Décès de Christine Ruiz-Picasso
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in preserving his artistic legacy, has passed away. As the widow of Paul Picasso, the artist's eldest son, she played a foundational role in the management of the Picasso estate and was instrumental in the creation of major institutions dedicated to his work.
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in preserving his artistic legacy, has passed away at the age of 97 in Provence, France. Married to Picasso’s eldest son, Paul, she became a primary advocate for the artist's work following her husband's death in 1975. Her most significant achievement was the 2003 founding of the Museo Picasso Málaga, realized through her donation of over 200 artworks and her persistent collaboration with the Andalusian government.
The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.
Christine Ruiz-Picasso mit 97 gestorben
Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in the establishment of the Museo Picasso Málaga, has passed away at the age of 97 in her home in Provence. As the widow of Picasso’s eldest son, Paul, she was instrumental in fulfilling the artist's wish to have a dedicated museum in his birthplace. Alongside her son Bernard, she donated over 230 works to form the core of the institution's permanent collection.
Chris Mullen, a distinguished educator and historian of art and design, has died at the age of 81. Throughout a career spanning over three decades at the Norwich School of Art and the University of Brighton, Mullen became a pivotal figure in integrating contextual studies with studio practice. He was renowned for his vast personal archive of printed ephemera and his digital project, "The Visual Telling of Stories," which served as a vital resource for generations of students and researchers.