The LensCulture Portrait Awards 2026 have announced their winning and shortlisted photographers, showcasing a diverse range of styles from documentary realism to conceptual invention. Highlights include an Australian photographer's winning portrait of a 'barefoot volcanologist' and poignant series documenting the ongoing conflict in Ukraine and the reclamation of identity in post-colonial contexts.
Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.
Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »
Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.
Come si fa maglieria etica? Il fondatore del brand milanese Vitelli ci spiega
Mauro Simionato, founder of the Milanese brand Vitelli, discusses the evolution of his label as it returns from a year-long hiatus. Known for its 'Doomboh' regenerative process, Vitelli utilizes recovered yarns and vintage 1980s machinery to transform knitwear into a medium for aesthetic and cultural experimentation. The brand draws heavy inspiration from the 'Gioventù Cosmica' counterculture scene, blending music, material culture, and inclusive community-building into its production model.
Art Basel has announced the 33 medalists for its 2026 Awards, a global initiative recognizing excellence across the contemporary art ecosystem. The awards span nine categories, including Emerging, Established, and Icon artists, as well as curators, patrons, and institutions. Notable honorees include Barbara Kruger, Howardena Pindell, and Jenny Holzer in the Icon category, alongside established figures like Arthur Jafa and Julie Mehretu. The selection process, led by a jury of nine international experts, emphasizes a cross-disciplinary and geographically diverse group with a strong representation from the Global South.
Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, departing her long-standing role at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. This major leadership transition comes alongside several other significant museum developments, including the Getty Center's planned $600m–$800m renovation closure and the National Gallery's staff reduction scheme to address a multi-million pound deficit.
Vanderbilt University has announced the recipients of the 2026 Margaret Stonewall Wooldridge Hamblet Award, a prestigious honor granted to graduating seniors in the Department of Art. The award typically provides significant funding for a year of travel and art research, culminating in a solo exhibition at the university.
Meg Molloy, founder of the Working Arts Club, discusses the systemic barriers facing working-class professionals in the art world. Launched last year, the independent network provides social and professional support for arts workers from lower socioeconomic backgrounds, a demographic often excluded by the industry's reliance on unpaid internships, low entry-level salaries, and expensive urban hubs like London.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as a curator in its Department of Photographs, a role she will assume this summer. Onabanjo, who joins from the Museum of Modern Art (MoMA), will primarily oversee the Walther Collection—a massive gift of over 6,500 photographs spanning diverse global regions—and will lead a major exhibition of the collection in 2028.
The U.S. Latinx Art Forum (USLAF) has appointed artist, archivist, and curator Josh T. Franco as its new executive director, succeeding founding director Adriana Zavala. Under Franco’s leadership and alongside newly promoted deputy director Mary Thomas, the organization is shifting its mission toward fostering "convivial spaces" and organic networking. This new phase includes hosting intimate dinners across major cities to connect artists with supporters and planning a major touring exhibition featuring the 75 recipients of the Latinx Artist Fellowship.
Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.
Rangsook Yoon, the senior curator at the Sarasota Art Museum (SAM), is departing her role to join the Frye Art Museum in Seattle as the senior director of curatorial affairs. Yoon will conclude her tenure at SAM on May 1, following the opening of the major loan exhibition "Something Borrowed, Something New," which features works by blue-chip artists like Louise Bourgeois and Ai Weiwei. Her move to Seattle follows a successful two-year period in Sarasota where she curated high-profile shows and participated in regional collaborations like Skyway 2024.
Melbourne-based artist Sid Pattni is gaining international recognition for his unique fusion of portraiture and traditional Indian embroidery. Following a transformative residency in New Delhi, Pattni has developed a practice that reclaims colonial-era imagery by framing figures within vivid, beaded borders inspired by Mughal miniatures. His work explores the complexities of the Indian diaspora and the fluid nature of identity, moving beyond conventional portraiture to incorporate ancestral craft techniques.
Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.
British artist Louis Pohl Koseda is gaining attention for his intricate works that blend drawing, painting, and architectural theory to explore the city as a psychological structure. His practice, which he terms 'metafictionism,' utilizes fine-line drawing to create layered compositions where figures navigate unstable, theatrical urban environments. Influenced by his upbringing in an East London Hare Krishna community, Koseda’s work focuses on how belief systems and social fabrics are mapped onto the physical and imagined spaces of the city.
Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.
Powerhouse Arts, a nonprofit creative production facility in Brooklyn’s Gowanus neighborhood, has appointed Liz Munsell as its new Vice President of Curatorial and Arts Programs. Munsell, who previously held senior curatorial roles at the Jewish Museum and the Museum of Fine Arts, Boston, succeeds Diya Vij following Vij's appointment as New York City’s cultural affairs commissioner. Alongside Munsell, the organization hired Constanza Valenzuela, formerly of High Line Art, as associate curator to support the expansion of its exhibition and residency programs.
