Art News. Vasari Codex

gavel restitution schedule Mar 26, 2026 visibility 25 link 3 artists, 1 gallery

Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Nov 10, 2025 visibility 18 link 3 artists, 1 gallery

strongan african artist collective calls museums rectify their debt plantation workers seven easy steps strong

The Congolese Plantation Workers Art League (CATPC), an artist collective based at a plantation in the Democratic Republic of Congo, has released a toolkit titled "Seven Easy Steps for Museums to Liberate the Plantations that Funded Them." The toolkit urges major museums—including London's Tate Britain, Cologne's Ludwig Museum, the Stedelijk Museum in Amsterdam, and the Van Abbemuseum in Eindhoven—to acknowledge and rectify their historical reliance on plantation wealth and exploited labor. CATPC presented the toolkit at a restitution conference at the Wereldmuseum in Amsterdam, organized with the Mondriaan Fund. The collective, founded in 2014, creates art from chocolate and has exhibited internationally, including at the 2024 Venice Biennale and the 2017 Armory Show.

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gavel restitution schedule May 8, 2025 visibility 15 link 7 artists

32 million klimt sale falls through

The record-setting $32 million sale of Gustav Klimt's "Portrait of Fräulein Lieser" (1917) has fallen through after a restitution settlement failed to resolve gaps in its provenance. The painting, discovered in early 2024 and sold at Im Kinsky auction house in Vienna to an anonymous Hong Kong buyer in April, was mired in controversy over its history during the Nazi era. The work's whereabouts between 1925 and 1961 were unknown, a period including Austria's annexation by Nazi Germany. The auction house proposed the work was commissioned by Henriette Lieser, who was deported and murdered at Auschwitz, but conflicting theories about the sitter's identity and the painting's path through a Nazi party member's family complicated restitution efforts. A new potential legal heir emerged after the sale, and the buyer ultimately pulled out.

newspaper Artnet News open_in_new Read original

gavel restitution schedule May 19, 2026 visibility 8 link 4 artists

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Mar 18, 2026 source 2 sources visibility 21 link 1 artist

UK Museums Face Criticism For Collections Of Human Remains

A Guardian investigation revealed that 241 UK museums, universities, and councils collectively hold over 263,000 items of human remains, with at least 37,000 originating from overseas, including former British colonies. The Natural History Museum in London houses the largest collection of non-European remains, followed by the University of Cambridge and the British Museum. Records are often incomplete, with the origins of 16,000 items unconfirmed and many institutions unable to provide exact figures due to poor documentation.

newspaper Artforum Also: Hyperallergic open_in_new Read original

gavel restitution schedule Apr 14, 2026 visibility 38 link 5 artists

France’s new restitution law passes final vote

The French parliament has officially passed framework legislation establishing a legal pathway for the restitution of cultural artifacts looted from former colonies. This landmark law, inspired by a report from former Louvre director Jean-Luc Martinez, allows for the deaccession of items taken by force or under duress between 1815 and 1972. While the law fulfills a 2017 pledge by President Emmanuel Macron, it remains strictly supervised, requiring bilateral scientific committees to verify claims and excluding military archives and archaeological shares.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Oct 30, 2025 visibility 22 link 1 artist

mfa boston david drake vessels restitution

The Museum of Fine Arts, Boston has restituted two large-scale ceramic vessels by David Drake, an enslaved potter, to his known descendants. The works—a "Poem Jar" and a "Signed Jar," both from 1857—were acquired by the museum in 1997 and 2011 respectively. On October 16, the MFA deaccessioned the jars and transferred ownership to Drake's descendants via the Dave the Potter Legacy Trust. The museum then repurchased the "Poem Jar," which re-entered the collection on October 23, while the "Signed Jar" remains with the family on long-term loan to the museum. The decision followed discussions prompted by the exhibition "Hear Me Now: The Black Potters of Old Edgefield, South Carolina," co-organized with the Metropolitan Museum of Art.

