filter_list Showing 4 results for "May" close Clear
search
dashboard All 360 museum exhibitions 186article local 67trending_up market 40article news 28article culture 19article policy 10person people 4gavel restitution 4rate_review review 1candle obituary 1
date_range Range Today This Week This Month All
Subscribe

Edgar Calel Honored with $75,000 Sam Gilliam Award

The Dia Art Foundation and the Sam Gilliam Foundation have announced Edgar Calel as the winner of the 2026 Sam Gilliam Award. The Guatemala-based artist and poet, born in 1987 in Chi Xot (San Juan Comalapa), will receive $75,000 and participate in a public program at a Dia location this fall. Calel, of Maya Kaqchikel heritage, works across painting, drawing, sculpture, and performance, and is known for monumental installations reflecting Mayan cosmovision and themes of ownership and stewardship. He was selected by a panel including Dia curators Jordan Carter and Matilde Guidelli-Guidi, Elvira Dyangani Ose, Annie Gawlak, Shanay Jhaveri, and Clara Kim.

Edgar Calel wins 2026 Sam Gilliam Award

Edgar Calel, a Maya Kaqchikel artist from Chi Xot, Guatemala, has been awarded the 2026 Sam Gilliam Award, as announced by the Dia Art Foundation and the Sam Gilliam Foundation. The prize includes $75,000 and a public programme at a Dia Foundation location this autumn. Calel’s multidisciplinary practice—spanning drawing, sculpture, installation, and performance—centers on ancestral knowledge, Indigenous experience, and the legacies of colonialism. He was selected by a jury of curators and foundation leaders, including Jessica Morgan, director of the Dia Art Foundation.

Maddy Inez’s Mystic Ceramics Tell the Hidden Stories of Ancestral Plants

Ceramist Maddy Inez, daughter of artist Alison Saar and granddaughter of assemblage pioneer Betye Saar, creates hand-built biomorphic ceramic sculptures inspired by mysticism and ancestral knowledge. Her works have recently grown in scale, reflecting a deepening exploration of hidden stories tied to ancestral plants.

VARINIA BRODSKY ZIMMERMANN: “ENTIENDO AL MUSEO COMO UN CAMPO DE REVERBERACIÓN”

Varinia Brodsky Zimmermann, director of the Museo Nacional de Bellas Artes de Chile, is interviewed as part of a series on contemporary museums in Latin America. She describes the museum as a "field of reverberation" that amplifies social, cultural, and political questions without reacting mechanically to demands. The conversation covers structural challenges facing public museums in Chile, including budget precarity and suspended exhibition projects, and Brodsky advocates for more permeable, horizontal, and sustainable institutions that maintain critical depth while engaging diverse communities.