Egidio Marzona, the influential German-Italian collector, publisher, and patron, has died at age 81 in Berlin. His vast collection focused on 20th-century avant-garde movements, from Dada and Bauhaus to Fluxus and Arte Povera, and was distinguished by its deep archival holdings of letters, diagrams, and ephemera that documented the intellectual processes behind the art.
È morto lo storico dell’arte Paolo Baldacci. Fondamentali i suoi studi su Giorgio de Chirico e sulla Metafisica
Renowned art historian, critic, and professor Paolo Baldacci has passed away in Milan at the age of 81. Originally a scholar of ancient history and Roman epigraphy, Baldacci transitioned into a leading authority on 20th-century Italian art, specifically focusing on Futurism and Metaphysical painting. He was widely recognized for his monumental 1997 monograph and catalogue raisonné on Giorgio de Chirico, as well as his extensive research into the work of Alberto Savinio.
Margareta Magnusson, the Swedish author and artist who popularized the concept of 'death cleaning' (döstädning), has died at age 92. In her 80s, she wrote the international bestseller 'The Gentle Art of Swedish Death Cleaning,' which advocated for the mindful decluttering of one's belongings to spare loved ones the burden after one's death.
EL LEGADO PÚBLICO DE GONZALO DÍAZ
A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.
Éliane Radigue, the pioneering French composer of electronic and electroacoustic music, has died at age 94. A key figure in the development of minimalist and drone music, she was known for her deeply focused, slowly evolving soundscapes created primarily on analog synthesizers like the Buchla 100 and ARP.