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yinka shonibare gas foundation fondation h retrospective

Yinka Shonibare, the London-based British-Nigerian artist, established the nonprofit Guest Artists Space (G.A.S.) Foundation in Nigeria in 2019 to address the lack of artistic infrastructure in Lagos. The foundation, which grew out of his earlier Guest Projects initiative in London, operates two facilities: the G.A.S. Lagos Residency and the G.A.S. Farm House in Ijebu, Ogun State. It hosts residencies and programs supporting artists and curators from Africa and beyond, and launched the G.A.S. Fellowship Award in 2022. The article highlights the experience of 2024 fellow Amanda Iheme, an architecture photographer who expanded her practice during her residency. Shonibare funds the foundation partly from his own art sales, and the piece notes his recent major exhibitions, including at the Venice Biennale and Serpentine Galleries, as well as his current show at Fondation H in Madagascar.

smithdavidson gallery tjukurrpa the dreaming

SmithDavidson Gallery has partnered with London-based Unit gallery to present “Tjukurrpa: The Dreaming,” an exhibition timed to the Tate Modern survey of Emily Kam Kngwarray (1910–1996). The show, on view through August 17, 2025, highlights Kngwarray's work alongside pieces by Warlimpirrnga Tjapaltjarri, Makinti Napanangka, and Paddy Nyunkuny Bedford. Founders David Smith and Gabriëlle Davidson, who have collected Australian First Nations art since 2006, describe how their gallery transformed from a focus on 19th-century European and Impressionist art to a dedicated program for Modern and Contemporary Australian Indigenous art, with ethical standards that benefit artists' communities.

Why London’s Whitechapel Gallery Hired an Economist

London's Whitechapel Gallery has appointed economist Mariana Mazzucato as its first economist-in-residence, a three-year role aimed at rethinking how museums generate revenue and demonstrate social value. The gallery faces a £880,458 deficit, a 325% increase from the previous year, due to declining exhibition income, reduced trust and foundation funding, and cuts in Arts Council England grants. Mazzucato, a professor at University College London and director of the Institute for Innovation & Public Purpose, will advocate for treating culture as a strategic public investment.

Giacometti Meets the Gods in the Met’s Temple of Dendur Show

The Metropolitan Museum of Art has announced a landmark exhibition titled "Giacometti in the Temple of Dendur," which will place the Swiss sculptor’s slender, modernist figures within the museum’s iconic 1st-century B.C.E. Egyptian temple. Opening in June, the show features fourteen loans from the Fondation Giacometti alongside works from the Met’s permanent collection, including the placement of "Walking Woman (I)" inside the temple’s offering hall to mimic ancient cult statuary.

lee krasner jackson exhibition met

The Metropolitan Museum of Art has announced a landmark exhibition titled "Krasner and Pollock: Past Continuous," scheduled to open in October 2025. This major survey will feature approximately 120 works, including paintings and ephemera, marking the first time the institution has presented a joint retrospective of the famously married Abstract Expressionists. The show aims to present Lee Krasner and Jackson Pollock as artistic equals, tracing their individual trajectories and their mutual influence through loans from over 80 global lenders.

Art Dubai Unveils Leaner ‘Special Edition’ Built Around Regional Core

Art Dubai has announced a streamlined "special edition" for its 2026 iteration, featuring a reduced roster of approximately 75 exhibitors. Scheduled for May 15–17 at Madinat Jumeirah, the fair is pivoting toward a regional core, with 60 percent of participants hailing from the Gulf and Southwest Asia. To address economic pressures and regional instability, the fair is implementing a novel risk-sharing financial model where booth costs are partially tied to sales performance.

how to close your gallery

Claudia Altman-Siegel closed her San Francisco gallery, Altman Siegel, in November 2025 with a farewell party, handing out beers to friends, artists, and visitors. She aimed to provide closure and avoid the sudden, chaotic closures that have become common in the mid-tier art market, which often leave artists unpaid, works unreturned, and staff in limbo. Other dealers, including Tif Sigfrids and Rena Bransten, shared strategies for ethical closures, such as continuing to support artists through networks, paying them on time, and returning all works. Bransten's gallery, after 50 years, is shifting to a nomadic model rather than fully closing.

