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calvin tomkins dead marcel duchamp new yorker

Calvin Tomkins, the legendary New Yorker writer who chronicled the contemporary art world for over six decades, has died at the age of 100. Joining the magazine's staff in 1960, Tomkins became the preeminent profiler of his era, translating complex aesthetic shifts and avant-garde movements into accessible, witty, and insightful prose. His career-defining focus on art began unexpectedly in 1959 with a chance interview with Marcel Duchamp, sparking a lifelong fascination with the creative process.

joel shapiro icons 2025

Joel Shapiro, the acclaimed American sculptor known for his abstract wooden and bronze figures, died June 14 at age 83. In the weeks before his death, he gave a career-spanning interview to Max Norman for ARTnews, reflecting on his legacy. The article describes Shapiro's final New York show at Pace Gallery in fall 2024, which featured large works like "Splay" (2024), "Wave" (2024), and his largest wooden sculpture "ARK" (2020/2023–24), alongside small models and bronzes. It also offers a glimpse into his Long Island City studio, where he constantly experimented with form, material, and scale.

Antonio Homem, Champion of the Ileana Sonnabend Collection, Dies at 86

Antonio Homem, the longtime associate and eventual director of the Sonnabend Gallery, has died at 86. Homem began working with legendary gallerist Ileana Sonnabend in Paris in 1968, helped her open the New York gallery in 1971, and became the primary steward of the Sonnabend collection after her death in 2007, overseeing its transition into a foundation and a new public museum in Mantova, Italy.

Christine Ruiz-Picasso, Founder of Museo Picasso Málaga and Artist’s Daughter-in-Law, Dies at 97

Christine Ruiz-Picasso, the daughter-in-law of Pablo Picasso and a pivotal figure in preserving his artistic legacy, has passed away at the age of 97 in Provence, France. Married to Picasso’s eldest son, Paul, she became a primary advocate for the artist's work following her husband's death in 1975. Her most significant achievement was the 2003 founding of the Museo Picasso Málaga, realized through her donation of over 200 artworks and her persistent collaboration with the Andalusian government.

robert grosvenor sculptor minimalism dead

Robert Grosvenor, a sculptor known for his idiosyncratic works that initially aligned with Minimalism before evolving into unclassifiable forms, died in New York at age 88. His death was confirmed by Paula Cooper Gallery, with no cause given. Grosvenor gained prominence in the 1960s through exhibitions like "Primary Structures" at the Jewish Museum and later created spare, industrial sculptures ranging from ceiling-piercing steel forms to altered car-like objects and works incorporating creosote and water. He appeared in two editions of Documenta and the 2022 Venice Biennale, and a survey of his work opened at the Fridericianum museum in Kassel just days before his death.

diane keaton artist dead 79

Diane Keaton, the acclaimed actress known for films like Annie Hall and The Godfather, died at age 79. Beyond her acting career, Keaton was a devoted visual artist who worked in photography and collage, publishing several art books including Saved: My Picture World (2022), Reservations (1980), and California Romantica (2019). She was also a passionate collector of photography books and frequently discussed her lifelong practice of collage-making.

È morto Bruno Bischofberger, il gallerista e collezionista svizzero che fece lavorare assieme Warhol e Basquiat

Bruno Bischofberger, the influential Swiss gallerist and collector, has died at age 86. A pivotal figure in the contemporary art market, he opened his first gallery in Zurich in 1963 and was instrumental in introducing American Pop Art to Europe, exhibiting Warhol, Lichtenstein, and Rauschenberg. He later championed Minimalism, Land Art, and Neo-Expressionism, representing artists like Sol LeWitt, Donald Judd, and Francesco Clemente. Most famously, Bischofberger discovered Jean-Michel Basquiat in 1981 and orchestrated the legendary collaboration between Warhol, Basquiat, and Clemente. His close relationship with Warhol included a first-refusal agreement on future works and the suggestion of standardized portrait commissions that became Warhol's primary income source.