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raymond saunders carnegie museum retrospective review

Raymond Saunders's first retrospective, a small but potent exhibition at the Carnegie Museum of Art in Pittsburgh, surveys 35 of his bewitching paintings. The works, described as elusive and Rauschenbergian, feature messy scrawls, collected trinkets, and media clippings, with pieces like *Passages: East, West 1* (1987) layering chess boards, paint strokes, and appropriated still lifes. Saunders, who joined Andrew Kreps and David Zwirner last year, has never before received a retrospective, despite his influential 1967 essay "Black Is a Color" and steady institutional acquisitions.

Anni Albers Wasn’t Afraid to Start From Zero

Nicholas Fox Weber's new biography, *Anni Albers: A Life*, draws on his nearly 25-year friendship with the artist to offer an intimate, nuanced portrait of the pioneering textile artist. The book traces Albers's journey from her birth in Berlin in 1899, through her studies and teaching at the Bauhaus and Black Mountain College, her escape from Nazi Germany in 1933, and her later years in Connecticut. Weber, who serves as executive director of the Josef & Anni Albers Foundation, fills the biography with lively anecdotes—from her love of Kentucky Fried Chicken to her sharp wit—while correcting the "stock stories" she often repeated, revealing her personality and artistic dedication with rare depth.

Surprised by Jack: A Review of “Jack Whitten: The Messenger” at MoMA in New York

The Museum of Modern Art in New York is hosting "Jack Whitten: The Messenger," the largest survey ever mounted of the late abstract artist Jack Whitten, who died in 2018. The exhibition features 175 works spanning his sixty-year career, from early quasi-representational pieces to his innovative "slab" paintings made with a custom squeegee device and his later "tesserae" works that mimic glass tiles using acrylic paint. The show includes archival audio of Whitten discussing his creative process, which blended philosophy, craft, and science, and is curated by MoMA's Michelle Kuo, who knew Whitten personally.

Exhibit Review: Revolution! 250 Years of Art and Activism in Boston – Museum Studies Blog at Tufts University

The Boston Public Library in Copley Square has opened "Revolution! 250 Years of Art and Activism in Boston," its first major exhibition in nearly a decade. The show uses a deliberately unfinished design of plywood and scaffolding to symbolize democracy as a work in progress, moving chronologically from the American Revolution through the 21st century. It features engravings by Paul Revere, portraits of George Washington and Benjamin Franklin, works addressing Toussaint L’Ouverture and Haitian revolution, Boston abolitionists, the Civil War, civil rights leaders Martin Luther King Jr. and Malcolm X, and contemporary activism including Indigenous, LGBTQ+, climate, and anti-police brutality movements.