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Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

ArtReview Podcast | Episode 4: Delaine Le Bas

Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."

Sun Woo: ‘I’m interested in how the body navigates unfamiliar territory’

Sun Woo, a Korean-born artist who moved to Canada as a child, is featured in the Korean Artists Today project, which selects emerging Korean artists with global potential. Her work explores displacement, cultural hybridity, and the body's navigation of unfamiliar territories, blending digital and analogue techniques. Her paintings, sculptures, and installations often merge bodily elements with mechanical devices, referencing female exploitation and labor, as seen in her 2024 painting *Weaver's Room*.

Min ha Park: ‘I think about creating situations where things don’t immediately explain themselves’

Min ha Park, a Korean artist born in Seoul in 1984, is featured as part of this year's Korean Artists Today project, which selects emerging Korean artists with global potential. Park began her artistic journey as a form of teenage rebellion against classical music training, moving to New York in 2002 to study at the School of Visual Arts. After a residency at Woodstock through the Pollock-Krasner Foundation in 2008, she shifted to painting as her primary practice, later earning an MFA from Yale University in 2011. Her luminous, abstract works capture ephemeral natural phenomena like light through fog or rain, using materials such as spray paint, wax, and oil to create layered, unresolved visual experiences. She has recently expanded into performance, collaborating with choreographer Yanghee Lee on a piece titled Shimmering.