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gavel restitution schedule Nov 25, 2025 visibility 16 link 11 artists

tokushima modern art museum wolfgang beltracchi forgery

A painting in Japan's Tokushima Modern Art Museum, originally attributed to French Cubist Jean Metzinger and purchased in 1999 for 67.2 million yen ($426,000), has been confirmed as a forgery by notorious German forger Wolfgang Beltracchi. The museum withdrew the work, titled *At the Cycle-Race Track 55*, from an upcoming exhibition after experts identified synthetic pigments from after the mid-20th century. The Osaka-based seller agreed to a refund and return, completed in October and November 2024, and the painting has been removed from the prefectural government's inventory.

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gavel restitution schedule Nov 3, 2025 visibility 16 link 12 artists

faked artworks japan wolfgang beltracchi

A painting long attributed to Moïse Kisling, titled *Kiki de Montparnasse* and held by Japan's Yamada Bee Company Group, has been identified as a forgery by notorious art forger Wolfgang Beltracchi. The discovery, reported by NHK, follows a wave of Beltracchi-linked fakes uncovered in Japanese museums and collections, including a purported Marie Laurencin portrait in Tokyo and a forgery of Heinrich Campendonk's *Girl with Swan* at the Museum of Art, Kochi. Beltracchi admitted to forging the Kisling around 1990, claiming he studied the artist deeply.

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gavel restitution schedule Sep 22, 2025 visibility 11 link 1 artist

Jewish collector's heirs revive Nazi loot claim to Van Gogh Sunflowers painting

Heirs of Jewish banker and collector Paul von Mendelssohn-Bartholdy are appealing a lower court's dismissal of their lawsuit against Japanese insurer Sompo Holdings over Vincent van Gogh's painting *Sunflowers* (1888-89), valued at $250 million. The plaintiffs—Julius H. Schoeps, Britt-Marie Enhoerning, and Florence von Kesselstatt, representing over 30 beneficiaries—claim the work was sold under Nazi pressure in 1934. Sompo bought the painting in 1987 for a record $25 million at Christie's London. The case was heard by a three-judge panel of the US Court of Appeals for the Seventh Circuit on 17 September 2025, under the 2016 Holocaust Expropriated Art Recovery (HEAR) Act.

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