The Public Legacy of Gonzalo Díaz

EL LEGADO PÚBLICO DE GONZALO DÍAZ

A collaborative research project, the Gonzalo Díaz Archive, was presented at the National Museum of Fine Arts in early 2025, focusing on the late artist's five-decade connection to the University of Chile. Just before his death in December 2025, Díaz publicly called for the university to safeguard a substantial part of his prolific work, and he was posthumously awarded the university's Rector Juvenal Hernández Jaque Medal. His widow, artist Nury González, will lead a funded project to transform his decades of preparatory notes and sketches into a new artist's book.

Beatriz González, indefatigable force in Colombian art, has died, aged 93

Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.

lucia di luciano painter dead 1234768776

Lucia Di Luciano, an Italian painter associated with the 1960s Arte Programmata movement, has died at age 93. Her death was announced by her Milan gallery, 10 A.M. Art, without specifying a cause. Di Luciano was known for her hand-painted, gridded black-and-white abstractions that mimicked computer-generated patterns, made with house paint and acrylic. Despite painting for nearly eight decades, she only gained wider international recognition in 2022 when her work was included in the main exhibition of the Venice Biennale, curated by Cecilia Alemani. Her career saw a late surge, with appearances at Tate Modern's "Electric Dreams" exhibition, art fairs like Frieze Masters and Independent 20th Century, and a solo show at Herald St. in London. The Maxxi museum in Rome is organizing a retrospective set to open in 2027.