A viral Instagram video by Emily Kaplan claims that two artworks stolen from the Isabella Stewart Gardner Museum in 1990 appear in tax estate documents from the Jeffrey Epstein files. Kaplan suggests the Rembrandt etching and a painting attributed to Govaert Flinck were listed, potentially linking the infamous art heist to Epstein's financial network for money laundering.
The foundation overseeing the Emil G. Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg over Édouard Manet's painting *La Sultane* (c.1871), allowing the work to remain on view at the Kunsthaus Zurich. Bührle, a German Swiss industrialist who profited from arms sales to Nazi Germany and used slave labor, amassed a collection now known to include many Nazi-looted artworks. The settlement follows a 2021 report by Raphael Gross finding that over a quarter of the 205 loaned works likely belonged to Jewish owners, sparking public protests and artist Miriam Cahn's withdrawal of her works from the museum.
The Henry and Rose Pearlman Foundation has announced the distribution of its 63-work collection of Impressionist, Post-Impressionist, and modern art among three major US museums: the Brooklyn Museum (29 works), the Los Angeles County Museum of Art (LACMA, 6 works), and the Museum of Modern Art (MoMA, 28 works). The collection includes pieces by Chaïm Soutine, Edgar Degas, Amedeo Modigliani, Vincent van Gogh, Édouard Manet, and Paul Cézanne. The foundation, established in the 1950s by Brooklyn-born businessman Henry Pearlman and his wife Rose, had long-term loans to the Princeton University Art Museum and organized traveling exhibitions before deciding to permanently place the remaining works.
The foundation overseeing the Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg, allowing Édouard Manet's painting 'La Sultane' (c. 1871) to remain on display at the Kunsthaus Zurich. The painting was purchased in 1953 by Emil Bührle, a Swiss arms dealer who sold to both Allies and Nazis during WWII and benefited from slave labor. Silberberg, forced to sell his villa to the SS in 1935 and later deported to Auschwitz, had consigned the work in 1932, but his heirs argue the 1937 sale to dealer Paul Rosenberg was a consequence of Nazi persecution. The settlement terms are confidential.