Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

Art as seen by… Louise Bourgoin

L’art vu par… Louise Bourgoin

French actress Louise Bourgoin discusses her deep-rooted connection to the visual arts, stemming from her studies at the Beaux-Arts de Rennes. She reflects on her first art purchase in the Czech Republic, her obsession with line drawing, and how the abstract works of Mark Rothko have informed her acting performances. Bourgoin also reveals her upcoming project: illustrating a children's book written by Arthur Dreyfus, set for release in September.

Museum Storytellers: Three Art Scholars Curate Exhibitions at the North Shore’s World-Class Museum

The Peabody Essex Museum (PEM) in Salem is highlighting the work of its curatorial team, specifically focusing on how Lydia Peabody, Lan Morgan, and Ruthie Dibble are revitalizing the institution's collections. A primary focus is the exhibition 'Edmonia Lewis: Said in Stone,' where Peabody integrated contemporary photography and video by artist Gisella Torres to create a dialogue with Lewis’s 19th-century neoclassical marble sculptures. Other initiatives include Lan Morgan’s 'Beyond the Broom' project, which uses short films to showcase a community-focused perspective of Salem beyond its 'witch city' reputation.

Tongue River Theory. davi de jesus do nascimento by Mateus Nunes

Brazilian artist davi de jesus do nascimento explores the intersection of poetry, memory, and the geography of the São Francisco River. Born in Pirapora, Minas Gerais, the artist’s work is deeply informed by his family's history of displacement due to the Sobradinho dam and the tragic loss of his mother to the river. His practice spans painting, installation, and performance, all rooted in a linguistic and philosophical framework he calls "Tongue River Theory."