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Morad Montazami appointed artistic director of 2026 Dakar Biennale

Morad Montazami has been named the artistic director for the 16th edition of the Dakar Biennale, scheduled to run from November 19 to December 19, 2026. Titled "(Anti)Fragility: Arts of Repair and Counter-Shock Strategies," the exhibition will explore themes of community-led restoration and the transformation of vulnerability into collective strength. Montazami, a former Tate Modern curator and founder of the platform Zamân Books & Curating, brings an extensive background in postcolonial art histories and global modernisms to the prestigious African forum.

Book uncovers the life of Barnett Newman, an artist who ran for New York mayor

A new biography titled "Barnett Newman: Here" by Amy Newman (no relation) explores the life of Abstract Expressionist painter Barnett Newman, revealing his little-known 1933 run for mayor of New York City at age 28 under a platform of cultural and environmental reforms. The book details his upbringing as the son of Jewish immigrants in the Bronx, his philosophical studies, and his eventual reinvention as a painter who pioneered the 'zip' painting style with works like Onement I, while also chronicling his combative personality and lifelong battles against political machines and critics.

[Interview] Scenes of Memory and Modern Life: Sun Yitian x Samsung Art Store

Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.

ArtReview Podcast | Episode 6: Hyeree Ro

ArtReview Podcast episode 6 features artist Hyeree Ro, who speaks with associate editor Jenny Wu about her practice, including her attraction to objects with ambiguous functions. Ro discusses her work *Niro* (2024), a skeletal car installation exploring her relationship with her late father, and her upcoming exhibition at the Korean pavilion for the 61st Venice Biennale. The episode also touches on gardens and maintaining friendships as artists, with references to the Soswaewon garden and Hua Hsu's memoir *Stay True*.

The Bennett Prize Just Raised Its Award to $75,000. These Artists Think You Should Apply.

The Bennett Prize, a biennial award dedicated to women figurative realist painters, has increased its grand prize from $50,000 to $75,000 for its fifth cycle. Founded by collectors Steven Alan Bennett and Dr. Elaine Melotti Schmidt, the prize aims to bridge the gender gap in the art world by providing substantial financial support and institutional recognition. The current call for entries is open to artists who have not yet reached a specific commercial price ceiling, culminating in a 2027 exhibition at the Muskegon Museum of Art.

Chantana Tiprachart Wins Han Nefkens Foundation’s Southeast Asian Video Art Grant

Thai artist and filmmaker Chantana Tiprachart has been awarded the 2026 Southeast Asian Video Art Production Grant by the Han Nefkens Foundation. The prize provides $15,000 for the production of a new moving-image work over a nine-month period, which will subsequently tour several international institutions including the Rockbund Art Museum in Shanghai and Nottingham Contemporary. The jury selected Tiprachart for her ability to locate social and political narratives within quiet, everyday spaces, praising her commitment to reflection in an era of information overload.

Australian photographer wins at world photography awards with ‘barefoot volcanologist’ image

Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

Hedwig Fijen to Depart as Founding Director of Manifesta

Hedwig Fijen, the founding director of Manifesta, the nomadic European biennial launched in 1996, has announced she will depart on October 5. Fijen began working on the platform in 1991 under a commission from the Netherlands Office for Fine Arts, and oversaw editions in cities including Rotterdam, Palermo, Pristina, and Barcelona. The supervisory board has appointed Emilia van Lynden as general director and Catherine Nichols as artistic director to lead future editions, starting with Manifesta 16 in Germany’s Ruhr Valley this year and Manifesta 17 in Coimbra, Portugal, in 2028.

A New Generation Of Gallerist Is Building A Platform For Singapore’s Artists

A new wave of gallerists in Singapore is emerging, creating platforms to elevate the city-state's contemporary artists. These young dealers are opening spaces that prioritize local talent, offering exhibition opportunities and market access in a scene historically dominated by international blue-chip galleries. The article profiles several of these gallerists and their efforts to build a sustainable ecosystem for Singaporean artists.

See the Spectacular Winners of Smithsonian Magazine’s 23rd Annual Photography Contest

Smithsonian Magazine has announced the winners of its 23rd annual photography contest, selecting top honors from over 17,000 submissions spanning 108 countries. The Grand Prize was awarded to Jacqueline Burke, a veterinarian and photographer, for her image "The Punk Rockers," which captures three egret chicks with mohawk-like plumage at a New Jersey rookery. Other category winners highlighted diverse subjects, including an abstract portrait by Irina Denisova and a spiritual scene of a devotee in Varanasi by Arun Kumar Nalimela.

Miranda Lee and the Ethics of Attention

Curator Miranda Lee is redefining the presentation of digital and physical art by prioritizing "spatial practice" and the ethics of attention over the art world's typical demand for speed and novelty. Through major projects like RECRAFTED and the MULT Island virtual platform, Lee designs exhibition layouts and digital environments that incorporate "pause points," encouraging viewers to linger and reflect rather than succumb to frictionless scrolling. Her work spans physical galleries in Shanghai and London, as well as immersive virtual spaces, consistently focusing on how identity is staged across different environments.

Salford Uni’s Energy House 2.0 appoints new Iranian-born artist in residence

Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.