Paula Rego review – tantalising drawings with the shoeprints left on them

Victoria Miro is hosting the largest exhibition of Paula Rego’s drawings to date, curated by the artist’s son, Nick Willing. Spanning from the 1950s until her death in 2022, the show features intimate pencil sketches, pastels, and ink drawings that reveal the foundational narratives of her career, including her early childhood sketches, her fierce opposition to the Salazar dictatorship, and her advocacy for women's rights.

Artist Nathaniel Mary Quinn, Who Grew Up in the Robert Taylor Homes, Returns to Chicago for New Exhibit

Chicago-born artist Nathaniel Mary Quinn, now based in Brooklyn, is opening his first museum show in his hometown at the National Public Housing Museum. Titled “Nathaniel Mary Quinn: A Love Letter to My Mother,” the exhibition runs from May 21 to August 23, 2026, and features 10 artworks alongside a recreation of his childhood living room in the Robert Taylor Homes. The show is dedicated to his late mother, who encouraged his early drawing on the apartment walls. Quinn, known for his collage-like portraits, recently created the album cover for the Rolling Stones’ upcoming album “Foreign Tongues.” The museum will also host community conversations about the history of the Robert Taylor Homes.

Antonia Ruder On the Role of Gallery Weekend Berlin in a Changing Art Market

Gallery Weekend Berlin returns for its 21st edition from May 2-4, 2025, featuring fifty-two galleries showcasing established and emerging artists. Antonia Ruder, who joined the event in 2023 and is now preparing her second full edition as director, discusses the festival's origins as a private initiative by five art dealers in 2005, its growth to become a global art calendar highlight, and its role as a premier platform for contemporary art in Germany in the absence of an international art fair in Berlin.

pace di donna schrader secondary market gallery launch

Pace Gallery, Emmanuel Di Donna, and David Schrader are launching a new joint gallery called Pace Di Donna Schrader Galleries (PDS), dedicated to secondary-market sales. The boutique operation will begin operations in spring 2026, open a formal space on New York's Upper East Side in summer, and host a major historical exhibition in autumn. The venture is a collaborative model rather than a merger, combining Pace's global reach and estate relationships, Di Donna's connoisseurship, and Schrader's expertise in private sales.

The Guardian view on the legacy of the Festival of Britain: look to the future | Editorial

The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.

gabrielle chanel la pausa restoration peter marino

Cultured reports on the meticulous restoration of La Pausa, the Mediterranean villa built by Gabrielle Chanel in 1928, led by architect Peter Marino. After Chanel sold the property in 1953 to American collectors who later donated it to the Dallas Museum of Art, the house of Chanel reacquired it in 2015. Over the following decade, Marino worked with Chanel’s heritage team, including Hélène Fulgence, to restore the villa to its original state using archival images, blueprints, and original furnishings sourced at auction. The villa, perched in Roquebrune-Cap-Martin, will now serve as a creative retreat for artists and writers.

Full Circle

The article reports on the impact of President Javier Milei's anarcho-capitalist economic policies on Argentina's cultural sector since his December 2023 election. Public museums like the Museo Nacional de Bellas Artes face frozen budgets and loss of autonomy, the cultural ministry has been shuttered, and a climate of fear and retribution has led many in the art world to speak anonymously. The piece focuses on artist Liv Schulman's film and exhibition "Un círculo que se fue rodando" (2024) as a psychological portrait of the nation under Milei, and includes observations from a Buenos Aires gallerist and journalist about the dismantling of civic institutions.

Primary talks about their new open exhibition and visual arts in the Lenton and Radford community

Primary, an artist-led contemporary visual arts organization and charity in Nottingham, has opened a new exhibition and visual arts program at its Seely Road location in the Lenton and Radford community. Housed in a repurposed school building, the venue includes a community garden, bakery, coffee shop, bookseller, and art studios, supporting over fifty artists. The program offers residencies and exhibition opportunities for emerging talent from the global ethnic majority and underrepresented groups, aiming to make contemporary art more accessible.

