Art Movements: Michelle Millar Fisher Heads to Cooper Hewitt

Michelle Millar Fisher, formerly curator of Contemporary Decorative Arts at the Museum of Fine Arts, Boston, has been appointed chief curator at the Cooper Hewitt, Smithsonian Design Museum in Manhattan. She succeeds Matilda McQuaid, who is retiring after 24 years. Separately, the Getty Foundation awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archive initiative, supporting the processing of historical records related to Black art. Other notable appointments include Jamie Blosser as curator of the Loeb Fellowship at Harvard Graduate School of Design, Graham C. Boettcher as director and CEO of the Norman Rockwell Museum, and Susan Fisher Sterling's retirement from the National Museum of Women in Arts. Artist Nora Turato also unveiled a humorous billboard near the High Line reading 'GIVE US MOM!!!'.

Wangechi Mutu Awarded National Gallery Contemporary Fellowship in Landmark UK Collaboration

Kenyan-American artist Wangechi Mutu has been awarded the National Gallery's second Contemporary Fellowship, a two-year initiative developed with Art Fund and delivered in partnership with the Whitworth, The University of Manchester. The fellowship will see Mutu develop a new body of work through close engagement with both institutions' collections, culminating in her first UK institutional exhibition. The project will open at the National Gallery in London in October 2027 before traveling to the Whitworth in Manchester in spring 2028, with plans for an international tour.

Discover the Mapplethorpe Snapshot of Peter Berlin Hiding in This São Paulo Gallerist’s Bedroom

Alexandre Gabriel, a partner at São Paulo gallery Fortes D’Aloia & Gabriel, opens his home in the Praça da República neighborhood to reveal his personal art collection, which includes works by friends and a Robert Mapplethorpe photograph of Peter Berlin (1976). Gabriel describes how his collection began with gifts from artist friends he met while interning at a film production company in 1996, including Ivens Machado, Luiz Zerbini, Barrão, and Ernesto Neto, and emphasizes that his collection is strictly personal, guided by love and memory rather than market trends.

Monuments in Motion

Denkmäler in Bewegung

Berlin-based artist Sarah Ama Duah, who transitioned from fashion to sculpture, creates works that explore Afro-German memory culture. Her practice includes beeswax portraits, found objects like Delft porcelain and baroque vases, and performances at venues such as the Humboldt Forum. In 2025, she received the Wolfram Beck Prize for Sculpture. Duah's early fashion work, including silicone garments shown at the Fashionclash Festival in Maastricht, evolved into sculptural investigations of clothing, body, and space, leading her to study performance and sculpture at the Berlin University of the Arts under Jimmy Robert.

DANCING OUR PROBLEMS LATIN AMERICAN PRESENCE AT MOCA S ART ON THE PLAZA 2026 AWARDS IN MIAMI

Peruvian multidisciplinary artist Joan Jiménez Suero, known as Entes, has been named one of three winners for the Museum of Contemporary Art North Miami’s (MOCA) Art on the Plaza 2026. His winning installation, "Bailando Nuestros Problemas" (Dancing Our Problems), features kinetic metal sculptures inspired by Afro-Peruvian traditions and salsa culture. The work, which officially opens on April 15, 2026, transforms rigid industrial materials into fluid figures of musicians and dancers to celebrate the resilience of the Latin American diaspora.

art maud acheampong young artist

Cultured magazine profiles Ghanaian-American artist Maud Acheampong, age 27, as part of its 2025 Young Artists list. Before their first solo show, Acheampong gained hundreds of thousands of TikTok followers through theatrical videos performed as Dainty Funk, a digital avatar and drag persona. Their work explores surveillance, monstrousness, and existential themes, with a recent live performance piece, "A Yawn, A Scream, An Endless Opening of the Mouth" (2025), presented at the Marshak Planetarium at City College of New York. The artist describes a hypothetical $150,000 project involving an obsidian dome in Ghana, ritual dance, and 3D-scanned footprints.