Fraud and Theft, Claims They Are ‘Not Substantiated’

The Palm Springs Art Museum in California has released a three-page statement claiming that an investigation into a whistleblower complaint alleging mismanagement, fraud, and theft found no wrongdoing. The complaint included allegations of improper reclassification of endowment funds, a $3 million discrepancy in investment accounts, and the forced departure of a former director. The museum hired law firm Barnes & Thornburg and forensic accounting firm RSM US to conduct a six-month review, but declined to release the resulting report to ARTnews or the public. The museum acknowledged that proceeds from deaccessioned artworks were used for operating expenses, calling it a long-standing board-approved practice with an internal loan being repaid by 2030.

Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

Weekly News Roundup: May 22, 2026

This weekly roundup from ArtAsiaPacific covers four major developments in the art and architecture world. Chinese architects Wang Shu and Lu Wenyu have announced the theme for the 2027 Venice Architecture Biennale, titled “Do Architecture – For the Possibility of Coexistence Facing a Real Reality,” emphasizing hands-on, context-driven design. The 2026 Sovereign Asian Art Prize winners were revealed, with Balinese artist Citra Sasmita winning the Grand Prize for her work "Poetry of the Fountain" (2025). Dubai announced plans for the Museum of Digital Art (MODA), a new institution dedicated to new media and immersive technologies, as part of a major district expansion. Finally, the Asian Cultural Council (ACC) named 70 grantees for its 2026 cycle, awarding over USD 1.6 million to support cultural exchange between the US and Asia.

Krakow’s MOCAK Sacks Director Adam Budak, Angering Artists

The City of Krakow dismissed Adam Budak as director of the Museum of Contemporary Art in Krakow (MOCAK) on May 16, citing improper performance of duties related to work organization and team management. Budak, who took the helm last summer, was replaced by acting director Grzegorz Kuźma, formerly the museum's deputy director, and will be officially terminated when his contract ends June 30. The dismissal followed an internal investigation spurred by a complaint signed by thirty-seven MOCAK staffers. In response, artists and curators including Paulina Olowska, Sabine Breitweiser, Alison Gingeras, and Candice Breitz signed a petition demanding Budak be heard, while several artists withdrew from MOCAK's 2026–27 programming.

Open Letter in Support of the Artist Asel Kadyrkhanova

An open letter initiated by members of the Kazakhstani and international art community protests the removal of artist Asel Kadyrkhanova's work *Machine* (2013) from the Kazakhstan pavilion at the 2026 Venice Biennale. The mixed-media installation, which addresses Stalinist repression through a vintage typewriter, arrest warrants, and red threads, was dismantled on May 5, 2026, reportedly by order of Kazakhstan's Ministry of Culture and Information, just before the pavilion's opening. The artist and curator were allegedly pressured to alter the work beforehand, and the ministry initially cited restrictions from the Italian side, but the Italian Ministry of Defense denied involvement.

Stonewall Monument Named Among Most Endangered Sites in the US

The Stonewall National Monument in Manhattan has been named one of the most endangered places in the US by the National Trust for Historic Preservation, marking the first time the site has appeared on the annual list. The designation comes amid the Trump administration's efforts to control LGBTQ+ history, including the National Park Service's removal of references to transgender individuals from the monument's official website and the removal of the rainbow pride flag from the site. Activists and the Gilbert Baker Foundation fought back, with the foundation filing a lawsuit that led to a settlement allowing the pride flag to be flown again, though the NPS has not restored the original website text.

Gallery speaks out about AI row which 'overshadowed' art exhibition fundraiser

A Brighton art gallery, Indelible Fine Art Gallery, has spoken out after its charity exhibition featuring actor and artist Jake Wood—known for his role on EastEnders—was overshadowed by controversy over the use of AI-generated imagery. The exhibition, titled Icons, was designed to raise awareness and funds for Dementia UK, but criticism erupted on social media after Wood shared a portrait of David Attenborough that appeared to include AI-generated elements. Wood later clarified that two pieces in the show (portraits of Attenborough and Trump) incorporated AI-generated source material, though he did not create the AI imagery himself. He has since apologized and pledged to donate 100% of the exhibition's proceeds to Dementia UK.

The Raphaels, the Italian Gang and the Olive Oil Maker: The Spectacular Theft of 7 Paintings in Budapest During the Cold War

Les Raphaël, le gang italien et le fabricant d’huile d’olive : le spectaculaire vol de 7 tableaux à Budapest en pleine guerre froide

On November 5, 1983, thieves stole seven Renaissance masterpieces from the Museum of Fine Arts in Budapest, including two works by Raphael, two by Tiepolo, two by Tintoretto, and one by Giorgione, valued at $28 million. The heist was carried out by a small Italian gang from Reggio Emilia, who entered through a window using a scaffolding left by construction workers, leaving behind a screwdriver from the Italian brand USAG that the mastermind mistakenly thought would implicate American thieves. The operation was led by Ivano Scianti, with accomplices including Giordano Incerti, Graziano Iori, Giacomo Morini, and Carmine Palmese.

10 Open Calls To Apply for in Summer 2026: International Opportunities Shaping the Season

The article lists ten international open calls for artists and creatives to apply for in summer 2026, including residencies, grants, and exhibition opportunities. Featured programs include the Diriyah Art Futures (DAF) Emerging New Media Artists Program in Saudi Arabia, the International Digital Art Contest at the University of Mostar in Bosnia and Herzegovina, and the Collaborative Prototyping Lab at Medialab Matadero in Spain, among others. Each call provides details on deadlines, eligibility, application links, and support.

Venice Biennale 2026: controversy in contemporary art

The 2026 Venice Biennale has been overshadowed by controversy rather than its art. The main curator, Cameroon-born Koyo Kouoh, died unexpectedly in May. Russia, absent since 2022, returned to the exhibition, prompting the biennale jury to resign in protest after declaring it would not award prizes to countries accused of war crimes, with protests also targeting Israel.

Submit Entries for Young Generation Art Award

FundsforNGOs has announced an open call for submissions for the Young Generation Art Award, a prize aimed at emerging artists. The award invites young creatives to submit their work for consideration, with details on eligibility and deadlines presumably available through the organizer's channels.