Frank Stella’s Personal Collection of Navajo Textiles Goes on View for the First Time

A selection of Navajo textiles from the personal collection of minimalist artist Frank Stella is being exhibited and sold for the first time. The 55 textiles, dating from the late 19th and early 20th centuries, will be on view at Arader Galleries in New York from May 15 to June 10, then travel to Peter Pap Rugs in New Hampshire in June. Priced between $6,500 and $25,000, the collection includes a large 19th-century blanket that Stella lent to a seminal 1972 exhibition at LACMA. Stella began collecting these works in the mid-1960s after being introduced to Navajo art by Donald Judd and Tony Berlant.

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Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.

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The Museum of Modern Art in New York is presenting the exhibition "Wifredo Lam: When I Don't Sleep, I Dream," featuring the iconic Cuban Surrealist painter. The show includes his seminal work *The Jungle*, acquired by MoMA in 1946, and explores his complex artistic identity.

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The Thomas Cole National Historic Site in Catskill, New York, is hosting the largest exhibition of Emily Cole's work since the 19th century. Emily Cole (1843–1913), the daughter of Hudson River School founder Thomas Cole, took up painting in his studio as an adult, creating delicate botanical studies on porcelain ceramics. The show features over 100 pieces from the museum's collection, including works on paper and painted china, alongside contemporary responses from eight women artists such as Ann Agee, Jacqueline Bishop, and Francesca DiMattio.

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Eva, one half of the German artist duo EVA & ADELE, has died. Her passing was announced on the couple's Instagram page on Wednesday, with the German press agency dpa reporting that she died in Berlin after surgery on her lumbar spine. Eva never revealed her true age; the couple's representative, Galerie Nicole Gnesa, stated in an obituary that she was 34 years, one month, and 10 days old—using her chosen wedding day as her birthday. EVA & ADELE were known for treating their lives as a performance, appearing publicly in matching outfits to blur gender binaries and individuality, and were fixtures at major art events like the Venice Biennale, Documenta, and Manifesta.

Beacons in a Grim World

Two concurrent solo exhibitions at Alexander Berggruen Gallery feature the work of artists Kevin McNamee-Tweed and Tajh Rust. McNamee-Tweed presents enigmatic, tenderly absurd ceramic scenes, while Rust debuts in New York with figurative paintings that explore perception and Black identity through portraits of leisure and experimental silvered glass works.

Barkley L. Hendricks at Marian Goodman Gallery

The Estate of Barkley L. Hendricks presents "All is Portraiture," a major exhibition of the artist's work at the Marian Goodman Gallery in Paris. The show, running from February 6 to April 4, 2026, features a comprehensive checklist of Hendricks's portraits, offering a focused look at this central aspect of his celebrated practice.

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Suki Seokyeong Kang, a South Korean artist known for blending traditional Korean heritage with contemporary abstract forms, died on Sunday at age 47 (48 in Korean reckoning) after a battle with cancer. Her New York representative, Tina Kim Gallery, confirmed the cause. Kang's work spanned painting, textiles, sculpture, and installation, often incorporating postminimalist structures, craft techniques, and industrial materials. Notable series include her precarious "Grandmother Tower" sculptures and "Mountain" pieces made from curved steel and thread. She was born in Seoul in 1977, studied at Ewha Womans University and the Royal College of Art in London, and later became a professor of painting.

What’s Left to Learn from Marcel Duchamp?

The article examines Marcel Duchamp's enduring influence on contemporary art, focusing on his readymades such as "Fountain" (1917) and "Bicycle Wheel" (1913/1951). It notes that a major survey co-organized by the Museum of Modern Art and the Philadelphia Museum of Art, 70 years after Duchamp predicted his true public would emerge in 50 to 100 years, reaffirms his status as the most influential artist of the past century. The piece discusses how Duchamp's practice of selecting and presenting ordinary objects as art—from a urinal to a snow shovel—once shocked the art world but now seems quaint compared to later works like Maurizio Cattelan's taped banana.

The Modern Art Museum of Fort Worth announces the exhibition - David-Jeremiah: The Fire This Time

The Modern Art Museum of Fort Worth will present "David-Jeremiah: The Fire This Time," a solo exhibition organized by guest curator Christopher Blay, running from August 17 to November 2, 2025. The show features new works by multidisciplinary conceptual artist David-Jeremiah, including the final polychromatic EE (Emma Esse) series of seven paintings, and continues his exploration of Black identity, humanity, and ritual through inverted-performance installations centered on the Lamborghini as a symbol of beauty and violence.

