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Affaire Indiana : un éditeur d’art condamné à 102 millions de dollars

A federal jury in Manhattan has ordered Michael McKenzie and his company American Image Art to pay $102 million (€95 million) to the Morgan Art Foundation for unauthorized exploitation of works by artist Robert Indiana (1928-2018), including his iconic LOVE image. The case, filed in May 2018 just before Indiana's death, alleged that McKenzie—a former agent of the artist—produced and sold unauthorized editions, sculptures, and merchandise under Indiana's name, violating exclusive reproduction and commercialization rights granted to the foundation in the 1990s. The jury found McKenzie guilty of trademark infringement, copyright violation, and contractual interference, with $6.2 million specifically tied to 44 LOVE works. The defense, weakened by sanctions for hiding evidence and refusing to cooperate, plans to appeal.

Famous Cranach painting spotted in rare photograph of Hitler’s apartment

A rare photograph from the early 1940s reveals that Lucas Cranach the Elder's painting *Cupid complaining to Venus* (1526-27), now a masterpiece in the National Gallery, London, once hung in Adolf Hitler's private Munich apartment. The image, previously published in Germany by provenance expert Birgit Schwarz, appears for the first time in an English-language publication. The painting was acquired by the National Gallery in 1963 from E. and A. Silberman Galleries in New York, which provided a false provenance. It had been taken from a warehouse of recovered art in 1945 by American journalist Patricia Lochridge, who smuggled it into the United States.

Fifty years after Franco, Spain begins to give back art seized during the Civil War

A 2022 Spanish law has quietly triggered a wave of restitutions of art looted during the Spanish Civil War, more than 50 years after dictator Francisco Franco's death. The Museo del Prado has identified 166 confiscated artworks in its collection, including works by Joaquín Sorolla and Pedro Atanasio Bocanegra, and has begun returning pieces such as a panel painting by Maestro de Lupiana to the parish of Yebes. Scholar Arturo Colorado Castellary has uncovered over 26,000 confiscated objects, with around a third never returned to their owners, many deposited in museums, churches, and public administrations.

Nahmad Seeks to Reopen Modigliani Restitution Case With New Witnesses

David Nahmad's lawyers are asking a New York court to reconsider its April 3 decision in the restitution case over Amedeo Modigliani's *Seated Man with a Cane* (1918), which awarded the painting to the estate of dealer Oscar Stettiner. They cite new eyewitness testimony from Frédéric Allain, who recalls a different Modigliani—smaller, darker, and without a seated man or cane—hidden by the Van der Klip family in Paris during World War II, suggesting the wrong painting may have been the focus of the case. The filing also references a 1946 report describing the missing work as a self-portrait and a new catalogue raisonné by Marc Restellini that finds no link between the painting and Stettiner. Mondex, representing Stettiner's heirs, rejects the claims, asserting that *Seated Man with a Cane* bears Stettiner's name and was in the family's possession from 1944 to 1996.

Controversy resurfaces in Colombia over treasure-filled San José shipwreck

Controversy has resurfaced in Colombia over the San José, a Spanish galleon that sank in 1708 with a cargo of gold, silver, and emeralds. The oversight group Veeduría Nacional para el Control Social del Patrimonio Cultural Sumergido de Colombia (VNPCS) issued an open letter to the attorney general, alleging a lack of transparency, looting, and unauthorized interventions at the wreck site in 2016 and 2022. The group claims that the site's coordinates, considered a state secret, have been disclosed. The dispute involves multiple parties, including the Swiss treasure-hunting firm Maritime Archaeology Consultants (MAC), which helped locate the ship in 2015 and is now seeking compensation, and the US-based salvage company Sea Search Armada, which claims to have found the galleon in the 1980s and is seeking $10 billion. The ship was designated a protected archaeological area in 2024, placing it under the jurisdiction of the Colombian Institute of Anthropology and History (ICANH), but critics argue that earlier allegations of looting were ignored.

Une souscription pour la Maison-atelier Lurçat

The Académie des beaux-arts has launched a subscription campaign to acquire a monumental tapestry by Jean Lurçat, recently rediscovered by Christie's. The tapestry, titled *Bestiaire* (1930), measures 3 by 6.45 meters and was originally created for the artist's home-studio in Paris's 14th arrondissement. It will be publicly unveiled at Christie's Paris on May 6–7, 2025, before a private sale between the Académie and the auction house for €110,000. Donations are being collected online or by check to fund the purchase.