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gavel restitution schedule Mar 26, 2026 visibility 7 link 1 artist, 2 galleries

Theaster Gates gifts David Drake pot from his collection to enslaved ceramicist’s descendants

Artist Theaster Gates has gifted a 19th-century ceramic vessel by the enslaved potter David Drake, known as Dave the Potter, to Drake's descendants. The gesture is part of Gates's exhibition "Dave: All My Relations" at Gagosian in New York, which also features a second Drake pot recently restituted by the Museum of Fine Arts, Boston. Gates pulverized 45 of his own ceramic works to create a plinth for the vessel, framing the act as a "poetic justice" that elevates Drake's legacy above his own.

newspaper The Art Newspaper open_in_new Read original

gavel restitution schedule Apr 7, 2026 visibility 6 link 7 artists, 3 galleries

$25 Million Modigliani Goes to Jewish Heir in Landmark Restitution Case

A New York Supreme Court judge has ruled that the estate of Jewish art dealer Oscar Stettiner is the rightful owner of Amedeo Modigliani’s 1918 painting "Seated Man With a Cane." The decision concludes an 11-year legal battle led by Stettiner’s grandson, Philippe Maestracci, against billionaire art dealer David Nahmad. The court found that the painting was unlawfully seized by the Nazis after Stettiner fled Paris in 1939 and that subsequent sales, including the 1996 purchase by Nahmad at Christie’s, did not extinguish the original owner's rights.

newspaper Artnet News open_in_new Read original

gavel restitution schedule Apr 15, 2026 visibility 4 link 6 artists, 1 gallery

Valuable Art Collection Featuring Frida Kahlo Set To Leave Mexico Sparks Concern in Art Community

The Mexican art community is voicing alarm over the relocation of the prestigious Gelman Collection to Spain, where it is slated to become the centerpiece of the new Foro Santander cultural center. Managed by Santander Bank and previously acquired by the Zambrano family, the collection includes 160 works by modern masters such as Diego Rivera and David Alfaro Siqueiros, including 18 rare paintings by Frida Kahlo. Critics and academics have signed an open letter demanding transparency from the Mexican government regarding the legality of this long-term export, given that many of these works are designated as national artistic monuments.

newspaper My Modern Met open_in_new Read original

gavel restitution schedule Apr 3, 2026 source 4 sources visibility 6 link 1 artist

After 11 Years in Court, Heir Reclaims a Modigliani Looted by the Nazis

A French court has ordered the restitution of a 1918 Amedeo Modigliani painting, "Seated Man with a Cane," to the heir of its original Jewish owner. The artwork was looted by the Nazis in 1944 and had been held for decades by a holding company controlled by billionaire art dealer David Nahmad, who purchased it at auction in 1996.

newspaper New York Times Art Also: Artforum, ARTnews, The Art Newspaper open_in_new Read original

gavel restitution schedule Mar 25, 2026 visibility 5

Heirs of Dave the Potter, the Enslaved Artist, Are Battling to Recover His Legacy

The heirs of David Drake, an enslaved 19th-century potter known as Dave the Potter, are engaged in a legal and ethical struggle to recover his legacy and his works. They argue that his pottery, which includes jars inscribed with his name and poetry, represents their family's artistic and spiritual inheritance, and they are seeking recognition and a role in the stewardship of these artifacts.

newspaper New York Times Art open_in_new Read original

gavel restitution schedule Apr 6, 2026 visibility 1 link 7 artists, 2 galleries

david nahmad denies modigliani nazi loot 517082

Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.

newspaper Artnet News open_in_new Read original