Anni Albers Wasn’t Afraid to Start From Zero

Nicholas Fox Weber's new biography, *Anni Albers: A Life*, draws on his nearly 25-year friendship with the artist to offer an intimate, nuanced portrait of the pioneering textile artist. The book traces Albers's journey from her birth in Berlin in 1899, through her studies and teaching at the Bauhaus and Black Mountain College, her escape from Nazi Germany in 1933, and her later years in Connecticut. Weber, who serves as executive director of the Josef & Anni Albers Foundation, fills the biography with lively anecdotes—from her love of Kentucky Fried Chicken to her sharp wit—while correcting the "stock stories" she often repeated, revealing her personality and artistic dedication with rare depth.

Review of the Italian Pavilion by Chiara Camoni and its relationship with the Biennale

La recensione del Padiglione Italia di Chiara Camoni e la sua relazione con la Biennale

Chiara Camoni's Italian Pavilion at the 2026 Venice Biennale, titled "Con te con tutto," is reviewed in relation to Koyo Kouoh's central exhibition "In Minor Keys." Camoni's installation features a crowd of female figures sculpted in clay and natural materials, described as "donne tronco" (trunk women), which evoke growth, transformation, and the intuitive, manual gestures that Kouoh champions. The review highlights how Camoni's work dialogues with Kouoh's curatorial emphasis on drawing, painting, and craft as intuitive practices, moving away from conceptual art. It also notes a performance by Magdalena Campos Pons at the Tese theatre, which includes a portrait of Toni Morrison and Kouoh, accompanied by music by Kamal Malak.