art black museums moad mocada auc

CULTURED magazine assembled a roundtable of three Black women leaders at prominent Black art museums in the U.S.—Key Jo Lee of the Museum of the African Diaspora (MoAD) in San Francisco, Cheryl Finley of the Atlanta University Center Art History and Curatorial Studies Collective (AUC), and Amy Andrieux of the Museum of Contemporary African Diasporan Arts (MoCADA) in New York. The discussion explores how each arrived at her role, the challenges these institutions face—including financial pressures and heightened scrutiny under the current U.S. administration—and their strategies for preserving and building legacies. Lee, who joined MoAD three years ago after a tenure at the Cleveland Museum of Art, is curating the exhibition “UNBOUND: Art, Blackness & the Universe,” named one of Hyperallergic’s top 25 of 2025. Finley, a curator, art historian, critic, and author, directs the AUC collective at Spelman College. Andrieux, who came from music and media roles at Red Bull Media House and MTV World, was recruited in 2018 to save MoCADA from closure and later became its executive director and chief curator, overseeing a capital expansion in 2023.

Christo and Jeanne-Claude’s Iconic California Installation Returns in a Museum Show

The Museum of Sonoma County is commemorating the 50th anniversary of Christo and Jeanne-Claude's iconic 1976 installation "Running Fence" with an exhibition featuring blueprints, original construction materials, and documentary photographs. The temporary work, which stretched nearly 25 miles across Sonoma and Marin counties in California, required four years of negotiations with ranchers, 18 public hearings, and the first-ever Environmental Impact Report for a public artwork, ultimately costing $2.25 million funded by the artists through preparatory drawing sales.

National Museum of Asian Art Opens New Exhibition in June About Its Origin Story

The Smithsonian's National Museum of Asian Art will open a new exhibition titled "A Museum in the Making" on June 27, 2026, running through August 8, 2027. The show explores the origin story of the Freer Gallery of Art, America's first national art museum, by examining how collector Charles Lang Freer used his Detroit home as a living laboratory for museum design. It highlights collaborations with artists and architects, including James McNeill Whistler, Stanford White, and Mary Chase Perry Stratton, and features a video walkthrough of the Freer House. The exhibition is part of the nation's 250th anniversary celebrations and the Smithsonian's broader "Our Shared Future" initiative.

India Art Fair strengthens its role as launchpad for South Asian talent

The 17th edition of the India Art Fair (IAF) in New Delhi is set to be its largest yet, featuring 87 galleries and positioning itself as a crucial launchpad for South Asian artists. The fair highlights the region's growing prominence, evidenced by its role in developing artists now featured in major exhibitions like India's national pavilion at the Venice Biennale.

Forgotten 'environment' of 11 women artists brought back to life at Leeum

The Leeum Museum of Art in Seoul has opened "Inside other spaces: Environments by women artists 1956-1976," an exhibition restoring immersive artworks by 11 women artists from Asia, Europe, and South America, including Jung Kang-ja, Judy Chicago, Tsuruko Yamazaki, and Aleksandra Kasuba. The show revives pieces that were often dismantled after their original displays, such as Jung Kang-ja's "Incorporeal Exhibition," which was destroyed in 1970 after being deemed political propaganda under South Korea's authoritarian regime. Curators Andrea Lissoni and Marina Pugliese, who first organized the project at Haus Der Kunst in Munich, worked with researchers to reconstruct the works using archival materials, correspondence, and blueprints.

Why this Minneapolis feminist art collective still matters 50 years later

The Women’s Art Registry of Minnesota (WARM), one of the oldest feminist art collectives in the United States, is celebrating its 50th anniversary. Founded in 1973 in Minneapolis, the collective emerged as a grassroots response to the systemic exclusion of women from mainstream galleries and museums, eventually establishing its own gallery space and a robust mentorship program that continues to support female-identifying artists today.

Remembering Erik Bulatov, the Soviet artist who reframed propaganda

Erik Bulatov, the Soviet-born artist known for overlaying Communist Party slogans onto luminous landscapes, died in Paris on 9 November. A key figure in the underground art movement of the 1970s and 80s, he was part of the Sretensky Group alongside Ilya Kabakov and others, navigating state censorship by illustrating children's books. His most famous work, *Glory to the CPSU* (1975), sold for $2.1m in 2008, and in 2025 he was ranked the most expensive living Russian artist by The Art Newspaper Russia.

