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Art as Experimental Setup

Kunst als Versuchsanordnung

The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.

In Memoriam: Melvin Edwards (1937–2026)

Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.

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Melvin Edwards, the pioneering sculptor known for his powerful steel assemblages and "Lynch Fragments" series, has died at the age of 88 in Baltimore. Edwards was a trailblazer who reframed Minimalism by infusing it with political and cultural weight, becoming the first Black sculptor to have a solo exhibition at the Whitney Museum in 1970. His work utilized industrial materials like chains and barbed wire to address histories of enslavement, anti-Black violence, and global conflict while maintaining a sophisticated abstract language.

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Ulysses Jenkins, a pioneering video artist, muralist, and performer, has died at the age of 79. His passing was confirmed by the Hammer Museum in Los Angeles, the institution that hosted his major 2022 retrospective, "Without Your Interpretation." Born and raised in Los Angeles, Jenkins dedicated his career to using the camera as a tool for social commentary, famously documenting the Watts Festival to counter negative media stereotypes and exploring the complex relationship between mass media and Black American identity.