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Amrita Jhaveri, a Brown University alumna, has transitioned from a pioneering role at Christie’s to becoming a central figure in the global promotion of South Asian art. After launching Christie’s Mumbai office in the 1990s—a time when modern Indian masterpieces sold for a fraction of their current multi-million dollar values—she co-founded Jhaveri Contemporary with her sister Priya. The gallery has gained international prestige by placing works by overlooked, female, and queer South Asian artists into the permanent collections of major institutions like the Tate Modern, the Met, and MoMA.

Frieze Taps Art Basel Veteran Frank Lasry as Chief Operating Officer

Frieze has appointed Frank Lasry as its new Chief Operating Officer, effective this June. Lasry joins the organization with an extensive pedigree in the art market, having previously served as COO at Perrotin and managing director at Art Basel, where he was instrumental in launching Art Basel Paris. His career also includes senior leadership roles at major auction houses Christie’s and Phillips, positioning him as a veteran executive with deep operational expertise across multiple sectors of the industry.

Guillaume Cerutti Out as President of Paris’s Pinault Collection After 13 Months

Guillaume Cerutti has stepped down from his position as President of the Pinault Collection in Paris after only thirteen months. The institution, founded by billionaire François Pinault, has stated it has no plans to replace him or appoint an interim president, signaling a potential restructuring of its leadership.

The non-renewal of Sébastien Allard confirms the Louvre's metamorphosis

Le non renouvellement de Sébastien Allard confirme la métamorphose du Louvre

Christophe Leribault, the new president of the Louvre, has decided not to renew the contract of Sébastien Allard as director of the painting department, a position Allard held since 2014. This move is part of a broader shift in leadership style and institutional direction under Leribault, who is described as fostering genuine social dialogue and actively participating in meetings, in contrast to his predecessor.

The Louvre’s new director is inheriting a troubled, traumatised museum—can he repair the damage?

Christophe Leribault has been appointed as the new director of the Musée du Louvre, taking over an institution reeling from a major security breach. The theft of the crown jewels in October exposed severe systemic failures, including neglected security upgrades and a management culture criticized as autocratic under his predecessor, Laurence des Cars. The museum has also been plagued by strikes, ticket fraud scandals, and damaging parliamentary reports.

We Interviewed Pixar's Historic Archivist: The History and Secrets of the Legendary Production House

Abbiamo intervistato la storica archivista della Pixar: storia e segreti della mitica casa di produzione

Christine Freeman, Senior Historian and Archivist at Pixar Animation Studios, provides an inside look at the evolution of the pioneering animation house. The interview traces Pixar's origins from Ed Catmull’s early work at Lucasfilm and the development of the Pixar Image Computer to the pivotal meeting with animator John Lasseter and the eventual acquisition by Steve Jobs. Freeman details the preservation of early CGI milestones, including the first computer-animated short, 'The Adventures of André & Wally B.', and the transition from proprietary secrets to open-source contributions like RenderMan.

Kengo Kuma: "The first time architecture moved me, it was a church"

Kengo Kuma : « La première fois qu’une architecture m’a ému, c’était celle d’une église »

Renowned Japanese architect Kengo Kuma discusses his design philosophy and his recent intervention at the Angers Cathedral in France. He emphasizes a "dialogue with the place" over architectural ego, focusing on topography, local materials, and the Japanese concept of wabi-sabi, which finds beauty in the aging of materials over time. Kuma reflects on how his first emotional encounter with architecture occurred in a Christian chapel as a child, an experience that continues to inform his use of light and verticality.