Ronny Quevedo Connects Sites of Cosmovisions at Krannert Art Museum

Ronny Quevedo's first institutional solo exhibition in the Midwest, "a l l s t a r s," has opened at the Krannert Art Museum in Champaign-Urbana. The show features works from the Ecuadorian-born, New York-based artist's recent past alongside a new site-driven installation, "a mother's hand" (2025), which incorporates objects from the museum's reinstalled Andean art collection. Using materials like wax, drywall, muslin, carbon paper, and gold-silver leaves, Quevedo creates abstract fields that evoke cartographies, constellations, dressmaking diagrams, and sports playbooks, weaving together autobiographical references to his seamstress mother and soccer-playing father with broader themes of cultural inheritance, duality, and cosmovisions.

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Artist Christina Zimpel has released a new limited-edition print titled CLAP (2025) through a collaboration between Artspace and Lincoln Center Editions. The work, an edition of 36 with unique hand-embellishments in gouache, features a female figure clapping against a vibrant pink field, exploring themes of gesture, sound, and individuality.

Must-See: Rosa Loy Finds a Durable Form of Togetherness

Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.

Picturing Absence – 3 Photographs in the DAM's Collection

The Denver Art Museum (DAM) highlights three photographs from its collection that explore themes of absence and presence. Yoko Ikeda's 2008 image of a Japanese home threshold captures the unseen inhabitants through details like slippers. Keisha Scarville's "Untitled #17" (2017) uses her mother's clothing to evoke grief and memory after her death. David Maisel's "Library of Dust (267)" (2005) documents corroded copper urns containing cremated remains of unclaimed patients from Oregon State Hospital, revealing unique mineral blooms that symbolize individuality.

Brandywine Museum of Art Collaborates with Maine Museums to Highlight Overlooked Wyeth Designer

The Brandywine Museum of Art is partnering with the Colby College Museum of Art and the Farnsworth Art Museum to launch a major exhibition series titled “By Design: The Worlds of Betsy James Wyeth.” Opening in June 2026, the multi-venue showcase highlights the creative legacy of Betsy James Wyeth, who was a prolific landscape designer, architectural restorer, and interior designer. The exhibition will feature archival materials and physical design elements that illustrate her profound influence on the environments that served as the primary subjects for her husband, Andrew Wyeth.

Landmark George Morrison show foregrounds Abstract Expressionism’s debt to Native art

A new exhibition at New York's Metropolitan Museum of Art, titled "The Magical City: George Morrison’s New York," showcases the largest-ever show of works by Ojibwe abstract painter George Morrison (1919-2000). Running until 31 May 2026, the exhibition features 25 works and archival materials, highlighting Morrison's Abstract Expressionist style and the tension between his life in New York City and his roots on the Grand Portage Chippewa reservation. The show includes pieces like "The Antagonist" (1956) and "Aureate Vertical" (1958), revealing his dual experiences of urban glamour and Native displacement.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

Shirin Neshat: Born of Fire

The Parrish Art Museum in Water Mill, New York, presents "Born of Fire," a major exhibition of Iranian-born artist Shirin Neshat running from April 20 to September 1, 2025. The show features three photographic series—"Women of Allah" (1993–97), "The Book of Kings" (2012), and "Land of Dreams" (2019)—alongside two double-channel videos and a full-length film. Neshat's work explores themes of alienation, repression, and identity, drawing on her experience of living between Iranian and American cultures after the 1979 Islamic Revolution prevented her from returning home.

Flying Back With the Birds to My Hometown of Tehran

The author, an Iranian artist living in the diaspora, describes the profound psychological impact of the ongoing war on her homeland. She experiences a constant state of displacement and terror, feeling tethered to Tehran through news of bombings in the Alborz Mountains, which transforms her sense of geography and home into one of anxiety and helplessness.

Lindsay: Where Art Meets Life. Exhibit features Guffogg, Korean artists

The Lindsay Museum and Gallery recently debuted "Still Point: Everything Moves, One Remains," an international contemporary exhibition curated by JunHwan Chang of Gallery Chang. The show features a cross-cultural dialogue between local California artist Shane Guffogg and four prominent Korean artists: Kim Miné, Kim Hongbin, Anon, and Shin Kiwoun. The works on display range from Guffogg’s layered abstract paintings and Kim Miné’s lenticular "Nobody" series to hand-dyed fabric installations and video art exploring historical currency.

Stories in Copper and Vinyl

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The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.

“Trey Abdella’s Miserable Dream” New Art21 Film to Premiere Online on December 10, 2025

Art21 will premiere a new documentary film, "Trey Abdella's Miserable Dream," online on December 10, 2025. The film, directed by Andrew Nadkarni, follows the artist as he draws inspiration from Coney Island and American middle-class aesthetics to create mixed-media paintings that blend skilled representation with unconventional materials.