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gavel restitution schedule Apr 24, 2026 visibility 23 link 1 artist

$100 Million Award Made in Suit Over Unlicensed Robert Indiana Art

A New York jury has awarded $100 million in damages to the company that managed artist Robert Indiana's copyrights, ruling that an art publisher produced and sold unlicensed works derived from Indiana's iconic images. The publisher had created derivative pieces based on Indiana's designs without authorization, infringing on the exclusive rights held by the artist's longtime partner.

newspaper New York Times Art open_in_new Read original

gavel restitution schedule Nov 7, 2025 visibility 16 link 6 artists

MFA Boston returns work by enslaved artist David Drake to his heirs, Wifredo Lam, Ghirlandaio’s Adoration of the Magi—podcast

The Museum of Fine Arts (MFA) in Boston has agreed to return two 1857 works by the enslaved potter David Drake to his descendants. One vessel will remain on loan to the museum for at least two years, while the other, known as the "Poem Jar," has been purchased back by the museum for an undisclosed sum, now carrying a certificate of ethical ownership. The episode also covers the opening of the exhibition "Wifredo Lam: When I Don’t Sleep, I Dream" at the Museum of Modern Art in New York, featuring the modernist painter of African and Chinese descent, and discusses Domenico Ghirlandaio's "Adoration of the Magi" (1488) in the context of a new book on Renaissance foundlings.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule May 18, 2026 visibility 8

Guatemala stakes claim to stone lintel by 'the Michelangelo of the pre-Columbian era' that was repatriated to Mexico

A Maya stone lintel, dating from AD600-AD900 and depicting a ritual scene associated with the ruler Cheleew Chan K'inich, was repatriated to Mexico on April 16 after being turned over to the Mexican consulate in New York by an unnamed US businessman. However, hours after the ceremony, experts determined the lintel actually originated from Guatemala's Petén Basin. Guatemala's cultural ministry, led by minister Luis Méndez Salinas, has formally requested the object's return through diplomatic channels, citing technical analysis and consultations with archaeologists.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Oct 29, 2025 visibility 17 link 1 artist

In historic move, MFA Boston returns works by 19th-century enslaved artist David Drake to his heirs

The Museum of Fine Arts (MFA) Boston has agreed to return two 1857 ceramic jars by David Drake, an enslaved Black potter, to his living descendants. One vessel will remain on loan to the museum for at least two years, while the other—the "Poem Jar"—has been purchased back by the MFA from the heirs for an undisclosed sum, now carrying a "certificate of ethical ownership." The museum acknowledges that Drake created the works involuntarily and without compensation, marking the first time the MFA has resolved a claim for art wrongfully taken under U.S. slavery.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Jul 30, 2025 visibility 14 link 3 artists

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Apr 29, 2026 visibility 19 link 3 artists

Une souscription pour la Maison-atelier Lurçat

The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.

newspaper La Tribune de l Art open_in_new Read original

gavel restitution schedule May 25, 2026 visibility 2

Long-Lost 17th-Century Altarpiece Paintings Recovered After Nearly 100 Years

Spanish police have recovered two long-lost 17th-century altarpiece paintings by Baroque painter Lucas Valdés, which disappeared after being shown at the 1929 Ibero-American Exhibition of Seville. The works, depicting Old Testament scenes, were identified in an auction house catalog in September 2025, authenticated by the Spanish Historical Heritage Brigade, and returned to the Hospital of the Venerable Priests in Seville on May 20, 2026, after a mediation process with the consignors.

newspaper Artnet News open_in_new Read original

gavel restitution schedule Mar 25, 2026 visibility 14

Heirs of Dave the Potter, the Enslaved Artist, Are Battling to Recover His Legacy

The heirs of David Drake, an enslaved 19th-century potter known as Dave the Potter, are engaged in a legal and ethical struggle to recover his legacy and his works. They argue that his pottery, which includes jars inscribed with his name and poetry, represents their family's artistic and spiritual inheritance, and they are seeking recognition and a role in the stewardship of these artifacts.

newspaper New York Times Art open_in_new Read original

gavel restitution schedule Mar 11, 2026 visibility 16 link 1 artist, 1 gallery

New rules on importing cultural artefacts create headaches at Tefaf Maastricht

The implementation of new EU regulations on the import of cultural goods over 250 years old is causing significant disruption at TEFAF Maastricht. Dealers and collectors are facing administrative hurdles, including difficulties obtaining mandatory EORI numbers and inconsistent enforcement by customs officials. These rules, which require extensive documentation for items originating outside the EU, have led to seized shipments and a general crisis of confidence among international exhibitors.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Feb 19, 2026 visibility 10 link 4 artists

More than 600 works by Afro-Brazilian artists returned to Brazil

A collection of 666 artworks by 135 Afro-Brazilian artists has been voluntarily repatriated to Brazil from Detroit, Michigan, marking the largest return of its kind in the nation's history. The works, which include sculptures, paintings, and ritual objects, were returned to the National Museum of Afro-Brazilian Culture (Muncab) in Salvador after being held in the United States for three decades.

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