Helen Legg has been appointed as the new artistic director of the Royal Academy of Arts in London, transitioning from her current role as director of Tate Liverpool. Starting in June, Legg will oversee the institution’s exhibitions, collections, and public programming, succeeding a period of leadership that saw her manage a major $46 million renovation project at Tate's northern outpost.
Artists Alexandre Singh and Natalie Musteata have won the Academy Award for Best Live Action Short Film for their dystopian French-language short, "Two People Exchanging Saliva." In a rare occurrence for the Oscars, the category resulted in a tie with Sam Davis’s musical comedy "The Singers." Singh and Musteata’s film depicts a near-future Paris where physical intimacy is a capital offense and commerce is conducted through ritualized physical violence.
The Robert Rauschenberg Foundation has announced the recipients of its Rauschenberg Centennial Awards, granting $100,000 in unrestricted funds to five creators across four disciplines. The winners include Senga Nengudi for art, David Thomson for performance, Chandra McCormick and Keith Calhoun for photography, and Patricia Spears Jones for writing. Established to commemorate the late artist’s 100th birthday in 2025, the awards recognize alumni of the foundation’s Captiva Residency program who demonstrate artistic excellence and community impact.
Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.
Indira Cesarine, the founder of The Untitled Space in Tribeca, reflects on a decade of operating her gallery as a platform for marginalized voices and feminist-driven programming. The gallery grew out of Cesarine’s work as an editor and curator, specifically following the success of her 2009 publication, The Untitled Magazine, and early exhibitions that highlighted the lack of representation for women in the art market.
Chinese American artist Hudson Shaoxia Zhang has been named the inaugural recipient of the U.S. Golf Art Foundation Fellowship Award, a distinction recognizing his prolific career dedicated to the intersection of sport and landscape painting. Zhang, a former art historian who authored over 40 books before returning to a dedicated studio practice, has produced more than a thousand paintings of golf courses. His work has gained significant international traction recently, with four solo exhibitions across Europe in 2024 and a major museum retrospective at the Art Museum of Nanjing University of the Arts in 2023.
Brooklyn-based photographer Keisha Scarville has been named the 2026 winner of the Brooklyn Museum’s Uovo Prize. The award includes a $25,000 cash prize, a solo exhibition at the museum, and a public art commission featured on the facade of Uovo’s Bushwick facility. Her upcoming presentation, titled "Where Salt Meets Black Water," will debut in May 2026 and features vinyl reproductions from her "Mama’s Clothes" series, which explores Guyanese heritage and maternal legacy through textiles.
Sculptor Alma Allen has officially joined Perrotin, a move that follows his high-profile departure from former galleries Mendes Wood DM and Olney Gleason. The transition comes as Allen prepares to represent the United States at the 2026 Venice Biennale with the exhibition "Alma Allen: Call Me the Breeze," curated by Jeffrey Uslip. The artist reportedly split with his previous representation after they opposed his acceptance of the Biennale commission under the current political climate.
Tobias Berger, a veteran curator who held senior roles at Hong Kong’s M+ and Tai Kwun, has transitioned from the public sector to lead two new private initiatives: Serakai Studio and the Tanoto Art Foundation. Ahead of Art Basel Hong Kong, Berger is launching "Gold," an experimental salon space in Wong Chuk Hang that merges contemporary art with design and fashion. These roles mark a shift toward agile, privately funded cultural models that prioritize regional focus and experimental programming over the bureaucratic structures of large public museums.
Laura Phipps has been appointed as the director of the Gochman Family Collection, a significant private collection primarily focused on contemporary Indigenous art. Phipps joins the organization following a distinguished 15-year tenure at the Whitney Museum of American Art, where she most recently served as an associate curator. In her new role, she succeeds Zach Feuer and will oversee a collection of over 750 works while managing the development of a new 10,000-square-foot public-facing exhibition space in Katonah, New York.
Julian Cox, the deputy director and chief curator of the Art Gallery of Ontario (AGO), will step down from his position this April after an eight-year tenure. While the museum's official statement praised Cox for expanding the collection and establishing the Department of Global Africa & the Diaspora, it offered no specific reason for his departure, and Cox himself was not quoted in the announcement.
Toyota Tsusho Corporation and its subsidiary CFAO SAS have announced the five inaugural winners of the Toyota Tsusho CFAO African Art Award. Zimbabwean mixed-media artist Moffat Takadiwa received the Grand Prize, while Gosette Lubondo and Unathi Mkonto were honored with Distinguished Awards. The selection process involved 35 international art professionals who nominated 100 artists, eventually narrowing the field to 12 finalists before selecting the five winners across various categories including painting and photography.
Zanele Muholi has been named the winner of the 2026 Hasselblad Award, widely considered the world’s most prestigious photography prize. The South African photographer and "visual activist" will receive approximately $218,000, a solo exhibition at the Hasselblad Center in Gothenburg opening in October 2026, and a dedicated publication. Muholi’s work is celebrated for its monumental grayscale portraiture that documents and honors the Black LGBTQIA+ community, challenging historical omissions and systemic oppression.