Dvaita (द्वैत) or Dualities Exhibition Explores Philosophical Contrasts at The Lexicon Art

The Lexicon Art in New Delhi is set to host "Dvaita (द्वैत): Dualities," a group exhibition curated by architect and artist Ankon Mitra opening on April 18, 2026. Featuring the work of 11 contemporary artists, the show explores the philosophical concept of dualism through contrasting elements such as light and shadow, geometric and amorphous forms, and gold and silver. The exhibition design moves away from the traditional white cube format, instead utilizing the gallery space to create a physical "dance of dualities" that reflects India’s layered cultural realities.

'I'm a container for my own spirit': Nickola Pottinger on her show of sculptures at the Aldrich Contemporary Art Museum

Nickola Pottinger presents her first solo museum exhibition, "fos born," at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, curated by chief curator Amy Smith-Stewart. The show features Pottinger's emotive, organic sculptures called "duppies," inspired by Jamaican folklore and her West Indian upbringing in Brooklyn. Constructed from recycled materials like furniture, bones, bird cages, and pigmented paper pulp made from family documents and rubble, the works explore themes of cultural identity, motherhood, and the duality of post-colonial existence. The exhibition centers on the recent birth of Pottinger's daughter, Zora, with pieces like "Give tanks and praises" (2025) incorporating a cast of the artist's pregnant torso.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.

Raven Halfmoon’s Empowering Sculptures Go on View at Ballroom Marfa

Raven Halfmoon's traveling exhibition "Flags of Our Mothers" has opened at Ballroom Marfa in Texas, featuring her monumental ceramic sculptures that explore her dual identity as Caddo and American. The show includes the 12.5-foot-tall outdoor piece "Flagbearer" (2022), her largest work to date, along with two new works debuting at this venue. Halfmoon, who drove from her home in Norman, Oklahoma, to Marfa for the installation, uses a coil technique to build imposing forms that evoke both protective matriarchs and the violence faced by Indigenous women, with her signature graffiti-like scrawl asserting resilience.

The National WWII Museum Hosting Special Exhibit Highlighting Nazi Campaign against Modern Art

The National WWII Museum in New Orleans has opened a special exhibit titled 'Degenerate! Hitler’s War on Modern Art,' on loan from the Jewish Museum Milwaukee and running through May 10, 2026. The exhibit features over 65 works by artists deemed 'degenerate' by the Nazi regime, including Wassily Kandinsky, Max Beckmann, Pablo Picasso, and Marc Chagall, alongside documents and artifacts that explore how modernist art was suppressed and weaponized as propaganda. The museum has expanded the original exhibit to include a focus on suppressed music, featuring instruments from the era, such as a tenor saxophone played by Eddie Powers and a clarinet played by George Lewis, on loan from the New Orleans Jazz Museum.

Stone Gallery Show Explores What It Means to Be Not from Here, Not from There

Boston University's Faye G., Jo, and James Stone Gallery is presenting "Ni de Aquí, Ni de Alla" (Not from Here, Not from There), a solo exhibition by artist Victor Quiñonez, known as Marka27, running through December 10. The show features paintings, murals, sculptures, and large-scale installations that explore the intersection of opposing cultures, languages, and experiences, drawing on Quiñonez's neo-Indigenous aesthetic and his background as a graffiti artist. The exhibition was three years in the making and includes works that blend street art with references to Mexican masters like Diego Rivera and David Alfaro Siqueiros.

Face to face: at Pallant House Gallery, meet the artists who paint, draw and sculpt other artists

Pallant House Gallery in Chichester is presenting 'Seeing Each Other: Portraits of Artists,' an exhibition exploring how artists have portrayed one another from the early 20th century to the present. Featuring over 130 artists by at least 80 different hands, the show spans painting, sculpture, installation, photography, drawing, and printmaking, with works arranged chronologically to highlight artistic circles, friendships, rivalries, and collaborations. Highlights include multiple portraits of Francis Bacon by Lucian Freud and Maggi Hambling, candid photographs of Young British Artists by Johnnie Shand Kydd, and a new double portrait by Ishbel Myerscough and Chantal Joffe.

Exhibitions on view in July at Southwest Florida art centers

Southwest Florida is home to over a dozen art centers, and in July 2025, 24 exhibitions are on view across venues from Sarasota to Marco Island. Highlights include Art Center Sarasota's 'Vice and Virtue: Annual Juried Regional Show,' juried by curator Jessica Todd, exploring morality and duality; Venice Art Center's solo shows by Karen Weih and Cosette Kosiba; the 'Over the Bridge' exhibition at Visual Arts Center in Punta Gorda featuring B.A. Wikoff and Lily Obsitnik; and the 'Member’s Showcase Exhibit' at the same venue. Satellite shows and the DeSoto Arts Center's annual art show round out the month's offerings.