Order and chaos in contemporary Israeli art

Basia Monka profiles three contemporary Israeli artists—Ariel Hacohen, Jessica Moritz, and others—who, despite diverse backgrounds and mediums, share a common drive to explore order and chaos through repetition in their work. Hacohen, a 2024 Rappaport Prize laureate, uses photography, video, and sculpture to blend archaeology, history, and memory, with current exhibitions at the Haifa Museum of Art and Tel Aviv Museum of Art. The article presents each artist's answers to three questions about inspiration, the definition of art, and what makes their work unique.

The Crocker Art Museum’s CEO Wants the World — and People of Sacramento — to Love His Newly Adopted City

Agustín Arteaga, the new Mort and Marcy Friedman director and CEO of the Crocker Art Museum in Sacramento, discusses his first months on the job, including extensive meetings with staff, board members, and community stakeholders. Arteaga, who previously led the Dallas Museum of Art, the Museo Nacional de Arte in Mexico City, and the Museo de Arte de Ponce in Puerto Rico, emphasizes the need to balance fundraising, donor relations, educational programming, and political transparency while maintaining the museum's relevance as the oldest art museum in the American West.

All that is trending in the art, entertainment, and culinary world

This article highlights several cultural events in India, including Kallol Datta's solo exhibition "Volume IV: Truths, Half-Truths, Half-Lies, Lies" at Experimenter Colaba in Mumbai, which critiques historical regulations on women's attire using textile-based works. It also covers the 8th edition of Delhi Contemporary Art Week (DCAW) at Bikaner House, featuring six women-led galleries; Partha Pratim Deb's solo show "Play-Forms" at Emami Art in Kolkata; the group exhibition "Non-Residency" at Jaipur Centre for Art curated by Rajiv Menon; and the reopening of Bombay Club café in New Delhi. Additionally, it mentions Khyber restaurant's 65th anniversary menu and a forthcoming exhibition "What Am I Made Of?" at Latitude 28.

Looking Beyond the Conflict: What's driving contemporary artists from Sri Lanka?

Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.

A Place of Perpetual Warmth: Hyde Park Art Center and the Making of Chicago’s Creative Identity

The Hyde Park Art Center (HPAC) stands as a vital pillar of Chicago’s grassroots creative identity, serving for eighty-six years as an unpretentious alternative to the city's major encyclopedic museums. From its early days under curator Don Baum, the center became a catalyst for the avant-garde, famously launching the careers of the Chicago Imagists and the Hairy Who. Today, it continues to function as a multifaceted ecosystem that blends community education, artist residencies, and experimental exhibitions within a residential neighborhood setting.

M.F.A. Boston Celebrates 50 Years of Flowers and Art

The Museum of Fine Arts, Boston is celebrating the 50th anniversary of its signature "Art in Bloom" exhibition, a tradition that began in 1976. The event pairs floral arrangements created by professional designers and garden club members with specific artworks from the museum's permanent collection, transforming the galleries into a multisensory experience.

art basel abbas ruanne abou rahme brown bell gallery

An exhibition titled "Prisoners of Love: Until the Sun of Freedom" by artists Basel Abbas and Ruanne Abou-Rahme is on view at the Bell Gallery at Brown University until May 31. The show centers on a historical misattribution: the poem "Enemy of the Sun," found in the cell of Black Panther George Jackson after his 1971 murder, was long thought to be his work but was actually written by Palestinian poet Samih al-Qasim. Through a video installation featuring interviews with former political prisoners in Palestine, the artists explore what they call "radical kinship" between Black radical thinkers in the U.S. and Palestinian activists. Curators Kate Kraczon and Thea Quiray Tagle, who were terminated from Brown last December, collaborated on the project, which also draws on archival research into mass incarceration.

St. Mary’s College Professor Of Art Sue Johnson Reveals D.C. Gallery Exhibition

Sue Johnson, professor of art at St. Mary's College, is presenting her second solo exhibition at gallery neptune & brown in Washington, D.C., titled “Blueprint for Happiness.” The show runs from May 16 through June 20, with an opening reception on May 16. Johnson debuts a new series, “My Teenage Years,” which builds on her earlier “Symmetrical Bodies” work and examines the pressures on women to conform to ideals of happiness and perfection in body image and domestic spaces, drawing on 1960s-70s material and commercial culture.