Annie Armstrong bids farewell to Artnet Pro's Wet Paint column after 198 editions, reflecting on her four-and-a-half-year tenure as the art world's gossip columnist. She recounts her first assignment at the 2021 Felix Art Fair in Los Angeles, where she nervously approached a group of art-world insiders, and describes the highs and lows of covering galas, parties, and scandals from Frieze Seoul to the Henry Street gallery scene.
The Ayala Foundation has appointed Reuben Keehan as the incoming artistic director of Kontempo, a new contemporary art space set to open in Manila. Designed by Kulapat Yantrasat of WHY Architecture, the venue will feature over 26,000 square feet of exhibition space across three galleries and nearly four acres of green space for sculptures and installations, located in the Circuit Makati development. Keehan joins from the Queensland Art Gallery / Gallery of Modern Art, where he served as curator of contemporary art, and has curated the Asia Pacific Triennial of Contemporary Art since 2013.
Swiss collector Nicola Erni discusses her private art collection built over 25 years, focusing on photography from the 1960s and 70s, fashion photography by Helmut Newton, Mario Testino, and Annie Leibovitz, and contemporary works by Jean-Michel Basquiat and Andy Warhol. She recounts acquiring Warhol's 'Sixty Last Suppers' (1986), now on loan to Fondation Beyeler, and reveals her emotional decision-making process for purchases, as well as a regret over missing a Basquiat-Warhol collaboration at auction.
Edmondo di Robilant and Marco Voena, the founders of the prominent gallery Robilant + Voena (R+V), have announced the dissolution of their 22-year partnership to launch two separate family-run firms. The split results in the creation of 'Robilant' and 'Voena,' with both founders bringing their children into senior leadership roles to ensure long-term succession. Michele di Robilant will serve as director of Robilant, while Edoardo and Virginia Voena will take on director and sales director roles respectively at Voena.
Selma Selman, a 34-year-old artist based in New York, Berlin, and Amsterdam, is featured in Cultured's 2025 Young Artists list. Growing up in a Roma community in Bosnia, she helped her family strip precious metals from discarded items at their scrapyard—a ritual she now performs at venues like MoMA PS1 and the Venice Biennale, melting down the metal to create sculptures that explore value, labor, and exchange. She has participated in Manifesta 14, Documenta 15, and the 2025 Istanbul Biennial. In the interview, she discusses her professor Veso Sovilj, her foundation Get the Heck to School that supports Roma girls' education, and an upcoming performance destroying a Mercedes-Benz as a tribute to her late father.
La fiera miart 2026 è finita e non ha più un direttore. Chi dirigerà l’edizione 2027? Il totonomi
The 2026 edition of the Milanese art fair miart has concluded, but its director Nicola Ricciardi is not expected to continue. The fair's owner, Fiera Milano, issued a closing statement with results and future dates, but failed to announce a successor, leaving the leadership for the 2027 edition in question.
Mexico City gallerist Fátima González, founder of the gallery Campeche, has been selected to join a committee, likely for a major art fair or institutional program. The article presents her perspective on the challenges and realities of operating a gallery in Latin America.
Cultured magazine profiles Brian Oakes, a 30-year-old New York-based artist featured in their 2025 Young Artists list. Oakes creates intricate works that resemble a mad scientist's lab, including a miniature sorting machine exhibited at Blade Study in 2024 that rhythmically sorts diorama-like tableaux. Their practice also involves circuit boards, synthetic gemstones (opals, rubies, emeralds, and now sapphires), and magnetic core memory modules, exploring themes of value, automation, desire, and divination as a systematized asset.
Marcos López, a photographer and artist known for his pop and deeply Latin American aesthetic, discusses his evolving practice in an interview with Time Out. Born in Santa Fe and based in Buenos Aires for four decades, López reflects on his career marked by saturated colors, kitsch, humor, and critique, transforming everyday scenes into exaggerated, baroque images. He is set to serve as the guest artist of honor at the Arte Pequeño Formato fair in June, a venue that emphasizes accessible works up to 50 x 50 centimeters.